WorldCat Identities

Lubar, Robert S.

Overview
Works: 57 works in 104 publications in 5 languages and 1,541 library holdings
Genres: Catalogs  Exhibition catalogs  Criticism, interpretation, etc  History 
Roles: Author, Contributor, Author of introduction, Editor
Classifications: N7113.D3, 759.6
Publication Timeline
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Most widely held works by Robert S Lubar
Dali : the Salvador Dali Museum collection by Salvador Dalí( Book )
14 editions published between 1991 and 2000 in English and held by 685 WorldCat member libraries worldwide
Dali's værker på Salvador Dali museet i St. Petersburg, Florida - med forklarende tekst
The Park Avenue cubists : Gallatin, Morris, Frelinghuysen, and Shaw ( Book )
8 editions published in 2002 in English and held by 303 WorldCat member libraries worldwide
Spanish drawings in the Princeton University Art Museum by Lisa A Banner( Book )
6 editions published in 2012 in English and held by 139 WorldCat member libraries worldwide
Antoni Tàpies : recent works, February 19-March 20, 1993 by Antoni Tàpies( Book )
2 editions published in 1993 in English and held by 109 WorldCat member libraries worldwide
Icons of postwar art : painting and sculpture from the Norman and Irma Braman collection ( Book )
1 edition published in 1985 in English and held by 62 WorldCat member libraries worldwide
Rachel Friedberg : a fragile balance : works 1962-1997 by Rachel Friedberg( Book )
1 edition published in 1998 in English and held by 33 WorldCat member libraries worldwide
Miró & Noguchi : selections from the Martin Z. Margulies collection : [exhibition] September 8-October 11, 1995 ( Book )
1 edition published in 1995 in English and held by 27 WorldCat member libraries worldwide
Joan Ponç by Robert S Lubar( Book )
4 editions published in 1994 in Spanish and held by 23 WorldCat member libraries worldwide
Dali inattendu : le Musée Salvador Dali de St. Petersburg, Floride by Albert Reynolds Morse( Book )
3 editions published in 1994 in French and held by 20 WorldCat member libraries worldwide
Joan Miro before "The Farm," 1915-1922 : Catalan nationalism and the avant-garde by Robert S Lubar( Book )
10 editions published between 1988 and 1991 in English and held by 19 WorldCat member libraries worldwide
Throughout this dissertation, Miro's introspective writings are analyzed, and his responses to the art of Pablo Picasso are addressed in depth. Miro's involvement with a range of vanguard journals in Catalonia is also highlighted. The dissertation is followed by seven appendices, including: a detailed biographical outline of Miro's life to 1922; a comprehensive Catalan cultural chronology for the period from 1906-1922; and a catalogue of Miro's painting up to The Farm
The Dalí Museum collection : oil paintings, objects and works on paper by Salvador Dali Museum( Book )
1 edition published in 2012 in English and held by 19 WorldCat member libraries worldwide
Joan Miroś Spanish dancer: variation on a theme by Adina Kamien-Kazhdan( Book )
2 editions published in 2013 in English and held by 14 WorldCat member libraries worldwide
Picasso : musas y modelos = muses and models : Museo Picasso Málaga, 02/10/2006 - 02/28/2007 by Pablo Picasso( Book )
1 edition published in 2006 in English and held by 13 WorldCat member libraries worldwide
Dalí : the Salvador Dalí Museum collection by Robert S Lubar( Book )
1 edition published in 2003 in English and held by 6 WorldCat member libraries worldwide
Mirò by Joan Miró( Book )
2 editions published in 1993 in Italian and held by 5 WorldCat member libraries worldwide
Allegory in the age of realism : monumental sculpture in France, 1848--1880 by Ariel Plotek( Book )
3 editions published in 2008 in English and held by 4 WorldCat member libraries worldwide
This dissertation examines the condition of allegory in the late nineteenth-century as exemplified by the case of monumental sculpture: state-sponsored works commissioned for public sites mainly in Paris. Manifestly political, it is a field distinguished also by the predominance of allegorical subjects. This study spans three regimes: the Second Republic (1848--52), Second Empire (1852--70), and the first decade of the Third Republic (1870--1940), bracketed by two major state-sponsored competitions, for a new figure of the Republic in 1848, and a monument to the defense of Paris in 1879. Beginning in the 1840s with the romantic critique of allegory, in literature as well as the visual arts, this dissertation concludes under the Third Republic, with the birth of Symbolism around 1880. Unlike the discipline of art history, where the nineteenth century's resistance to allegory has remained largely unexamined, in the field of literary theory the Romantic critique of allegory (and accompanying valorization of the symbol) has been the object of sustained historical and philosophical scrutiny, both in terms of its origins and influence. Of special significance in this regard is the figure of Walter Benjamin, whose theory of allegory would mark a turning-point in its modern critical fortunes. It is the underlying purpose of this dissertation---in the footsteps of the generations of literary critics who have followed Benjamin's lead in challenging the Romantic, and post-Romantic, definition of allegory---to call attention to this enduring prejudice in the history of art; one that has occluded from the discourse of Modernism the fraught figure of allegory, even as it embodies the very tensions at the heart of this late nineteenth-century crisis of representation
Picasso and the Spanish tradition by Jonathan Brown( Book )
1 edition published in 1996 in English and held by 3 WorldCat member libraries worldwide
In a compelling example of cultural politics, the Spaniard Pablo Picasso has been transformed into a hero of French modernism. Recently, however, there is a growing awareness that Picasso's involvement with his native land was crucial throughout his life. In this book, eminent art historians examine Picasso's dynamic relationship with the country of his birth and its cultural and artistic traditions
Domènec : 24 hores de llum artificial by Domènec( Book )
1 edition published in 1998 in Catalan and held by 3 WorldCat member libraries worldwide
The practice and politics of Cuban abstraction, c.1952--1963 by Abigail McEwen( Book )
2 editions published in 2010 in English and held by 2 WorldCat member libraries worldwide
The culmination of Cuban modernism spanned the decade of the 1950s, conceptually bridging and defining cultural politics from the dictatorial coup of Fulgencio Batista in 1952 to the socialist revolution in 1959. Modernist values of abstraction and expressive freedom gained currency in Havana during this period, advanced by a young vanguardia seeking to redefine Cuban culture in contemporary, cosmopolitan terms. Both a visual form and an ideological platform, abstraction signaled a new horizon of possibility for art as a means of social and political transformation. Within an increasingly radicalized cultural field, this vanguardia channeled its energies in two principal directions: first and in concert with the building revolutionary movement, toward the overthrow of Batista; and second and jointly with their pan-American peers, toward the wider promulgation of abstraction as a liberal and socially constructive medium. The polemics of abstraction, within both Cuban and transnational contexts, resonated deeply across cultural and international networks, and the contingencies of these artworks broached vitally urgent questions over the transformative potential of art
 
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Audience level: 0.55 (from 0.26 for Dali : the ... to 1.00 for Joan Miros ...)
Languages
English (55)
Spanish (4)
French (3)
Italian (2)
Catalan (1)
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