WorldCat Identities

Wood, Ron 1947-

Works: 211 works in 598 publications in 8 languages and 10,825 library holdings
Genres: Rock music  Rock concert films  Documentary films  Biography  Live sound recordings  Rock films  Popular music  Nonfiction films  Blues-rock music  Pictorial works 
Roles: Instrumentalist, Performer, Interviewee, Author, Singer, Composer, Other, Lyricist
Classifications: M1630.18, 781.66
Publication Timeline
Most widely held works about Ron Wood
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Most widely held works by Ron Wood
The last waltz by Band (Musical group)( Visual )

11 editions published between 1978 and 2016 in English and held by 1,325 WorldCat member libraries worldwide

Thanksgiving, 1976, San Francisco's Winterland: the Band performs its last concert after 16 years on the road. Some numbers they do alone, some songs include guest artists from Ronnie Hawkins (their first boss, when they were the Hawks) to Bob Dylan (their last, when as his backup and as a solo group, they came into their own). Scorsese's camera explores the interactions onstage in the making of music. Offstage, he interviews the Band's five members, focusing on the nature of life on the road. The friendships, the harmonies, the hijinks, and the wear and tear add up to a last waltz
The Rolling Stones 50 : with over 1,000 illustrations in colour and black and white by Mick Jagger( Book )

6 editions published in 2012 in German and English and held by 483 WorldCat member libraries worldwide

This is the story of 50 fantastic years of The Rolling Stones, one of the greatest rock 'n' roll bands the world has ever known
Unplugged-- and seated by Rod Stewart( Recording )

24 editions published between 1993 and 2009 in 3 languages and held by 482 WorldCat member libraries worldwide

Re-Issue: Die fast schon legendäre MTV-Unplugged-Aufnahme in einer Neuausgabe mit DVD, auf der 13 Songs der Show zu sehen sind. Dem gut aufgelegten schottischen Sänger macht es sichtlich Spass, seine Hits in einem neuen Arrangement zu prästenieren
Last man standing by Jerry Lee Lewis( Recording )

7 editions published in 2006 in English and Undetermined and held by 435 WorldCat member libraries worldwide

It often seems like there are only two ways for rock, country, and blues veterans to launch comebacks when they're senior citizens: confront mortality head on or surround yourself with superstar guests to help carry you through a half-hearted stroll through your back catalog, scattering a few new tunes along the way. At first glance, Jerry Lee Lewis' Last Man Standing seems to fall into both categories: the title suggests that Jerry Lee is in the mood to take a long look back, and certainly the very concept of the album -- pairing Lewis with 21 other stars for a succession of duets, often on material that his guests either wrote or made famous -- seems like a typical superstar duet record. But the Killer has never been predictable, and nowhere is that truer than it is here, where Jerry Lee treats Mick Jagger, Keith Richards, John Fogerty, Bruce Springsteen, Jimmy Page, and 16 other stars as he treated the Nashville Teens at {the Star Club in 1964 -- as game amateurs who have to sprint to keep up with the master. This is the only guest-studded superstar album where all the guests bend to the will of the main act, who dominates the proceedings in every conceivable way. Jerry Lee doesn't just run the guests ragged; he turns their songs inside out, too -- and nowhere is that clearer than on the opening "Rock and Roll," the Led Zeppelin classic that is now stripped of its signature riff and sounds as if it were a lost gem dug out of the Sun vaults. Far from struggling with this, Jimmy Page embraces it, following the Killer as he runs off on his own course -- he turns into support, and the rest of other 20 guests follow suit (with the possible exception of Kid Rock, who sounds like the party guest who won't go home on an otherwise strong version of "Honky Tonk Woman"). The label might sell Last Man Standing on the backs of the duet partners -- after all, it's awful hard to drum up interest in a record by a 71-year-old man no matter how great he is, so you need a hook like superstars -- but the album by no stretch of the imagination belongs to them. This is completely Jerry Lee's show from the second that he calls out, "It's been a long time since I rock & rolled," at the beginning of the record -- and those are true words, since he hasn't rocked on record in a long, long time. Ten years ago he cut the Andy Paley-produced Young Blood, but that was a typically tasteful self-conscious comeback record; it was driven as much by the producer's conception of the artist as it was the artist himself. The opposite is true here, where the production is simple and transparent, never interfering with the performances; it has the welcome effect of making it sound like there is simply no way to tame Jerry Lee, even though he's now in his seventies. And that doesn't mean that this is merely a hard-rocking record, although "Rock and Roll," "Pink Cadillac," and "Travelin' Band" do indeed rock harder than anything he's done since the '70s -- so hard that they stand proudly next to his classic Sun records, even if they don't have the unbridled fire of those peerless sides. No, this album touches on everything that Jerry Lee has done musically through his career, as the furious rock & roll is balanced by pure hardcore country, piledriving boogie-woogie, rambling blues, old-timey folk songs, and, especially, reinterpretations of familiar songs that are so thoroughly reimagined they seem like they were written specifically for Jerry Lee. And he does this the same way he's always done it: by singing and playing the hell out of the songs. His phrasing remains original and unpredictable, twisting phrases in unexpected ways -- and, yes, throwing his name into the mix frequently, too -- and his piano is equally vigorous and vital. This is a record that stays true to his music, and in doing so, it's not so much a comeback as it is a summation: a final testament from a true American original, one that explains exactly why he's important. But that makes Last Man Standing sound too serious, as if it were one of those self-consciously morbid Johnny Cash records -- no, this is a record that celebrates life, both in its joys and sorrows, and it's hard not to see it as nothing short of inspiring. Stephen Thomas Erlewine
Voodoo lounge by Rolling Stones( Recording )

8 editions published between 1994 and 2009 in English and Undetermined and held by 432 WorldCat member libraries worldwide

The 30th anniversary concert celebration by Bob Dylan( Recording )

5 editions published between 1993 and 2014 in English and held by 374 WorldCat member libraries worldwide

You ain't goin' nowhere / Mary-Chapin Carpenter, Rosanne Cash, Shawn Colvin
The very best of Rod Stewart by Rod Stewart( Recording )

3 editions published in 2001 in English and held by 337 WorldCat member libraries worldwide

Crossfire hurricane by Rolling Stones( Visual )

3 editions published between 2012 and 2013 in English and held by 327 WorldCat member libraries worldwide

"[T]ells the story of the Rolling Stones' unparalleled journey from blues-obsessed teenagers in the early sixties to their undisputed status as rock royalty. All of the Rolling Stones have been newly interviewed and their words form the narrative arc that links together the archive footage of performances, news coverage and interviews, much of it previously unseen ... [and] gives the viewer an intimate insight into exactly what it's like to be part of the Rolling Stones as they overcome denunciation, drugs, dissensions and death to become the definitive survivors"--Container
Mean old man by Jerry Lee Lewis( Recording )

1 edition published in 2010 in English and held by 285 WorldCat member libraries worldwide

Steel wheels( Recording )

1 edition published in 1989 in English and held by 274 WorldCat member libraries worldwide

The Corrs live in Dublin by Corrs (Musical group)( Recording )

2 editions published in 2002 in English and held by 226 WorldCat member libraries worldwide

Bob Dylan : the 30th anniversary concert celebration( Visual )

4 editions published in 2014 in English and held by 213 WorldCat member libraries worldwide

An eclectic group of artists performed selections from the Bob Dylan songbook on October 16, 1992 at Madison Square Garden in New York City to celebrate the 30th anniversary of Dylan's debut album
Downtown train : selections from the storyteller anthology by Rod Stewart( Recording )

2 editions published in 1990 in English and held by 210 WorldCat member libraries worldwide

Truth by Jeff Beck( Recording )

19 editions published between 1968 and 2006 in Undetermined and English and held by 207 WorldCat member libraries worldwide

Truth was the debut album from Jeff Beck's self-titled group. His group was a force during the times of The Beatles and Jimi Hendrix. His guitar and Rod Stewart's vocals led this group and album to the top. Includes 8 bonus tracks
Unplugged( Recording )

1 edition published in 1994 in English and held by 170 WorldCat member libraries worldwide

No security by Rolling Stones( Recording )

1 edition published in 1998 in English and held by 158 WorldCat member libraries worldwide

The last waltz by Band (Musical group)( Recording )

11 editions published between 1988 and 2013 in English and held by 148 WorldCat member libraries worldwide

The Band create a grand swan song with the film and double album The Last Waltz. Along with classics like The Weight, the album included many guest appearances including Eric Clapton, Neil Young, Muddy Waters, and Bob Dylan
Encore : the very best of Rod Stewart -- vol. 2 by Rod Stewart( Recording )

1 edition published in 2003 in English and held by 140 WorldCat member libraries worldwide

The Rolling Stones : Let's spend the night together by Rolling Stones( Visual )

1 edition published in 2010 in English and held by 137 WorldCat member libraries worldwide

Film of the Rolling Stones' 1981 U.S. tour. The tenth tour of the Rolling Stones and one of the most ambitious musical presentations of all time, Let's Spend the Night Together, began on September 25, 1981, at the JFK Stadium in Philadelphia, and ended on December 19 in the Hampton Coliseum. Mick Jagger, Keith Richard, Ron Wood, Bill Wyman and Charlie Waters viewed by an audience of more than 90,000 fans per show. In total, more than two million people witnessed their success. Managed by the experienced Hal Ashby (Coming Home), the Stones hired him exclusively to document every second of their presentations. The result is one of the most spectacular musical concerts of all time, inspiring the megashows made in stadiums nowadays. Unprecedented in Brazil, this DVD shows the Stones' lavish musicality and songs that redefined the whole concept of rock and roll
The best of Faces : good boys-- when they're asleep-- by Faces (Musical group)( Recording )

5 editions published in 1999 in English and Undetermined and held by 127 WorldCat member libraries worldwide

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Audience Level
Audience Level
  Kids General Special  
Audience level: 0.28 (from 0.19 for Steel whee ... to 0.85 for The Rollin ...)

WorldCat IdentitiesRelated Identities
Alternative Names

Ron Wood britischer Rockmusiker, Gitarrist der Rolling Stones

Ron Wood britisk gitarist

Ron Wood britisk guitarist

Ron Wood Brits gitarist

Ron Wood brytyjski muzyk rockowy, członek The Rolling Stones

Ron Wood chitarrista, bassista e pittore britannico

Roni Vud

Ronnie Wood britisk gitarist

Ronnie Wood brittisk gitarrist

Wood, Ronald David 1947-

Wood, Ronnie

Wood Ronnie 1947-....

Рон Вуд

Рони Вуд

Рони Уд

Ронні Вуд

Ռոն Վուդ

רון ווד

روني وود

로니 우드

ウッド, ロニー

ウッド, ロン



Rock on Wood : Ronnie Wood : the origin of a rock & roll faceRonnie Wood : the autobiographyTruth! : Rod Stewart, Ron Wood and the Jeff Beck GroupThe Rolling Stones : the illustrated biographyRock on Wood : the origin of a rock & roll face - Ronnie WoodContemporary musicians : profiles of the people in music