WorldCat Identities

Taylor, Gary 1953-

Overview
Works: 140 works in 657 publications in 2 languages and 20,576 library holdings
Genres: Criticism, interpretation, etc  Drama  History  Poetry  Tragedies (Drama)  Conference papers and proceedings  Software  Glossaries, vocabularies, etc  Biography 
Roles: Author, Editor, Author of introduction, Actor, Publishing director, Other, Performer
Classifications: PR2754, 822.33
Publication Timeline
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Most widely held works about Gary Taylor
 
Most widely held works by Gary Taylor
William Shakespeare, the complete works by William Shakespeare( Book )

99 editions published between 1986 and 2012 in English and Spanish and held by 3,983 WorldCat member libraries worldwide

A new edition of Shakespeare's works, presented in a newly considered chronological order, with original titles restored, and the canon reconsidered
Reinventing Shakespeare : a cultural history, from the Restoration to the present by Gary Taylor( Book )

35 editions published between 1989 and 1991 in English and held by 1,810 WorldCat member libraries worldwide

Discusses changing interpretations of Shakespeare and his plays through the centuries, arguing that claims of his uniqueness reflect the characteristics of particular eras and critics more than Shakespeare
Henry V by William Shakespeare( Book )

37 editions published between 1982 and 2008 in English and Undetermined and held by 1,487 WorldCat member libraries worldwide

Young King Henry of England asserts a hereditary claim to the throne of France, gathering an army and embarking on a course that will lead to one of England's greatest battlefield triumphs and forever change the face of Europe
Buying whiteness : race, culture, and identity from Columbus to hip hop by Gary Taylor( Book )

11 editions published between 2003 and 2005 in English and held by 878 WorldCat member libraries worldwide

"What does it mean to be white? When and why did European men buy the idea that they were "whites," and who sold it to them? The secret history of whiteness is told, for the first time, in this important book by an internationally-acclaimed cultural historian and journalist. Gary Taylor tracks the growth of modern white identity through the history of art, law, literature, science, and sexuality - and through the eyes of black and brown observers. Combining innovative use of modern databases with discoveries in unpublished manuscripts, Buying Whiteness uncovers a history with profound implications for everyone who is white - or not."--Jacket
William Shakespeare, a textual companion by Stanley Wells( Book )

21 editions published between 1986 and 1997 in English and Undetermined and held by 833 WorldCat member libraries worldwide

This Companion grew out of the years of research undertaken to produce The Oxford Shakespeare. Its general introduction surveys the present state of knowledge about how Shakespeare's works reached print, and describes the editorial procedures that guided the editors of the parent work
The Division of the kingdoms : Shakespeare's two versions of King Lear by Gary Taylor( Book )

22 editions published between 1983 and 2000 in English and held by 653 WorldCat member libraries worldwide

Castration : an abbreviated history of western manhood by Gary Taylor( Book )

20 editions published between 2000 and 2002 in English and Undetermined and held by 646 WorldCat member libraries worldwide

Publisher Fact Sheet
The complete Oxford Shakespeare by William Shakespeare( Book )

32 editions published between 1987 and 2003 in English and held by 585 WorldCat member libraries worldwide

Organized into histories (including the poems and sonnets), comedies, and tragedies, and grouped in chronological order within each volume
King Lear : the 1608 Quarto and 1623 Folio texts by William Shakespeare( Book )

22 editions published between 2000 and 2008 in English and held by 572 WorldCat member libraries worldwide

"King Lear, widely considered Shakespeare's most deeply moving, passionately expressed, and intellectually ambitious play, has almost always been edited from the revised version printed in the First Folio of 1623, with additions from the quarto of 1608. Acting on recent discoveries, this volume presents the first full, scholarly edition to be based firmly on the quarto, now recognized as the base text from which all others derive. A thorough, attractively written introduction suggests how the work grew slowly in Shakespeare's imagination, fed by years of reading, thinking, and experience as a practical dramatist. Analysis of the great range of literary and other sources from which he shaped the tragedy, and of its critical and theatrical history, indicates that the play felt as shocking and original to early audiences as it does now. Its challenges have often been evaded, notably in Nahum Tate's notorious adaptation. During the twentieth century, however, deeper understanding of the conventions of Shakespeare's theatre restored confidence in the theatrical viability of his original text, while the play has also generated a remarkable range of off-shoots in film, television, the visual arts, music, and literature." "The commentary to this edition offers detailed help in understanding the language and dramaturgy in relation to the theatres in which King Lear was first performed. Additional sections reprint the early ballad, ignored by all modern editors, which was among its earliest derivatives, and provide additional guides to understanding and appreciating one of the greatest masterworks of Western civilization."--Jacket
A reconstructed text of Pericles, Prince of Tyre by William Shakespeare( Book )

18 editions published between 2003 and 2008 in English and held by 502 WorldCat member libraries worldwide

'Pericles' was one of the most popular plays in the Jacobean theatre, and it has regained much of that popularity in the modern theatre. In a wide-ranging introduction, Roger Warren draws on his experience of the play in rehearsal and performance to explore the reasons for this enduring popularity
To analyze delight : a hedonist criticism of Shakespeare by Gary Taylor( Book )

6 editions published in 1985 in English and held by 488 WorldCat member libraries worldwide

Cultural selection by Gary Taylor( Book )

10 editions published in 1996 in English and held by 477 WorldCat member libraries worldwide

What is worth remembering? What gets passed down from one generation to another? What does it mean to be human? Culture, Gary Taylor argues, is not what was done but what is remembered, and the social competition among different memories is as dynamically complicated as the struggle for biological survival. That struggle for culture - driven by emotions as basic as grief, pride, and resentment - is the foundation of personal and national identity. Taylor illustrates his arguments by reintroducing us to imaginative achievements that continue to stimulate us long after their creation, from Stonehenge to Hollywood - including Oedipus, Casablanca, the paintings of Velazquez, Michelangelo's sculptures, Japanese literature, Native American narratives, science fiction, the music of Stravinsky, Shakespeare's plays, the Vietnam Veterans Memorial. He also discusses the endurance of social phenomena as disparate as the global impact of the Old Testament and the evolving reputation of Richard Nixon
Thomas Middleton : the collected works by Thomas Middleton( Book )

33 editions published between 2007 and 2010 in English and Undetermined and held by 454 WorldCat member libraries worldwide

Thomas Middleton is one of the few playwrights in English whose range and brilliance comes close to Shakespeare's. This title makes all Middleton's work accessible in a single volume
Shakespeare reshaped, 1606-1623 by Gary Taylor( Book )

14 editions published between 1991 and 2011 in English and Undetermined and held by 413 WorldCat member libraries worldwide

And another playwright (probably Thomas Middleton) transformed Measure for Measure by expanding and adapting Shakespeare's original. Together, these studies produce a new model of the transformation of Renaissance plays by a collective industry of the imagination
Thomas Middleton and early modern textual culture : a companion to the collected works by Gary Taylor( Book )

16 editions published between 2007 and 2013 in English and held by 341 WorldCat member libraries worldwide

"Thomas Middleton and Early Modern Textual Culture is not only a companion to The Collected Works of Thomas Middleton, which every scholar of Renaissance literature will find indispensable. It is also essential reading for anyone interested in the history of the book in early modern Europe. The book is divided into three parts. The first part, on 'The Culture', situates Middleton within an historical and theoretical overview of early modern textual production, reproduction, circulation, and reception." "The rest of the volume supplies the documentation for claims made in the first part. Part II, 'The Author' includes detailed evidence for the canon and chronology of Middleton's works in all genres, greatly extending previous scholarship, and using the latest corpus-based attribution techniques. This section situates individual authorial agency in the space between larger institutional forces and the material specificity of particular textual embodiments. Part III, 'The Texts', contains a full editorial apparatus for each item in the Collected Works, an Introduction, which summarizes and extends previous scholarship, is followed by textual notes, recording substantive departures from the control-text, variants between early texts, press-variants, discussions of emendations, and (for plays) an exact transcription of all original stage directions. Cross-references make it easy to move between the two volumes. This authoritative account of the early texts includes some extraordinary complicated cases, which have never before been systematically collated."--Jacket
The Oxford handbook of Thomas Middleton( Book )

15 editions published between 2012 and 2016 in English and held by 264 WorldCat member libraries worldwide

"The 37 essays in The Oxford Handbook of Thomas Middleton reinterpret the English Renaissance through the lens of one of its most original, and least understood, geniuses. Shakespeare's younger contemporary and collaborator, Middleton wrote modern comedies, tragedies, tragicomedies, history plays, masques, pageants, pamphlets, and poetry. The largest collection of new Middleton criticism ever assembled, this ambitious Handbook provides a comprehensive, in-depth, cutting-edge reaction to OUP's Collected Works of Thomas Middleton, winner of the 2009 MLA prize for editing, the first complete scholarly text of his voluminous and diverse oeuvre. The Handbook brings together an international, cross-generational team of experts to discuss all these genres through an equally diverse range of critical approaches, from feminism to stylistics, ecocriticism to performance studies, Aristotle to Zizek. Reinterpretations of canonical plays such as The Changeling, Women Beware Women, The Roaring Girl, and A Chaste Maid in Cheapside mingle with explorations of neglected or recently-identified works. Middleton's dramatic use of dance, music, and clothing, Middletonian adaptation, his relationships to the classical world and to continental Europe, his fascinating explorations of sexuality and religion, all receive attention. The collection also provides new essays on modern and postmodern reactions to Middleton, including recent Middleton revivals and films, and living artists' responses to his work-responses that range from the actresses who play Middleton's women to writers in various genres who have been inspired by his artistry. The Handbook establishes an authoritative foundation for the rapidly-expanding growth of interest in this extraordinarily protean, funny, moving, disturbing, and modern writer."--Publisher's website
Writing race across the Atlantic world : medieval to modern by Philip D Beidler( Book )

15 editions published between 2003 and 2006 in English and held by 245 WorldCat member libraries worldwide

This study comprises a set of lively, diverse, and original investigations into contemporary notions of race in the oceanic interculture of the Atlantic during the early modern period. Working across institutional boundaries of "American" and "British" literature in this period, as well as between "history" and "literature", ten essays address the ways in which cultural categories of "race"--Brown, red, and white, African-American and Afro-Caribbean, Spanish and Jewish, English and Celtic, native American and northern European, creole and mestizo - were constructed and adapted by early modern writers
The quest for Cardenio : Shakespeare, Fletcher, Cervantes, and the lost play( Book )

13 editions published in 2012 in English and held by 202 WorldCat member libraries worldwide

Bringing together leading scholars, critics, and theatre practitioners, this collection of essays is devoted to 'The History of Cardenio', a play based on Don Quixote and said to have been written by Shakespeare and the young man who was taking his place, John Fletcher
Moment by moment by Shakespeare by Gary Taylor( Book )

9 editions published between 1985 and 1999 in English and held by 192 WorldCat member libraries worldwide

The creation and re-creation of Cardenio : performing Shakespeare, transforming Cervantes( Book )

9 editions published in 2013 in English and held by 129 WorldCat member libraries worldwide

"Taylor and Bourus's The Creation and Re-creation of Cardenio is a game-changer in Shakespeare studies. From now on, no one will be able to discuss the Shakespeare canon without reference to this book or the inclusion of Taylor's Cardenio."--David Black, award-winning novelist, television writer and producer, and Scholar-in-Residence, Kirkland House, Harvard University, USA "Gary Taylor and Terri Bourus make Shakespeare come alive with such enthusiasm, you'd swear the Bard himself was sitting in the room with them. Meticulous and passionate scholars, they don't shy away from questioning long-held theories and testing them - not only through extensive research - but also through the crucible of live performance. It does not surprise me that they would tackle the reconstruction of Cardenio or that Gary would take some twenty years to do it. When they're done, Cardenio will certainly stand as a testament to how painstaking line-by-line scholarship can combine with academic imagination to create pure joy." - Jim Simmons, Producer/Writer of 'Shakespeare Lost/Shakespeare Found' TV documentary about 'The History of Cardenio' "This is, without question, the most important critical anthology on Cardenio to date and essential reading for anyone interested in the fast emerging field of 'lost plays' in early modern England. Not only have Taylor and Bourus brought together essays by a diverse range of international scholars, they include Taylor's reconstructed script and a reminder of the enchanting and ground-breaking production of Cardenio that Bourus directed in Indianapolis in 2012." - Paul Whitfield White, Professor of English, Purdue University, USA and author of Drama and Religion in English Provincial Society, 1485-1660 "The most up-to-date collection of essays about Shakespeare's lost play, with important new work on Cardenio's composition, collaborators, reconstructions, and performances." - Valerie Wayne, Professor Emerita, University of Hawaii, USA "Like all good theatrical work, Gary Taylor and Terri Bourus's collection is a collaborative effort, as was the production and colloquium at IUPUI from which it emerged. Taylor and Bourus's collaboration pairs textual studies and theatrical practice, literary analysis and performance studies, detective work and hypotheses scientifically tested with mathematical precision. Taylor's careful excavation of Fletcher and Shakespeare's language from Lewis Theobald's Double Falsehood, Bouros's thoughtful direction of the resulting script - two decades in the making - and the incisive analyses provided on all hands in these pages make of Fletcher and Shakespeare's labor of love lost a Cardenio found." - Regina Buccola, Associate Professor, Roosevelt University, USA "This splendid contribution to literary and theatrical history proves that the lost Cardenio was co-authored by Shakespeare and Fletcher and that writing by both playrights survives into Lewis Theobald's Double Falsehood." - MacDonald P. Jackson, Emeritus Professor of English, University of Auckland, New Zealand "This persuasive book should put to rest nearly three hundred years of debate over the lost King's Men play of 1613. Cardenio was indeed a Fletcher/Shakespeare collaboration, based on episodes from Cervantes' bestseller Don Quixote. Lewis Theobald was not a forger: his 1727 adaptation Double Falsehood does derive from Cardenio. With meticulous scholarship and creative theatrical acumen the editors assemble a formidable case, and also triumphantly publish for the first time Taylor's 'unadaptation' of The History of Cardenio." - David Carnegie, Emeritus Professor FRSNZ, School of English, Film, Theatre, and Media Studies, Victoria University of Wellington, New Zealand "Taylor's team bring us closer to the lost Cardenio in four ways: they render the forgery hypothesis even less convincing, provide more evidence for Shakespeare's collaboration, enrich our understanding of Fletcher's dramatic art, and pay significant attention to the performative dimension of Cardenio-related material." - Brean Hammond, Professor of Modern English Literature, University of Nottingham, UK and editor of the Arden edition of Double Falsehood
 
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Henry V
Alternative Names
Gary Taylor accademico statunitense

Gary Taylor American academic, author, and editor

Gary Taylor Literaturwissenschaftler

Taylor, Gary Sr

Гари Тейлор

Languages
English (451)

Spanish (1)

Covers
Reinventing Shakespeare : a cultural history, from the Restoration to the presentHenry VBuying whiteness : race, culture, and identity from Columbus to hip hopWilliam Shakespeare, a textual companionThe Division of the kingdoms : Shakespeare's two versions of King LearCastration : an abbreviated history of western manhoodThe complete Oxford ShakespeareKing Lear : the 1608 Quarto and 1623 Folio texts