WorldCat Identities

Musser, Charles

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Most widely held works about Charles Musser
 
Most widely held works by Charles Musser
The emergence of cinema : the American screen to 1907 by Charles Musser( Book )

31 editions published between 1980 and 1997 in English and held by 1,578 WorldCat member libraries worldwide

This volume examines the development of film and the film industry from its development through 1906 and the political and economic background that influenced it
Oscar Micheaux and his circle : African-American filmmaking and race cinema of the silent era by Giornate del cinema muto di Pordenone( )

12 editions published between 2001 and 2016 in English and held by 1,286 WorldCat member libraries worldwide

Oscar Micheaux-the most prolific African-American filmmaker to date and a filmmakinggiant of the silent period-has finally found his rightful place in film history. Both artist and showman, Micheaux stirred controversy in his time as he confronted issues such as lynching, miscegenation, peonage and white supremacy, passing, and corruption among black clergymen. He emphasized the importance of education and the rights of citizenship (the vote, equal protection under the law) for racial uplift, to advance race progress, to awaken black consciousness, and to correct negative behavior within black communities. These films spoke to black moviegoers in ways that were completely different from Hollywood pictures. In this important new collection, prominent scholars examine Micheaux's surviving silent films, his fellow producers of race films who alternately challenged or emulated his methods, and the cultural activities that surrounded and sustained these achievements. The essays shed new light on the feature filmmaking of Richard Maurice (Detroit), David Starkman and the Colored Players Film Corporation (Philadelphia), and Richard Norman (Florida), as well as the stardom of Evelyn Preer, Lucia Lynn Moses, Paul Robeson, Charles Gilpin, and Lawrence Chenault. Studies of the shorter films shot in 16mm by ethnographer Zora Neale Hurston and religious reformers James and Eloyce Gist (Washington, D.C.) fill out the complex picture of an era. Authors examine Micheaux's films (and novels) from a range of perspectives, including his radical aesthetic strategies, his uses of stereotypes, his powerful critiques of D. W. Griffith's Birth of a Nation and Eugene O'Neill's race plays, his radical uses of other texts (notably the novels of Charles Chesnutt), and his work with such genres as the Western. The relationship between black film and both the stage (particularly the Lafayette Players) and the black press, issues of underdevelopment, and a genealogy of Micheaux scholarship, as well as extensive and more accurate filmographies, give a richly textured portrait of this era. The essays will fascinate the general public as well as scholars in the fields of film studies, cultural studies, and African American history. This thoroughly readable collection is a superb reference work lavishly illustrated with rare photographs
Before the nickelodeon : Edwin S. Porter and the Edison Manufacturing Company by Charles Musser( )

20 editions published between 1986 and 1991 in English and held by 1,112 WorldCat member libraries worldwide

Fight pictures : a history of boxing and early cinema by Dan Streible( )

4 editions published in 2008 in English and held by 1,075 WorldCat member libraries worldwide

The first filmed prizefight, Veriscope's Corbett-Fitzsimmons Fight (1897) became one of cinema's first major attractions, ushering in an era in which hugely successful boxing films helped transform a stigmatized sport into legitimate entertainment. Exploring a significant and fascinating period in the development of modern sports and media, Fight Pictures is the first work to chronicle the mostly forgotten story of how legitimate bouts, fake fights, comic sparring matches, and more came to silent-era screens and became part of American popular culture
Edison : the invention of the movies by Thomas A Edison( Visual )

9 editions published in 2005 in English and Undetermined and held by 733 WorldCat member libraries worldwide

Commercial motion pictures were invented at the Edison Laboratory between 1888 and 1893. Perhaps none of the component parts were strictly new, but the ability of Edison and his staff to reorganize them for a specific purpose was an extraordinary cultural achievement. In 1894, Edison was the sole producer of motion pictures in the world. Many Edison films continue to be impressive as the company employed such accomplished early directors as John Collins and Alan Crosland
High-class moving pictures : Lyman H. Howe and the forgotten era of traveling exhibition, 1880-1920 by Charles Musser( Book )

12 editions published between 1991 and 2015 in English and held by 631 WorldCat member libraries worldwide

The entrepreneur of phonograph concerts and motion-picture programs Lyman H. Howe was the leading traveling exhibitor of his time and the exemplar of an important but until now little examined aspect of American popular culture. This work, with its numerous and lively illustrations, uses his career to explore the world of itinerant showmen, who exhibited all motion pictures seen outside large cities during the 1890s and early 1900s. They frequently built cultural alliances with genteel city dwellers or conservative churchgoers and in later years favored "high-class" topics appealing to audiences uncomfortable with the plebeian nickelodeons. Bridging the fields of American studies and film history, the book reveals the remarkable sophistication with which exhibitors created their elaborate, evening-length programs to convey powerful ideological messages. Whether depicting the Spanish-American War, the 1900 Paris Exposition, or British colonialism in action, Howe's "cinema of reassurance" had many parallels with the music of John Philip Sousa.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
The thin blue line( Visual )

1 edition published in 2015 in English and held by 421 WorldCat member libraries worldwide

Examines the roadside murder of a Dallas police officer, and the subsequent arrest and conviction of drifter Randall Adams, who was given a death sentence despite overwhelming evidence of his innocence
Resisting images : essays on cinema and history( Book )

7 editions published in 1990 in English and held by 398 WorldCat member libraries worldwide

The magic of Méliès by Georges Méliès( Visual )

6 editions published between 1994 and 2008 in English and held by 341 WorldCat member libraries worldwide

"Decades before the term 'special effects' was coined, audiences of the newborn cinema were witnessing spectacular screen illusions, courtesy of the medium's first master magician: Georges Méliès. Such films as THE ECLIPSE (1907) and LONG DISTANCE WIRELESS PHOTOGRAPHY (1908) not only demonstrate Méliès's astounding employment of double exposure, makeup, editing and theatrical trickery but provide mesmerizing insight into the social context of his work, which blended Victorian approaches to astronomy, superstition and feminine beauty with the unnatural wonders of 20th-century technology and heavy doses of slapstick. The centerpiece of the collection is THE IMPOSSIBLE VOYAGE (1904), presented with the authentic frame-by-frame hand-coloring and narration penned by Méliès himself. GEORGES MÉLIÈS: CINEMA MAGICIAN is a documentary on the filmmaker's life, integrating rare photographs, early drawings and numerous clips. It charts Méliès' rise from shoe factory worker to proprietor of Paris's mystical Théatre Robert-Houdin, where he learned the skills to become a cinematic illusionist and developed an interest in the supernatural, exquisitely represented in THE MYSTERIOUS RETORT (1906) and THE BLACK IMP (1905)."--Publisher
Moving pictures : American art and early film, 1880-1910 by Nancy Mowll Mathews( Book )

13 editions published in 2005 in English and held by 329 WorldCat member libraries worldwide

"This publication explores the complex relationship between American art and early film. From the photographs of Muybridge, Marey, and Eakins of the 1880s, to the first films of the 1890s which drew from established conventions of American art, to the New York films and art of the first decades of the twentieth century, the struggle between art and film both polarized and inspired the artists of its era."--Jacket
Thomas A. Edison and his kinetographic motion pictures by Charles Musser( Book )

12 editions published between 1995 and 2015 in English and Japanese and held by 324 WorldCat member libraries worldwide

Before the Nickelodeon : the early cinema of Edwin S. Porter by Charles Musser( Visual )

34 editions published between 1982 and 2012 in English and held by 323 WorldCat member libraries worldwide

Publisher description: Between the years 1894 to 1908, Edwin S. Porter was the leading American filmmaker. Follows his movie career, from his first job installing Thomas Edison's Vitascope machines in New York, through his business as a film exhibitor, to his job as head of Edison's movie studio. There he created story films: Jack and the Beanstalk, The Life of an American Fireman, and The Great Train Robbery. By 1909, his film technique was old fashioned. Fired by Edison, he continued making films until 1915, but he had been left behind by new directors with new techniques
Pioneers of African-American cinema( Visual )

4 editions published in 2016 in English and held by 302 WorldCat member libraries worldwide

Among the most fascinating chapters of film history is that of the so-called "race films" that flourished in the 1920s -'40s. Unlike the "black cast" films produced within the Hollywood studio system, these films not only starred African Americans but were funded, written, produced, edited, distributed, and often exhibited by people of color. Entrepreneurial filmmakers built an industry apart from the Hollywood establishment, cultivating visual and narrative styles that were uniquely their own
Politicking and emergent media : US presidential elections of the 1890s by Charles Musser( )

6 editions published between 2016 and 2017 in English and held by 289 WorldCat member libraries worldwide

"Presidential campaigns of the twenty-first century are not the first to use new media to promote their platform and marshal votes. In Politicking and Emergent Media, distinguished film historian Charles Musser looks at four US presidential campaigns during the long 1890s (1888-1900) as Republicans and Democrats mobilized a variety of media forms to achieve electoral victory. New York--the home of Wall Street, Tammany Hall, and prominent media industries--became the site of intense debate as candidates battled over voters' rights, labor issues, and currency standards for a fragile economy. If the city's leading daily newspapers were mostly Democratic as the decade began, Republicans eagerly exploited alternative media opportunities. Using the stereopticon (a modernized magic lantern), they developed the first campaign documentaries. Soon they were using motion pictures, the phonograph, and telephone in surprising and often successful ways. Brimming with rich historical details, Charles Musser tells the remarkable story of the political forces driving the emergence of new media at the turn of the century"
Comedy, spectacle and new horizons( Visual )

6 editions published between 1994 and 2002 in English and held by 269 WorldCat member libraries worldwide

"By 1907 the cinema's initial growing pains had subsided and fairly distinct generic categories of production were established. This volume of The Movies Begin examines some of these integral works that begin to reflect the modern day cinema -- punctuated with authentic hand-tinted lantern slides used during early theatrical exhibition. Visual comedy, with notable elements of slapstick, is represented in Pathé Frères' The Policeman's Little Run (1907), Bangville Police (1913, marking the first appearance of the legendary Keystone Kops) and Max Linder's Troubles Of A Grass Widower (1908). Best remembered today as a major influence on Charlie Chaplin, Linder was one of the first and most popular stars of the cinema. The comic potential of such a basic device as an undercranked camera is exhibited in Pathés Onésime, Horloger (Onésime, Clock-maker, 1912). Alice Guy-Blaché's Making An American Citizen (1912) is an excellent example of the films of social conscience, always an undercurrent beneath the apparently smooth surfaces of commercial productions. Released the very same week was D.W. Griffith's A Girl And Her Trust, a superb film of wide emotional range and great technical virtuosity made near the end of his tenure at the Biograph Company. Nero, Or The Fall Of Rome (1909) strains at conventional film limitations in dimension and duration, looking forward to the revolutionary Italian epics (Cabiria, The Last Days Of Pompeii) that followed a few years later. Equally prophetic are the dazzling animations showcased in the Vitograph Company's Windsor McCay And His Animated Pictures (1911)."--Publisher
Coney Island : visions of an American dreamland, 1861-2008 by Robin Jaffee Frank( Book )

2 editions published in 2015 in English and held by 246 WorldCat member libraries worldwide

"Called "America's playground," Coney Island is a world-famous resort and national cultural symbol that has inspired music, literature, and films. This groundbreaking book is the first to look at the site's enduring status as inspiration for artists throughout the ages, from its inception as an elite seaside resort in the mid-19th century, to its evolution into an entertainment mecca for the masses, with the eventual closing of its iconic amusement park, Astroland, in 2008 after decades of urban decline. How artists chose to portray Coney Island between 1861 and 2008--in tableaux of wonder and menace, hope and despair, dreams and nightmares--mirrored the aspirations and disappointments of the era. This dazzling catalogue highlights more than 200 images from Coney Island's history, including paintings, drawings, photographs, prints, posters, film stills, architectural artifacts, and carousel animals. An extraordinary array of artists is represented, from George Bellows, William Merritt Chase, Reginald Marsh, and Joseph Stella to Diane Arbus, Jean-Michel Basquiat, Robert Frank, Red Grooms, Weegee, and Swoon. Essays by prominent scholars analyze Coney Island through its imagery and ephemera as both a place and an idea--one that reflected the collective soul of the nation."--Publisher's description
The great train robbery : and other primary works by Edwin S Porter( Visual )

4 editions published between 1994 and 2002 in English and held by 231 WorldCat member libraries worldwide

"The genesis of the motion picture medium is recreated in this collection of films from cinema's formative period. More than crucial historical artifacts, these films reveal the foundation from which the styles and stories of the contemporary cinema would later arise. An animated rendering of Eadweard Muybridge's primitive motion studies (1877-85) begins the program, immediately defining the compound appeal of cinema as both a scientific marvel and sensational popular entertainment. This is followed by the works of Louis and Auguste Lumière."--Publisher
Edison motion pictures, 1890-1900 : an annotated filmography by Charles Musser( Book )

10 editions published in 1997 in English and held by 210 WorldCat member libraries worldwide

Charles Sheeler : fashion, photography, and sculptural form by Charles Sheeler( Book )

1 edition published in 2017 in English and held by 175 WorldCat member libraries worldwide

Philadelphia native Charles Sheeler (1883-1965) is recognized as one of the founding figures of American modernism. Initially trained in impressionist landscape painting, he experimented early in his career with compositions inspired by European modernism before developing a linear, hard-edge style now known as Precisionism. Sheeler is best known for his powerful and compelling images of the Machine Age-stark paintings and photographs of skyscrapers, factories, and power plants-that he created while working in the 1920s and 1930s. Less known, and even lesser studied, is that he worked from 1926 to 1931 as a fashion and portrait photographer for Conde Nast. The body of work he produced during this time, mainly for Vanity Fair and Vogue, has been almost universally dismissed by scholars of American modernism as purely commercial, the results of a painter's "day job," and nothing more. Jensen contends that Sheeler's fashion and portrait photography was instrumental to the artist's developing modernist aesthetic.Over the course of his time at Conde Nast, Sheeler's fashion photography increasingly incorporated the structural design of abstraction: rhythmic patterning, dramatic contrast, and abstract compositions. The subjects of Sheeler's fashion and portrait photography appear pared down to their barest essentials, as sculptural objects composed of line, form, and light. The objective, distant, and rigorously formal style that Sheeler developed at Conde Nast would eventually be applied to all of his artistic forays: architectural, industrial, and vernacular
Before Hollywood : turn-of-the-century film from American archives( Book )

4 editions published in 1986 in English and held by 169 WorldCat member libraries worldwide

 
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WorldCat IdentitiesRelated Identities
The emergence of cinema : the American screen to 1907
Alternative Names
Charles Musser American academic

Musser, Charles J. 1951-

Languages
English (195)

Japanese (2)

Covers
Oscar Micheaux and his circle : African-American filmmaking and race cinema of the silent eraMoving pictures : American art and early film, 1880-1910Thomas A. Edison and his kinetographic motion picturesEdison motion pictures, 1890-1900 : an annotated filmography