WorldCat Identities

Bohlman, Philip V. 1952-

Works: 140 works in 486 publications in 9 languages and 14,815 library holdings
Genres: Criticism, interpretation, etc  Music  Conference papers and proceedings  Bibliography  History 
Roles: Author, Editor, Contributor, Translator, Conductor, Author of introduction, Author of afterword, colophon, etc., Other, edc, Creator, Compiler
Classifications: ML3799, 780.89
Publication Timeline
Most widely held works by Philip V Bohlman
World music : a very short introduction by Philip V Bohlman( Book )

17 editions published between 2002 and 2006 in 3 languages and held by 888 WorldCat member libraries worldwide

"Philip Bohlman asks: What is music? If the question is simple, the answers are not. In this fascinating introduction to the remarkable diversity of world music - from Swiss yodeling to pilgrims' chants, Yiddish folk songs to Àrt-Song' from Tunis - Bohlman explores the interpretation and, sometimes, misinterpretation of world music by the West."--Jacket
The study of folk music in the modern world by Philip V Bohlman( Book )

13 editions published between 1988 and 1998 in English and held by 834 WorldCat member libraries worldwide

Comparative musicology and anthropology of music : essays on the history of ethnomusicology( Book )

17 editions published between 1989 and 2010 in English and Portuguese and held by 788 WorldCat member libraries worldwide

Acknowledgments<br>Introduction by Bruno Nettl<br>I. Informed by the World’s Cultural Diversity<br>European Musical Terminology and the Music of Africa by Stephen Blum<br>From Reaction to Synthesis: Chinese Musicology in the Twentieth Century by Isabel K. F. Wong<br>Reflections on the Ideological History of Latin American Ethnomusicology by Gerard Behague<br>Tribal Music in the Study of Great and Little Traditions of Indian Music by Carol M. Babiracki<br>Ideas, Principles, Motivations, and Results in Eastern European Folk-Music Research by Oskar Elschek<br>II. Dominated by a Group of Abiding Issues<br>Muddying the Crystal Spring: From Idealism and Realism to Marxism in the Study of English and American Folk Song by James Porter<br>Representation and Cultural Critique in the History of Ethnomusicology by Philip V. Bohlman<br>Whose Music? Sources and Contexts in Indic Musicology by Regula Burckhardt Qureshi<br>The Uneven Development of Africanist Ethnomusicology: Three Issues and a Critique by Christopher A. Waterman<br>One World Or None? Untimely Reflections on a Timely Musicological Question By Alexander L. Ringer<br>III. Inspired by Great Leaders<br>Erich M. von Hornsbostel, Carl Stumpf, and the Institutionalization of Comparative Musicology by Dieter Christensen<br>The First Restudy of Arnold Bake’s Fieldwork in India by Nazir Ali Jairazbhoy<br>Marginality and Musicology in Nineteenth-Century Calcutta: The Case of Sourindro Mohun Tagore by Charles Capwell<br>Women and the Society for Ethnomusicology: Roles and Contributions from Formation through Incorporation (1952/53-1961) by Charlotte J. Frisbie<br>The Dual Nature of Ethnomusicology in North America: The Contributions of Charles Seeger and George Herzog by Bruno Nettl<br>IV. Nourished by a Variety of Disciplines<br>Recording Technology, the Record Industry, and Ethnomusicological Scholarship by Kay Kaufman Shelemay<br>Psychological Theory and Comparative Musicology by Albrecht Schneider<br>Interdisciplinary Approaches to the Study of Musical Communication Structures by Doris Stockmann<br>Styles of Musical Ethnography by Anthony Seeger<br>Epilogue by Philip V. Bohlman<br>Contributors<br>Index<br>
Ethnomusicology and modern music history by Stephen Blum( Book )

17 editions published between 1990 and 2009 in English and Chinese and held by 732 WorldCat member libraries worldwide

Ben shu bao kuo si bu fen:yin le yu li shi jing li,Quan wei yu quan shi,Zhong jian ren yu xie diao zhe,Yin le de zai xian yu geng xin
Music in American religious experience by Philip V Bohlman( Book )

17 editions published between 2005 and 2008 in English and Undetermined and held by 659 WorldCat member libraries worldwide

Since the appearance of The Bay Psalm Book in 1640, music has served as a defining factor for American religious experience. Music and music-making are crucial to the maintenance of the distinctive belief systems that account for the insistent presence of multiculturalism in American denominationalism. The sacred musics of America at once symbolize the unifying factors of worship shaping the historical landscape and give voice to the diversity that distinguishes the religious experiences of that landscape as American. For students and scholars in American music and religious studies, as well as for church musicians, this book is the first to study the ways in which music shapes the distinctive presence of religion in the United States. The sixteen essayists contributing to this book address the fullness of music's presence in American religion and religious history. Sacred music is considered in the broadest aesthetic sense, stretching from more traditional studies of hymnody and worship to new forms of musical expression, such as ritual in nonsectarian religious movements. Musical experience intersects with religious experience, posing challenging questions about the ways in which Americans, historical communities and new immigrants, and racial and ethnic groups, construct their sense of self. This book features an interdisciplinary approach that includes scholars in both musical and religious studies; a broad range of methodologies; historical breadth extending beyond denominational and church studies, and beyond Judeo-Christian traditions; and a comparative study of traditional religious communities and of emerging groups representing multiethnic America
Disciplining music : musicology and its canons by Katherine Bergeron( Book )

18 editions published between 1992 and 1996 in English and held by 625 WorldCat member libraries worldwide

Music and the racial imagination( Book )

9 editions published between 2000 and 2001 in English and held by 541 WorldCat member libraries worldwide

The music of European nationalism : cultural identity and modern history by Philip V Bohlman( Book )

15 editions published between 2002 and 2004 in English and held by 451 WorldCat member libraries worldwide

"This handbook examines how the music of nationalism navigates the borders between styles and repertoires as much as between languages and nations. By analyzing the musical connections bridging class and ideological division, The Music of European Nationalism sheds critical light on national anthems and military music, on the songs of war and peace, and on the music of national majorities and ethnic minorities, from Jewish klezmer music to Baltic and Celtic choruses to the rich resonance of Roma (Gypsy) music."--Jacket
Dancing on the edge of a volcano : Jewish cabaret, popular & political songs 1900-1945 by New Budapest Orpheum Society (Musical group)( )

4 editions published between 2002 and 2007 in Multiple languages and German and held by 384 WorldCat member libraries worldwide

Songs for high or medium voice with various instrumental acc
"The land where two streams flow" : music in the German-Jewish community of Israel by Philip V Bohlman( Book )

6 editions published in 1989 in English and held by 382 WorldCat member libraries worldwide

Celtic modern : music at the global fringe by Martin Stokes( Book )

8 editions published in 2003 in English and held by 376 WorldCat member libraries worldwide

A collection of essays on the global circulation of Celtic music and the place of music in the construction of Celtic 'imaginaries', which provides detailed case studies of the global dimensions of Celtic music in Scotland, Wales, Ireland, Brittany and the diasporas in Canada, the US and Australia
Jewish music and modernity by Philip V Bohlman( Book )

29 editions published between 2003 and 2013 in English and Polish and held by 360 WorldCat member libraries worldwide

"Is there really such a thing as Jewish music? And how does it survive as a practice of worship and cultural expression even in the face of the many brutal aesthetic and political challenges of modernity? In Jewish Music and Modernity, Philip V. Bohlman imparts these questions with a new light that transforms the very historiography of Jewish culture in modernity." "Based on decades of fieldwork and archival study throughout the world, Bohlman intensively examines the many ways in which music has historically borne witness to the confrontation between modern Jews and the world around them. Weaving a historical narrative that spans from the end of the Middle Ages to the Holocaust, be moves through the vast confluence of musical styles and repertories. From the sacred to the secular, from folk to popular music, and in the many languages in which it was written and performed, he accounts for areas of Jewish music that have rarely been considered before. Jewish music, argues Bohlman, both survived in isolation and transformed the nations in which it lived. When Jews and Jewish musicians entered modernity, authenticity became an ideal to be supplanted by the reality of complex traditions. Klezmer music emerged in rural communities cohabited by Jews and Roma; Jewish cabaret resulted from the collaborations of migrant Jews and non-Jews to the nineteenth-century metropoles of Berlin and Budapest, Prague and Vienna; cantors and composers experimented with new sounds. The modernist impulse from Felix Mendelssohn to Gustav Pick to Arnold Schoenberg and beyond became possible because of the ways music juxtaposed aesthetic and cultural differences."--Jacket
The Cambridge history of world music by Philip V Bohlman( Book )

15 editions published between 2013 and 2014 in English and Undetermined and held by 304 WorldCat member libraries worldwide

Scholars have long known that world music was not merely the globalized product of modern media, but rather that it connected religions, cultures, languages, and nations throughout world history
Jewish musical modernism, old and new( Book )

16 editions published between 2008 and 2009 in English and held by 300 WorldCat member libraries worldwide

Tackling the myriad issues raised by Sander Gilmans provocative opening salvoAre Jews Musical?this volumes distinguished contributors present a series of essays that trace the intersections of Jewish history and music from the late nineteenth century to the present
Jewish cabaret in exile by New Budapest Orpheum Society (Musical group)( )

3 editions published in 2009 in German and held by 287 WorldCat member libraries worldwide

The World Centre for Jewish Music in Palestine, 1936-1940 : Jewish musical life on the eve of World War II by Philip V Bohlman( Book )

8 editions published in 1992 in English and held by 264 WorldCat member libraries worldwide

Volks- und Popularmusik in Europa by Doris Stockmann( Book )

14 editions published between 1992 and 1997 in German and held by 263 WorldCat member libraries worldwide

Central European folk music : an annotated bibliography of sources in German by Philip V Bohlman( Book )

11 editions published between 1996 and 2016 in English and held by 209 WorldCat member libraries worldwide

Israeli folk music : songs of the early pioneers( )

5 editions published in 1994 in Hebrew and English and held by 208 WorldCat member libraries worldwide

Innehåller tidiga folksånger från Israel. De var publicerade på vykort. Olika kompositörer har sedan gjort arrangemang för sång och piano
Focus : music, nationalism, and the making of the new Europe by Philip V Bohlman( Recording )

12 editions published between 2010 and 2011 in English and held by 188 WorldCat member libraries worldwide

Two decades after the fall of communism in Eastern Europe and one decade into the twenty-first century, European music remains one of the most powerful forces for shaping nationalism. Using intensive fieldwork throughout Europe--from participation in alpine foot pilgrimages to studies of the grandest music spectacle anywhere in the world, the Eurovision Song Contest--Philip V. Bohlman reveals the ways in which music and nationalism intersect in the shaping of the New Europe. Focus: Music, Nationalism, and the Making of the New Europe begins with the emergence of the European nation-state in the Middle Ages and extends across long periods during which Europe's nations used music to compete for land and language, and to expand the colonial reach of Europe to the entire world. Bohlman contrasts the "national" and the "nationalist" in music, examining the ways in which their impact on society can be positive and negative--beneficial for European cultural policy and dangerous in times when many European borders are more fragile than ever. The New Europe of the twenty-first century is more varied, more complex, and more politically volatile than ever, and its music resonates fully with these transformations [Publisher description]
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  Kids General Special  
Audience level: 0.39 (from 0.04 for The music ... to 0.83 for Volks- und ...)

World music : a very short introduction
Alternative Names
Bohlman, Phil, 1952-

Bohlman, Philip.

Bohlman, Philip 1952-

Bohlman, Philip V.

Bohlman Philip V. 1952-....

Bohlman, Philip V. (Philip Vilas)

Bohlman, Philip Vilas

Bolman, Filip

Bolman, Filip 1952-

Vilas Bohlman, Philip

Vilas Bohlman, Philip 1952-

The study of folk music in the modern worldComparative musicology and anthropology of music : essays on the history of ethnomusicologyEthnomusicology and modern music historyMusic in American religious experienceDisciplining music : musicology and its canonsMusic and the racial imaginationThe music of European nationalism : cultural identity and modern history"The land where two streams flow" : music in the German-Jewish community of Israel