WorldCat Identities

Lubar, Robert S.

Overview
Works: 65 works in 125 publications in 3 languages and 1,692 library holdings
Genres: Catalogs  Exhibition catalogs  Academic theses  Criticism, interpretation, etc  History 
Roles: Author, Contributor, Editor, Author of introduction
Classifications: N7113.D3, 759.6
Publication Timeline
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Most widely held works by Robert S Lubar
Dali : the Salvador Dali Museum collection by Salvador Dalí( Book )

15 editions published between 1991 and 2000 in English and held by 679 WorldCat member libraries worldwide

Dali's værker på Salvador Dali museet i St. Petersburg, Florida - med forklarende tekst
The Park Avenue cubists : Gallatin, Morris, Frelinghuysen, and Shaw( Book )

8 editions published in 2002 in English and held by 306 WorldCat member libraries worldwide

Spanish drawings in the Princeton University Art Museum by Lisa A Banner( Book )

6 editions published in 2012 in English and held by 157 WorldCat member libraries worldwide

"The Princeton University Art Museum's collection of Spanish drawings includes masterworks by artists such as Jusepe de Ribera (1591–1652), Bartolomé Esteban Murillo (1617–1682), Francisco Goya (1746–1828), Pablo Picasso (1881–1973), and Salvador Dalí (1904–1989). Although many of the drawings in the collection relate to celebrated paintings, commissions, and other works by these artists, they remain largely unknown. Most have not been published previously and many are attributed here for the first time. In Spanish Drawings in the Princeton University Art Museum, preeminent scholars enrich the growing corpus of work on Spanish drawings with original research. Each of the 95 drawings is reproduced in color, often accompanied by comparative illustrations. Watermarks have been documented with beta radiography and are included in an appendix. Provenances and artist biographies round out this detailed record of one of the most important collections of its kind."--Publisher description
Antoni Tàpies : recent works, February 19-March 20, 1993 by Antoni Tàpies( Book )

5 editions published in 1993 in English and Undetermined and held by 114 WorldCat member libraries worldwide

Icons of postwar art : painting and sculpture from the Norman and Irma Braman collection( Book )

3 editions published in 1984 in English and held by 73 WorldCat member libraries worldwide

Miró & Noguchi : selections from the Martin Z. Margulies collection : [exhibition] September 8-October 11, 1995 by Joan Miró( Book )

4 editions published in 1995 in English and held by 34 WorldCat member libraries worldwide

Rachel Friedberg : a fragile balance : works 1962-1997 by Rachel Friedberg( Book )

1 edition published in 1998 in English and held by 33 WorldCat member libraries worldwide

The Dalí Museum collection : oil paintings, objects and works on paper by Salvador Dali Museum( Book )

1 edition published in 2012 in English and held by 26 WorldCat member libraries worldwide

Joan Miroś Spanish dancer: variation on a theme by Adina Kamien-Kazhdan( Book )

3 editions published in 2013 in English and held by 25 WorldCat member libraries worldwide

Joan Ponç by Robert S Lubar( Book )

4 editions published in 1994 in Spanish and held by 25 WorldCat member libraries worldwide

Joan Miro before "The Farm," 1915-1922 : Catalan nationalism and the avant-garde by Robert S Lubar( )

13 editions published between 1987 and 1998 in English and Undetermined and held by 23 WorldCat member libraries worldwide

Throughout this dissertation, Miro's introspective writings are analyzed, and his responses to the art of Pablo Picasso are addressed in depth. Miro's involvement with a range of vanguard journals in Catalonia is also highlighted. The dissertation is followed by seven appendices, including: a detailed biographical outline of Miro's life to 1922; a comprehensive Catalan cultural chronology for the period from 1906-1922; and a catalogue of Miro's painting up to The Farm
Dali inattendu : le Musée Salvador Dali de St. Petersburg, Floride by Albert Reynolds Morse( Book )

2 editions published in 1994 in French and held by 15 WorldCat member libraries worldwide

Joan Miró : materiality and metamorphosis = materialidade e metamorfose by Robert S Lubar( Book )

3 editions published in 2016 in English and held by 14 WorldCat member libraries worldwide

This fully-illustrated publication features an insightful essay by Robert Lubar Messeri, curator of the exhibition and a renowned scholar on the work of Joan Miró. Surveying the seven-decade intensive creative output of the Catalan artist across the media of painting, drawing, sculpture, collage and tapestry, 'Materiality and Metamorphosis' expands on the decisive role of the material substratum and the morphological nature of Miró?s art that challenged the very notion of medium specificity.00Exhibition: Fundação Serralves, Porto, Portugal (01.10.2016 - 04.06.2017)
Picasso : musas y modelos = muses and models : Museo Picasso Málaga, 02/10/2006-02/28/2007 by Pablo Picasso( Book )

1 edition published in 2006 in English and held by 14 WorldCat member libraries worldwide

Dalí : the Salvador Dalí Museum collection by Robert S Lubar( Book )

1 edition published in 2003 in English and held by 7 WorldCat member libraries worldwide

The practice and politics of Cuban abstraction, c.1952--1963 by Abigail McEwen( )

1 edition published in 2010 in English and held by 7 WorldCat member libraries worldwide

The culmination of Cuban modernism spanned the decade of the 1950s, conceptually bridging and defining cultural politics from the dictatorial coup of Fulgencio Batista in 1952 to the socialist revolution in 1959. Modernist values of abstraction and expressive freedom gained currency in Havana during this period, advanced by a young vanguardia seeking to redefine Cuban culture in contemporary, cosmopolitan terms. Both a visual form and an ideological platform, abstraction signaled a new horizon of possibility for art as a means of social and political transformation. Within an increasingly radicalized cultural field, this vanguardia channeled its energies in two principal directions: first and in concert with the building revolutionary movement, toward the overthrow of Batista; and second and jointly with their pan-American peers, toward the wider promulgation of abstraction as a liberal and socially constructive medium. The polemics of abstraction, within both Cuban and transnational contexts, resonated deeply across cultural and international networks, and the contingencies of these artworks broached vitally urgent questions over the transformative potential of art
After Adorno: The essayistic impulse in Holocaust-related art by Andrew G Weinstein( )

1 edition published in 2006 in English and held by 6 WorldCat member libraries worldwide

This dissertation argues that Holocaust-related art is best understood not as a product of limits arising from ethical concerns about Holocaust representation, but instead within a contemporary art context. It explores the epistemological approach common to much Holocaust-related and "mainstream" contemporary art, and it investigates how neither Holocaust scholars nor art world professionals generally acknowledge the commonality
When father doesn't know best: Surrealism, metaphor, masculinity by Edward D Powers( )

1 edition published in 2003 in English and held by 6 WorldCat member libraries worldwide

The Introduction discusses how language and desire--metaphor and masculinity--occupy the fulcrum of Bretonian Surrealism. My dissertation then addresses how Duchamp identifies masculinity to metaphor, and femininity to its rejection--most notably, in The Large Glass which he divides in two--including the binary male-female axis which structures his use of language and space more generally. It next addresses how Bataille and Oppenheim directly repudiate Bretonian metaphor and also "pervert" its basis in masculinity, in favor of an immediate, bodily relationship to their erotic writings and objects, respectively. In particular, it focuses on Breton's response to Bataille's rejection of metaphor and symbolism more generally, as processes which, by disembodying meaning, reduce it to what Bataille calls a "common measure"; as well as Oppenheim's rejection of Breton's efforts to metaphorize her Object as Breakfast in Fur, or her Pair of boots as Undressing. Lastly, it addresses how Dali and Cocteau, rather than rejecting metaphor, instead reveal its failure. In particular, it focuses on how the Oedipus myth, to which they return time and again, is symbolized as a failure of the Oedipal interdiction. The Conclusion repositions these artists' treatment of metaphor within a counter-teleology of Modernism which, traceable through Neo-Dada and Pop, effectively culminates in Literalism (or Minimalism, as it is now known)
Isamu Noguchi: The artist as engineer and visionary designer, 1918--1939 by Deborah A Goldberg( )

1 edition published in 2000 in English and held by 6 WorldCat member libraries worldwide

The Japanese-American artist Isamu Noguchi considered himself to be not only a sculptor, but also an artist-engineer, inventor, and visionary designer. This dissertation explores the trajectory of his design career and cross-influences between his sculpture and design from his youth through 1939. Two inventors and engineers, Dr. Edward A. Rumely and R. Buckminster Fuller, shared Noguchi's enthusiasm for new technologies and efficiency engineering, offered him his first design opportunities, portrait commissions, and links to the industrial world, and fostered Noguchi's ambitious self-marketing campaign as a visionary designer. Chapter One investigates the pedagogy of Rumely and his progressive school, Interlaken, in Rolling Prairie, Indiana, whose summer camp Noguchi attended in 1918. Noguchi later reinterpreted the craft, industrial, and agricultural practices that were promoted there
 
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The Park Avenue cubists : Gallatin, Morris, Frelinghuysen, and ShawDalí : the Salvador Dalí Museum collection