WorldCat Identities

Turner, Elizabeth Hutton 1952-

Overview
Works: 29 works in 163 publications in 4 languages and 6,953 library holdings
Genres: Exhibition catalogs  History  Criticism, interpretation, etc  Biography  Catalogs  Records and correspondence  Interviews  Art 
Roles: Author, Editor, zxx, wst, Other, Publishing director, Author of introduction
Classifications: ND237.O5, 759.13
Publication Timeline
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Most widely held works by Elizabeth Hutton Turner
Georgia O'Keeffe : the poetry of things by Elizabeth Hutton Turner( Book )

15 editions published in 1999 in English and held by 1,180 WorldCat member libraries worldwide

"Georgia O'Keeffe's extraordinary still-life paintings - of apples, leaves, flowers, shells, trees, rocks, crosses, bones, and doors - reinvented the genre through a new language of color and form that synthesized Eastern thought and a Western style of painting. This book is the first in-depth exploration of O'Keeffe's unique contribution to still-life painting."--Jacket
Jacob Lawrence : the migration series by Jacob Lawrence( Book )

9 editions published in 1993 in English and held by 876 WorldCat member libraries worldwide

Through a series of paintings, Jacob Lawrence illustrates the mass exodus of African-Americans who moved to the North in search for a better life. Lawrence's parents were among those who migrated between 1916-1919, considered the first wave of the migration. The Great Migration was the largest movement of black people since slavery removed Africans to the Americas. The paintings are accompanied by captions that combine history, sociology, and poetry
Arthur Dove : a retrospective by Debra Bricker Balken( Book )

11 editions published between 1997 and 1998 in English and held by 750 WorldCat member libraries worldwide

"The American artist Arthur Dove (1880-1946), purportedly the first artist to have produced an abstract painting, has always occupied a central place in writings on early American modernism. This book accompanies the first major exhibition on Dove since 1974. The exhibition, organized by the Addison Gallery of American Art and The Phillips Collection, covers the period from 1908, the year after Dove took up painting, through 1946, the year of his death. It is comprised of approximately eighty paintings, collages, pastels, and charcoal drawings."--Jacket
Two lives : Georgia O'Keeffe & Alfred Stieglitz : a conversation in paintings and photographs by Georgia O'Keeffe( Book )

7 editions published between 1992 and 1993 in English and held by 737 WorldCat member libraries worldwide

"In 1918 Alfred Stieglitz, then a world-famous photographer and the champion of modern art in America, asked an art teacher from Texas named Georgia O'Keeffe to come and live for a year in New York. She agreed, and thus began one of the great artistic partnerships in American history." "Two Lives: Georgia O'Keeffe and Alfred Stieglitz explores in pictures and in words the dialogue that inspired and united both artists. Under its influence, each created, in O'Keeffe's own words, a body of "clear and bright and wonderful work." Despite frequent physical separation, this same conversation of paintings and photographs joined them spiritually until the end, when Stieglitz died in 1946." "The art that was made during this creative alliance is captured in a sequence of images that covers its evolution from 1916, when the painter first sent her drawings to 291, Stieglitz's famous gallery, until the early 1930s when O'Keeffe grew tired of New York and turned to New Mexico for fresh inspiration. Arranged in pairs of a Stieglitz photograph and an O'Keeffe painting, many images bring out striking similarities of form, style, and subject matter. Others hint at a deeper level of emotional and poetic complicity. Seventy-four large reproductions lead one towards the unverbalized core of a singular aesthetic and personal adventure." "The purely visual evidence of two lives spent together is accompanied by essays written by three distinguished scholars. Well-known writer and teacher Roger Shattuck, author of The Banquet Years, opens his account of this adventure with a fable that captures the emotional and imaginative bonds that unite two people, Carl and Miranda, alias Alfred and Georgia. In his essay, he goes on to examine the questions of influence and of inspiration by putting both into the larger context of artistic collaboration, which has often been a feature of both art and literature."
Calder/Miró by Alexander Calder( Book )

28 editions published in 2004 in English and German and held by 736 WorldCat member libraries worldwide

"Sculptor Alexander Calder (1898-1976) and painter Joan Miro (1893-1983) became lifelong friends after their first meeting in Paris in 1928. This book and the exhibition it accompanies are about their extraordinary friendship and the early years of their careers." "The charming correspondence between Calder and Miro is published here for the first time. It begins in 1928 with Calder's letter introducing himself to Miro and continues after Calder's death with Miro's poetic homage to his old friend. Rare photographs of the two men together and of the gifts of artwork they exchanged document the friendship. An extensive chronology highlights the intersecting lives of the two artists and, with the correspondence, opens a window into the personal and professional lives of these two giants of artistic invention." "Calder and Miro shared many artistic interests, and the catalogue is organized around common themes such as the circus, bestiary, universe, and constellations. The artists shared an ambition to create monumental works for public spaces, but while waiting for those opportunities their unique approach to their work allowed them to achieve monumentality on a reduced scale. Miro's small Constellations evoke the tradition of Romanesque frescoes, while Calder's earliest stabiles and mobiles occupy space in a way that transcends their size, paving the way for later monumental works. The editors, in their two essays and in their organization of the color plates, focus on the first two decades of the artists' careers, culminating in the monumental public commissions that Calder and Miro received for the decoration of the Terrace Plaza Hotel, Cincinnati, in 1947"--Jacket
In the American grain : Arthur Dove, Marsden Hartley, John Marin, Georgia O'Keeffe, and Alfred Stieglitz : the Stieglitz Circle at the Phillips Collection by Phillips Collection( Book )

10 editions published between 1995 and 1996 in English and held by 683 WorldCat member libraries worldwide

During the 1920s and 1930s, Alfred Stieglitz's stylish New York galleries were a mecca to artistic innovators and avant garde thinkers, those struggling to cast off the burden of American puritanical thought and the fixed idea among the intellectual elite that important art, art that was real and would last, was being made only in Europe. At the same time Duncan Phillips, a determined art collector and heir to a steel fortune, opened two rooms of his Washington, D.C., home to begin a museum of modern art. Although he collected some of the world's masterpieces, especially French Impressionism, he kept a diligent eye on the work being done in his own country. That Stieglitz and Phillips would meet was destiny. Their long friendship, sometimes an uneasy alliance, brought forth a reevaluation of art in American culture. Their combined vision and resources invigorated a movement and prepared the way for public acceptance of American modernism. The uniquely American style of the artists in the Stieglitz circle - Arthur Dove, Marsden Hartley, John Marin, and Georgia O'Keeffe - defied European tradition and opened the door for artistic experimentation. In the American Grain gathers the Stieglitz circle as acquired by Phillips: paintings by all four artists, watercolors by Dove and Marin, assemblages by Dove, and Stieglitz's "Equivalents," his acclaimed photographs of clouds and sky. The bold, original style of the works included here stand together to signal a shift in the development of art - its coming of age in America
Klee and America by Paul Klee( Book )

13 editions published in 2006 in English and held by 502 WorldCat member libraries worldwide

Exploring the reasons for Paul Klee's enthusiastic reception in the United States, especially during the 1930s and 40s, this publication also includes a selection of his 'American' works from this period
Pierre Bonnard : early and late by Elizabeth Hutton Turner( Book )

24 editions published between 2002 and 2004 in English and held by 465 WorldCat member libraries worldwide

"This major presentation of the work of Pierre Bonnard follows a new line of enquiry reconciling what has previously been seen as two distinct early and creative periods: the Nabis or symbolist Bonnard and the later so-called Impressionist or colorist Bonnard. By uniting representative works from all periods of Bonnard's life, this book charts the artist's singular pathway and illustrates his highly independent artistic vision. The 130 works illustrated here, including paintings, drawings, prints, photographs, and sculpture, show that Bonnard continually experimented with alternative media and drew from a range of sources, both Eastern and Western."--Page 4 of cover
American artists in Paris, 1919-1929 by Elizabeth Hutton Turner( Book )

11 editions published between 1988 and 2002 in English and Undetermined and held by 436 WorldCat member libraries worldwide

Americans in Paris : (1921-1931) : Man Ray, Gerald Murphy, Stuart Davis, Alexander Calder by Elizabeth Hutton Turner( Book )

11 editions published in 1996 in English and Undetermined and held by 333 WorldCat member libraries worldwide

During the 1920s, when cultural exchange across the Atlantic suddenly became heady and reciprocal, Americans traveling to Paris found their americanisme embraced. The French avant-garde, fueled by tempos and freedoms, loved jazz and the visual elegance of Machine Age aesthetics. The American fascination with technology, which electrified their work, gave new charge to European art. Paris welcomed Gerald Murphy, whose billboard-sized cubist icon dominated the 1924 Salon des Independants and launched a brief but briliant career; Stuart Davis, who explored the continuity between cubist painting, lithography, and jazz at the atelier Desjobert; Man Ray, who abandoned oils to begin "painting with light" in his movies and rayographs; and Alexander Calder whose wire circuses and portraits inspired critics to acknowledge art's inherent playfulness. Americans in Paris documents the work and influence of these four notables of the avant-garde, who startle and delight us even today
Duncan Phillips collects : Paris between the wars by Phillips Collection( Book )

3 editions published in 1991 in English and held by 117 WorldCat member libraries worldwide

Jacob Lawrence and the migration series from the Phillips Collection by Phillips Collection( Book )

2 editions published in 2007 in English and held by 54 WorldCat member libraries worldwide

Men of the rebellion : the eight and their associates at The Phillips Collection( Book )

1 edition published in 1990 in English and held by 52 WorldCat member libraries worldwide

Firippusu korekushon ni yoru Amerika Modan no kishutachi( Book )

1 edition published in 1996 in Japanese and held by 5 WorldCat member libraries worldwide

The American artistic migration to Paris between the Great War and the Great Depression by Elizabeth Hutton Turner( )

3 editions published between 1985 and 1993 in English and held by 4 WorldCat member libraries worldwide

Buffalo Bulb's wild west( Book )

1 edition published in 2010 in English and held by 4 WorldCat member libraries worldwide

Two lives : Georgia O'Keeffe & Alfred Stieflitz : a conversation in paintings and photographs by Georgia O'Keeffe( Book )

1 edition published in 1992 in English and held by 3 WorldCat member libraries worldwide

Overzicht van het werk van de Amerikaans beeldend kunstenares (1887-1986) en de Amerikaanse fotograaf (1864-1946) ten tijde van hun artistiek samenwerkingsverband
Who is in the Brothel of Avignon? : a case for context by Elizabeth Hutton Turner( )

1 edition published in 1984 in English and held by 3 WorldCat member libraries worldwide

Musée Picasso : catalogue sommaire des collections by France) Musée Picasso (Paris( Book )

in French and held by 2 WorldCat member libraries worldwide

Alexander Calder( Book )

1 edition published in 2017 in English and held by 2 WorldCat member libraries worldwide

This monograph brings together works by the two artists, not only shedding light on the richness of their individual practices, but also offering an opportunity to clearly see some shared interests and how much these artists actually had to say to each other. Contributions by Sarah Hamill and Elizabeth Hutton Turner inform about these artists? paths and their encounters and collaboration with photographer Ugo Mulas.0Hamill looks closely at the many photographs Mulas took of Calder?s and Smith?s sculpture at the 1962 Festival of the Two Worlds, in Spoleto. Turner explores how and why Calder and Smith found common ground in their shared identification with the American culture of invention. 00Exhibition: Hauser & Wirth, Zurich, Switzerland (12.06.-16.09.2017)
 
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Audience level: 0.39 (from 0.29 for Georgia O' ... to 0.98 for Who is in ...)

Georgia O'Keeffe : the poetry of things
Covers
Jacob Lawrence : the migration seriesArthur Dove : a retrospectiveCalder/MiróKlee and AmericaPierre Bonnard : early and late
Alternative Names
Hutton Turner, Elisabeth 1952-

Hutton Turner, Elizabeth 1952-

Turner, Elisabeth Hutton 1952-

Turner, Elizabeth H.

Turner, Elizabeth Hutton

Languages
English (139)

German (11)

Japanese (1)

French (1)