WorldCat Identities

Lubar, Robert S.

Overview
Works: 68 works in 122 publications in 3 languages and 1,633 library holdings
Genres: Catalogs  Exhibition catalogs  History  Criticism, interpretation, etc 
Roles: Author, Contributor, Editor, Author of introduction, zxx
Classifications: N7113.D3, 759.6
Publication Timeline
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Most widely held works by Robert S Lubar
Dali : the Salvador Dali Museum collection by Salvador Dalí( Book )

14 editions published between 1991 and 2000 in English and held by 681 WorldCat member libraries worldwide

Dali's værker på Salvador Dali museet i St. Petersburg, Florida - med forklarende tekst
The Park Avenue cubists : Gallatin, Morris, Frelinghuysen, and Shaw( Book )

8 editions published in 2002 in English and held by 306 WorldCat member libraries worldwide

Spanish drawings in the Princeton University Art Museum by Lisa A Banner( Book )

6 editions published in 2012 in English and held by 152 WorldCat member libraries worldwide

Antoni Tàpies : recent works, February 19-March 20, 1993 by Antoni Tàpies( Book )

3 editions published in 1993 in English and Undetermined and held by 110 WorldCat member libraries worldwide

Icons of postwar art : painting and sculpture from the Norman and Irma Braman collection( Book )

2 editions published between 1984 and 1985 in English and held by 73 WorldCat member libraries worldwide

Rachel Friedberg : a fragile balance : works 1962-1997 by Rachel Friedberg( Book )

1 edition published in 1998 in English and held by 33 WorldCat member libraries worldwide

Miró & Noguchi : selections from the Martin Z. Margulies collection : [exhibition] September 8-October 11, 1995( Book )

1 edition published in 1995 in English and held by 28 WorldCat member libraries worldwide

Joan Ponç by Robert S Lubar( Book )

4 editions published in 1994 in Spanish and held by 25 WorldCat member libraries worldwide

The Dalí Museum collection : oil paintings, objects and works on paper by Salvador Dali Museum( Book )

1 edition published in 2012 in English and held by 23 WorldCat member libraries worldwide

Joan Miroś Spanish dancer: variation on a theme by Adina Kamien-Kazhdan( Book )

2 editions published in 2013 in English and held by 21 WorldCat member libraries worldwide

Dali inattendu : le Musée Salvador Dali de St. Petersburg, Floride by Salvador Dalí( Book )

3 editions published in 1994 in French and held by 20 WorldCat member libraries worldwide

Joan Miro before "The Farm," 1915-1922 : Catalan nationalism and the avant-garde by Robert S Lubar( )

12 editions published between 1987 and 1998 in English and Undetermined and held by 20 WorldCat member libraries worldwide

"Joan Miro Before The Farm" examines the artist's formative work within the context of the cultural discourse of Catalan nationalism during the first quarter of the twentieth century. The leitmotif of this thesis is Miro's professed identity as an "international Catalan"; that is, his desire to reconcile traditional Catalan values with advanced international (especially French) artistic impulses in his work
Picasso : musas y modelos = muses and models : Museo Picasso Málaga, 02/10/2006-02/28/2007 by Pablo Picasso( Book )

2 editions published in 2006 in Spanish and English and held by 14 WorldCat member libraries worldwide

The practice and politics of Cuban abstraction, c.1952--1963 by Abigail McEwen( )

1 edition published in 2010 in English and held by 7 WorldCat member libraries worldwide

The culmination of Cuban modernism spanned the decade of the 1950s, conceptually bridging and defining cultural politics from the dictatorial coup of Fulgencio Batista in 1952 to the socialist revolution in 1959. Modernist values of abstraction and expressive freedom gained currency in Havana during this period, advanced by a young vanguardia seeking to redefine Cuban culture in contemporary, cosmopolitan terms. Both a visual form and an ideological platform, abstraction signaled a new horizon of possibility for art as a means of social and political transformation. Within an increasingly radicalized cultural field, this vanguardia channeled its energies in two principal directions: first and in concert with the building revolutionary movement, toward the overthrow of Batista; and second and jointly with their pan-American peers, toward the wider promulgation of abstraction as a liberal and socially constructive medium. The polemics of abstraction, within both Cuban and transnational contexts, resonated deeply across cultural and international networks, and the contingencies of these artworks broached vitally urgent questions over the transformative potential of art
Beyond self-portraiture: The fabrication of Andy Warhol, 1960--1968 by Kelly Sidley( )

1 edition published in 2006 in English and held by 6 WorldCat member libraries worldwide

The first chapter discusses how Warhol altered his physical appearance and demeanor in order to fashion his Pop image. It emphasizes his attempts to exhibit in galleries during the 1950s, as well as Warhol's production of commercial work well into the 1960s. It dispels the misconception that Warhol worked solely as a commercial artist in the 1950s and only as a fine artist in the 1960s. The second chapter looks at Warhol's photobooth self-portraits made from early 1963 until mid-1965. Warhol used the Photomaton as a tool to document the changes he orchestrated in his appearance and as a method to generate source material for his silkscreened self-portrait canvases. This chapter considers all the known self-portrait photobooth images, orders them chronologically, and explains how many were used for publicity purposes. The third chapter focuses on Warhol's three major series of painted self-portraits from the 1960s. This trio of images captures Warhol's evolving sense of how he wanted to be perceived by the art world and the general public. The chapter traces the motivations for each series and discusses how the paintings were produced, exhibited, and sold. Chapter four examines Warhol's methods of promoting himself in the media. Through interviews, television appearances, and publicity in mass circulation magazines and newspapers, Warhol achieved notoriety well beyond the fine arts community. Gene Swenson's 1963 interview and Gretchen Berg's 1966 interview are analyzed for how they captured Warhol's voice, as well as how these texts have been further edited and cited. The artist's continuing appeal is shown to be not just the product of his artwork, but is also a function of his manufactured persona
Dalí : the Salvador Dalí Museum collection by Robert S Lubar( Book )

1 edition published in 2003 in English and held by 6 WorldCat member libraries worldwide

Revolution and utopia: Estridentismo and the visual arts, 1921--1927 by Lynda Klich( )

1 edition published in 2008 in English and held by 6 WorldCat member libraries worldwide

Chapter One focuses on estridentismo's origins and initial debt to Italian Futurism and Spanish Ultraismo . By co-opting foreign avant-garde models, Maples Arce aimed to transform the parochialism of Mexican art and literature and to update the model of the socially-engaged intellectual. The estridentistas' construction of a vanguard identity through portraiture is the central theme of Chapter Two. Here I demonstrate that Maples Arce's strategic solicitation of portraits from supporters heightened and expanded the movement's profile, creating visual ties to Mexico's vanguard artists. Chapter Three explores estridentismo 's fundamental aim to forge a progressive, post-Revolutionary consciousness through its journal Irradiador and its varied imagery, including woodcuts, watercolors, photographs, and masks. I suggest that by embracing technology and advanced art, the estridentistas countered the state-promoted fiction of an authentic and timeless indigenous rural culture
 
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Dali : the Salvador Dali Museum collectionDalí : the Salvador Dalí Museum collection
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The Park Avenue cubists : Gallatin, Morris, Frelinghuysen, and ShawDalí : the Salvador Dalí Museum collection