Lubar, Robert S.

Icons of postwar art : painting and sculpture from the Norman and Irma Braman Collection : [exhibition] the Tampa Museum, November 18, 1984-February 10, 1985 ( Book )
1 edition published in 1984 in English and held by 9 libraries worldwide

Dalí the Salvador Dalí Museum collection ( Book )
4 editions published between 1991 and 2000 in English and held by 8 libraries worldwide

Dali : Inattendu, le musé Salvador Dali de St. Petersburg (Floride) by Salvador Dalí ( Book )
1 edition published in 1994 in French and held by 7 libraries worldwide

Miró by Robert S Lubar ( Book )
2 editions published between 1993 and 1998 in Spanish and Italian and held by 4 libraries worldwide

Allegory in the age of realism : monumental sculpture in France, 1848--1880 by Ariel Plotek ( Book )
2 editions published in 2008 in English and held by 3 libraries worldwide
This dissertation examines the condition of allegory in the late nineteenth-century as exemplified by the case of monumental sculpture: state-sponsored works commissioned for public sites mainly in Paris. Manifestly political, it is a field distinguished also by the predominance of allegorical subjects. This study spans three regimes: the Second Republic (1848--52), Second Empire (1852--70), and the first decade of the Third Republic (1870--1940), bracketed by two major state-sponsored competitions, for a new figure of the Republic in 1848, and a monument to the defense of Paris in 1879. Beginning in the 1840s with the romantic critique of allegory, in literature as well as the visual arts, this dissertation concludes under the Third Republic, with the birth of Symbolism around 1880. Unlike the discipline of art history, where the nineteenth century's resistance to allegory has remained largely unexamined, in the field of literary theory the Romantic critique of allegory (and accompanying valorization of the symbol) has been the object of sustained historical and philosophical scrutiny, both in terms of its origins and influence. Of special significance in this regard is the figure of Walter Benjamin, whose theory of allegory would mark a turning-point in its modern critical fortunes. It is the underlying purpose of this dissertation---in the footsteps of the generations of literary critics who have followed Benjamin's lead in challenging the Romantic, and post-Romantic, definition of allegory---to call attention to this enduring prejudice in the history of art; one that has occluded from the discourse of Modernism the fraught figure of allegory, even as it embodies the very tensions at the heart of this late nineteenth-century crisis of representation.

Picasso and the Spanish tradition by Pablo Picasso ( Book )
1 edition published in 1996 in English and held by 3 libraries worldwide

Domènec : 24 hores de llum artificial by Domènec ( Book )
1 edition published in 1998 in Catalan and held by 3 libraries worldwide

Antoni Tàpies : recent works ( Book )
1 edition published in 1993 in English and held by 2 libraries worldwide

24 hores de llum artificial : a distància : del 27 de novembre de 1998 al 17 de gener de 1999, Sala Montcada de la Fundació "la Caixa by Domènec ( Book )
1 edition published in 1998 in Catalan and held by 2 libraries worldwide

Defining modernism : inaugural exhibition; art of the 20th century from the New York University art collection, Grey Art Gallery & Study Center. The Thomas J. Walsh Art Gallery, Regina A. Quick Center for the Arts at Fairfield University ( Book )
1 edition published in 1990 in English and held by 2 libraries worldwide