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Two American students on a walking tour of Europe trudge on to the next town, when suddenly the air is pierced by an unearthly howl ... Three weeks later, one is dead and the other is in the hospital.</summary></citation><citation><uniqueHoldings>466</uniqueHoldings><holdings>475</holdings><numEditions>5</numEditions><oclcnum>ocn052490966</oclcnum><exprid>sw006203626:lccn-n87-103156</exprid><isFiction>False</isFiction><recordType>visu</recordType><date>2003</date><languages count="1"><lang code="eng" count="5"/></languages><dates different="3" first="1967" last="2004"/><audLevel>0.39</audLevel><title>Thoroughly modern Millie</title><genres><genre count="358" norm="music">Music</genre><genre count="108" norm="comedy films">Comedy films</genre></genres><summary>'Thoroughly modern Millie' is the story of an innocent country girl who comes to the big city in search of a husband. Along the way she becomes the secretary of the rich and famous Trevor Graydon, befriends the sweet Miss Dorothy, fights off white slaver Mrs. Meers and hooks up with a lively paper clip salesman, Jimmy. 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Shows the invasion preparations made by the Allied forces in England, the defensive preparations made by the German forces on the Continent, and the invasion itself.</summary></citation><citation><uniqueHoldings>1</uniqueHoldings><holdings>1</holdings><numEditions>1</numEditions><oclcnum>ocn071129963</oclcnum><exprid>sw071129963:lccn-n87-103156</exprid><isFiction>False</isFiction><recordType>mixd</recordType><languages count="1"><lang code="eng" count="1"/></languages><creator>Bazelon, Irwin</creator><title>Irwin Bazelon collection, 1947-2005 (bulk, 1960-1990)</title><summary>The collection is in two sections: music and non-music. The former includes original manuscripts in the composer's hand, photocopies of works no longer existing in the original manuscript, film, broadcast, and library music, and printed music published by reproducing the composer's manuscript. The latter includes programs, flyers, publishing contracts, and the composer's writings. Included also are a number of commercial works which survive only as recordings. Correspondence includes Elmer Bernstein, Bernard Herrmann, David Raksin. Boxes 1-15: original mss. in the composer's hand; boxes 16-19: photocopies of works no longer existing in the original ms.; boxes 20-30: copies of film, broadcast and library music; boxes 31-32: copies of printed music; boxes 33-35: personal papers.</summary></citation><citation><uniqueHoldings>1</uniqueHoldings><holdings>1</holdings><numEditions>1</numEditions><oclcnum>ocn063019790</oclcnum><exprid>sw063019790:lccn-n87-103156</exprid><isFiction>False</isFiction><recordType>mixd</recordType><languages count="1"><lang code="eng" count="1"/></languages><audLevel>1.00</audLevel><title>Major figures in American music [A-E] : [oral history</title><summary>Major Figures in American Music is the core unit of Oral History, American Music. The unit consists of interviews with approximately 320 composers, performers, and other significant musicians. Each interview covers a wide range of the subject's work and life experiences, and many subjects have been interviewed on more than one occasion, often over a number of years. In addition to interviews with the primary subjects, Major Figures in American Music also includes testimonies from secondary sources about Harry Lawrence Freeman, George Gershwin, Percy Grainger, Quincy Porter, and Arnold Schoenberg.</summary></citation><citation><uniqueHoldings>1</uniqueHoldings><holdings>1</holdings><numEditions>1</numEditions><oclcnum>ocn054535683</oclcnum><exprid>sw054535683:lccn-n87-103156</exprid><isFiction>False</isFiction><recordType>book</recordType><date>2003</date><languages count="1"><lang code="eng" count="1"/></languages><dates different="1" first="2003" last="2003"/><title>Bernstein, Elmer</title></citation><citation><uniqueHoldings>1</uniqueHoldings><holdings>1</holdings><numEditions>1</numEditions><oclcnum>ocn040425533</oclcnum><exprid>sw040425533:lccn-n87-103156</exprid><isFiction>False</isFiction><recordType>visu</recordType><languages count="1"><lang code="eng" count="1"/></languages><audLevel>1.00</audLevel><creator>Office of Charles and Ray Eames</creator><title>Photographs of recording sessions for short film &quot;Music of the Fifties</title><summary>Photographs created and used to develop and document creation of the short television film &quot;Music of the Fifties.&quot; Images show CBS recording sessions (with close-ups of people dancing, dining, and playing musical instruments), television sets and production, crews, recording equipment, and dressing room scenes. Includes a few images of singer, Ethel Merman, and conductor, Elmer Bernstein.</summary></citation><citation><uniqueHoldings>1</uniqueHoldings><holdings>1</holdings><numEditions>1</numEditions><oclcnum>ocn040425524</oclcnum><exprid>sw040425524:lccn-n87-103156</exprid><isFiction>False</isFiction><recordType>visu</recordType><languages count="1"><lang code="eng" count="1"/></languages><audLevel>1.00</audLevel><creator>Office of Charles and Ray Eames</creator><title>Photographs documenting production of films</title><summary>Photographs created and used to develop and document production and subjects of short films and multiscreen presentations. Subjects depicted include Eames Contract Storage (ECS); toy trains; tops; children playing; Polaroid instant cameras; scientific instruments; Smithsonian Institution collections and buildings, and the U.S. Capitol building; airplane production at the Boeing airplane assembly plant, Seattle, Washington; and fiberglass chair production for Herman Miller, Inc. Many images show behind-the-scene activity, including some of Charles Eames directing or operating the camera, actors at work, staff selecting images and working on film; people, including Charles Eames, Ray Eames, Eames Office staff, representatives and staff from IBM and Boeing, and others; and recording sessions with Elmer Bernstein. Also includes copy photographs showing buildings and people in aftermath of 1906 earthquake and fire in San Francisco, California; animation studies, layouts, and title frames.</summary></citation><citation><uniqueHoldings>1</uniqueHoldings><holdings>1</holdings><numEditions>1</numEditions><oclcnum>ocn030902017</oclcnum><exprid>sw030902017:lccn-n87-103156</exprid><isFiction>False</isFiction><recordType>book</recordType><date>1957</date><languages count="1"><lang code="eng" count="1"/></languages><dates different="1" first="1957" last="1957"/><title>Community resources in the teaching of English: the motion picture industry</title></citation><citation><uniqueHoldings>0</uniqueHoldings><holdings>0</holdings><numEditions>1</numEditions><oclcnum>ocn071072571</oclcnum><exprid>sw071072571:lccn-n87-103156</exprid><isFiction>False</isFiction><recordType>mixd</recordType><languages count="1"><lang code="eng" count="1"/></languages><creator>Eames, Charles</creator><title>Papers of Charles and Ray Eames, 1885-1988 (bulk 1965-1988)</title><summary>Correspondence, writings, lectures, reports, proposals, scripts, notes, research files, minutes, financial records, clippings, printed material including catalogs and brochures, biographical material, layout designs, plans, drawings, photographs, and other papers documenting the design activities and professional associations of Charles and Ray Eames.  Relates chiefly to the Eames's designs for chairs and other furniture, exhibit designs, and production of films for the Eames's principal clients, the Herman Miller (firm), International Business Machines Corporation, and the governments of India and the United States.  Includes correspondence and other material pertaining to the Eames's collaboration with Elmer Bernstein, I. Bernard Cohen, John Dinkeloo, Owen Gingerich, Edmund Sears Morgan, Philip Morrison, Raymond M. Redheffer, and Kevin Roche.  Also includes Kaiser family papers containing material from Ray Eames's years at the Bennett School in Millbrook, N.Y., and her studies with Hans Hofmann.  Other correspondents include Bill Ballantine, Elmer Bernstein, R. Buckminster Fuller, Alexander Girard, Dorothy Jeakins, A. Quincy Jones, Lee Krasner, Bill Lacy, George Nelson, Eliot Noyes, Gio Ponti, Kevin Roche, Paul Schrader, Peter Smithson, Saul Steinberg, Harry Weese, and Billy Wilder.</summary></citation></about><bestCover oclc="ocn064668011" type="isbn">1415718636</bestCover><Identity>Wed Mar 04 23:58:52 EST 2009<Identity/></Identity></Identity>