WorldCat Identities

Vaughan, Virginia Mason

Works: 28 works in 164 publications in 1 language and 5,626 library holdings
Genres: Drama  Criticism, interpretation, etc  History  Fiction  Bibliography  Exhibition catalogs  Juvenile works  Comic books, strips, etc  Graphic novels  Study guides 
Roles: Editor, Author, Other
Classifications: PR2833.A2, 822.33
Publication Timeline
Most widely held works by Virginia Mason Vaughan
The tempest by William Shakespeare( Book )

46 editions published between 1997 and 2007 in English and held by 777 WorldCat member libraries worldwide

"The Arden Shakespeare is the established scholarly edition of Shakespeare's plays. Now in its third series, Arden offers the best in contemporary scholarship. Each volume guides you to a deeper understanding and appreciation of Shakespeare's work." -- Back cover
Othello : new perspectives by Virginia Mason Vaughan( Book )

11 editions published between 1990 and 1996 in English and Undetermined and held by 623 WorldCat member libraries worldwide

The Tempest by William Shakespeare( Book )

26 editions published between 2011 and 2015 in English and held by 542 WorldCat member libraries worldwide

This edition of The Tempest provides a clear and authoritative text, edited to the highest standards of scholarship, and includes an in-depth survey of critical approaches to the play
Performing blackness on English stages, 1500-1800 by Virginia Mason Vaughan( Book )

14 editions published between 2005 and 2009 in English and Undetermined and held by 487 WorldCat member libraries worldwide

Critical essays on Shakespeare's The tempest( Book )

1 edition published in 1998 in English and held by 425 WorldCat member libraries worldwide

Shakespeare in America by Alden T Vaughan( Book )

8 editions published between 2012 and 2015 in English and held by 395 WorldCat member libraries worldwide

"This book traces Shakespeare's contributions to America's cultural history from the colonial era to the present, with substantial attention to theatre history, publishing history, and criticism. It identifies four broad themes that distinguish Shakespeare in the United States from the dramatist's reception in other countries. During the eighteenth and nineteenth centuries, Americans in search of self-improvement took a utilitarian approach to the plays, mining them for moral insights and everyday wisdom; beginning in the nineteenth century, American entrepreneurs collected, edited, and adapted Shakespeare for their own pleasure and profit; while America's public schools and theatre practitioners sought to make the works widely accessible; and throughout American history, Americans have had fun with Shakespeare in spoofs, parodies, and other appropriations and the collection of Shakespeare kitsch. Shakespeare in America also examines America's evolving awareness of Shakespeare, initially through the importation of his writings in the early eighteenth century, the staging a few decades later of English adaptations of the plays, and in the nineteenth century and beyond, through the promotion of Shakespeare and his works at Lyceums, Chautauquas, Shakespeare Clubs (both scholarly men's associations and more socially-oriented women's clubs), and America's literary 'renaissance' as championed by Emerson, Thoreau, Melville, Whitman, and others. The nineteenth century also witnessed growing attention to Shakespeare in schools, especially in William H McGuffey's Readers, and later in colleges, while simultaneously American familiarity with Shakespeare encouraged burlesques on stage, including the popular 'black' minstrel shows of the 1840s through 1870s. The twentieth century witnessed new organizations for promoting Shakespeare, such as the Shakespeare Association of America, and new venues for amateur and professional performances, such as Shakespeare summer festivals beginning in the 1930s and still going strong; and in new media for enjoying Shakespeare, such as feature films, Broadway musicals, and, toward the end of the twentieth century, radical adaptations of the plays on stage, on film, and in fiction, often aimed at persuading American youth that Shakespeare speaks to them. The story of Shakespeare in America is ever-changing"--Publisher's website
Othello, an annotated bibliography by Margaret Lael Mikesell( Book )

5 editions published in 1990 in English and Undetermined and held by 354 WorldCat member libraries worldwide

Playing the globe : genre and geography in English Renaissance drama( Book )

1 edition published in 1998 in English and held by 335 WorldCat member libraries worldwide

The essays collected here explore the representation of contemporary cartographic knowledge within a variety of English Renaissance dramatic texts. Including a preface and introduction that contextualize English cartographic awareness in the late sixteenth century, Playing the Globe provides a wide-ranging exploration of the rich variety of mental maps that shaped England's attitudes toward itself and others and continues to affect the ways in which the Anglo-American world imagines itself
Shakespeare in American life( Book )

5 editions published in 2007 in English and held by 323 WorldCat member libraries worldwide

Women Making Shakespeare : Text, Reception, Performance( Book )

8 editions published between 2013 and 2014 in English and held by 187 WorldCat member libraries worldwide

"Women Making Shakespeare presents a series of 20-25 short essays that draw on a variety of resources, including interviews with directors, actors, and other performance practitioners, to explore the place (or constitutive absence) of women in the Shakespearean text and in the history of Shakespearean reception - the many ways women, working individually or in communities, have shaped and transformed the reception, performance, and teaching of Shakespeare from the 17th century to the present. The book highlights the essential role Shakespeare's texts have played in the historical development of feminism. Rather than a traditional collection of essays, Women Making Shakespeare brings together materials from diverse resources and uses diverse research methods to create something new and transformative. Among the many women's interactions with Shakespeare to be considered are acting (whether on the professional stage, in film, on lecture tours, or in staged readings), editing, teaching, academic writing, and recycling through adaptations and appropriations (film, novels, poems, plays, visual arts)"--
The Tempest : a critical reader by Alden T Vaughan( Book )

5 editions published in 2014 in English and held by 158 WorldCat member libraries worldwide

"A collection of new essays offering students a range of current perspectives on The Tempest, providing both context and critical overviews"--
Speaking pictures : the visual/verbal nexus of dramatic performance( Book )

7 editions published in 2010 in English and held by 146 WorldCat member libraries worldwide

Speaking Pictures explores the complex negotiations between seeing and hearing essential to the audiences' experience in any dramatic performance. Ranging chronologically from the Middle Ages to the present, the essays consider a variety of methods that help us recuperate the visual impact of theatrical spectacle before the age of video archives. The anthology takes its discussion of performance beyond the physical space of the theater to examine texts that were meant to be spoken but not literally performed, such as medieval pageantry and closet dramas of the nineteenth century. Many essays focus on the Early Modern English stage, particularly the challenges of recapturing the totality of the original audience's experience in London's open air theaters by the examination of stage directions, text, and archival evidence. The collection concludes with a discussion of the contemporary actor's challenge in physicalizing the language of Early Modern plays, especially Shakespeare's
The drama as propaganda : a study of The troublesome raigne of King John by Virginia Mason Vaughan( Book )

5 editions published between 1974 and 2002 in English and held by 138 WorldCat member libraries worldwide

Antony and Cleopatra : language and writing by Virginia Mason Vaughan( Book )

2 editions published in 2016 in English and held by 33 WorldCat member libraries worldwide

"Reading Antony and Cleopatra is particularly challenging because of Shakespeare's masterful embodiment of Rome and Egypt's contrasting worlds in language, structure, and characterization. Instead of seeing the interaction of Roman and Egyptian perspectives in Antony and Cleopatra as a type of double image of reality that changes as one moves from one location to another, students often find themselves compelled to pick sides. The more romantic opt for Cleopatra as the most sympathetic character, while the pragmatists dismiss her lifestyle as self-indulgent. The central challenge in reading this play, in other words, is to resist the compulsion to take sides and, instead, to adopt a 'both-and' point of view rather than an 'either-or' choice. The play's central binary - Rome vs. Egypt - is deeply embedded in its language and structure, yet the play consistently complicates our view of either side. The book encourages students to think outside the binary box, to understand, and to celebrate, Shakespeare's exploitation of the multivalent nature of language."--Publisher's description
The tempest by William Shakespeare( Book )

2 editions published in 2014 in English and held by 8 WorldCat member libraries worldwide

'The Tempest' has long been regarded as Shakespeare's swan-song, thought recent chronologies suggest he went on to compose 'Henry VIII' and 'The Two Noble Kinsmen' after. In its first publication (in the First Folio of 1623), 'The Tempest' appears in the 'Comedies' section. In modern criticism, it is more likely to be described as a 'late play' (written towards the end of what we perceive to be Shakespeare's writing career, c. 1607-13) or a 'romance' - a group of plays set in an unspecified time and/or place, whose loose plots revolve round familial reunion and fantastical happenings
Critical and cultural transformations; Shakespears The Tempest ; 1611 to the present( Book )

2 editions published in 2013 in English and held by 6 WorldCat member libraries worldwide

The tempest : a case study in critical controversy by William Shakespeare( Book )

2 editions published in 2000 in English and held by 3 WorldCat member libraries worldwide

After a terrible storm, a ship lies wrecked on Prospero's island, but the storm was no coincidence because Propsero the magician has revenge on his mind
The tempest by William Shakespeare( Book )

2 editions published in 2005 in English and held by 2 WorldCat member libraries worldwide

"It is entirely probable that the date of "The Tempest" is 1611, and that this was the last play completed by Shakespeare before he retired from active connection with the theater to spend the remainder of his life in leisure in his native town of Stratford-on-Avon. The main thread of the plot of the drama seems to have been some folk-tale of a magician and his daughter, which, in the precise form in which Shakespeare knew it, has not been recovered. The storm and the island were, it is believed, suggested by the wreck on the Bermudas in 1609 of one of the English expeditions to Virginia. Traces are found, too, of the author's reading in contemporary books of travel. But the plot itself is of less importance than usual. Supernatural elements are introduced with great freedom, and the dramatist's interest was clearly not in the reproduction of lifelike events. The presentation of character and the attractive picturing of the beauty of magnanimity and forgiveness are the things which, along with its delightful poetry, make the charm of this play. It is not to be wondered at that readers have frequently been led to find in the figure of the great magician, laying aside his robes and wonder-working rod in a spirit of love and peace toward all men, a symbol of the dramatist himself at the close of his great career; and it is surely legitimate to play with this idea without assuming that Shakespeare consciously embodied it. One can hardly conceive a more fitting epilogue to the volume which is the crown of the world's dramatic literature than the romance of "The Tempest.""--Back cover
Tempest : Third Series by William Shakespeare( Book )

2 editions published in 2014 in English and held by 1 WorldCat member library worldwide

The Tempest is one of Shakespeare's most popular plays, both in the classroom and in the theatre, and this revision brings the Arden 3 edition right up-to-date. A completely new section of the introduction discusses new thinking about Shakespeare's sources for the play and examines his treatment of colonial themes, as well as covering key productions since this edition was first published in 1999. Alden and Virginia Vaughan's edition of The Tempest is much valued for its authority and originality and their revision brings it up-to-date, making it even more relevant and useful to studetns and theatre practitioners
Daughters of the game : Troilus and Cressida and the sexual discource of 16th-century England by Virginia Mason Vaughan( )

1 edition published in 1990 in English and held by 1 WorldCat member library worldwide

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  Kids General Special  
Audience level: 0.44 (from 0.17 for The tempes ... to 0.98 for Daughters ...)

The tempestThe tempest : a case study in critical controversyThe tempest
Alternative Names
Carr, Virginia Mason

Carr Virginia Mason 1947-....

Mason Vaughan, Virginia

Mason Vaughan, Virginia 1947-

Vaughan, Virginia M.

Vaughan, Virginia Mason

ヴォーン, ヴァージニア・メーソン

English (151)

The TempestPerforming blackness on English stages, 1500-1800Critical essays on Shakespeare's The tempestPlaying the globe : genre and geography in English Renaissance dramaShakespeare in American lifeSpeaking pictures : the visual/verbal nexus of dramatic performanceThe tempestThe tempest : a case study in critical controversyThe tempest