WorldCat Identities

Camille, Michael

Overview
Works: 86 works in 264 publications in 5 languages and 7,467 library holdings
Genres: Criticism, interpretation, etc  Illustrations  Pictorial works  Exhibition catalogs  History 
Roles: Editor, Contributor
Classifications: NA3549.P2, 726.525
Publication Timeline
Key
Publications about  Michael Camille Publications about Michael Camille
Publications by  Michael Camille Publications by Michael Camille
posthumous Publications by Michael Camille, published posthumously.
Most widely held works by Michael Camille
The gargoyles of Notre-Dame medievalism and the monsters of modernity by Michael Camille ( )
15 editions published between 2007 and 2009 in English and held by 1,625 WorldCat member libraries worldwide
Most of the seven million people who visit the cathedral of Notre Dame in Paris each year probably do not realize that the legendary gargoyles adorning this medieval masterpiece were not constructed until the nineteenth century. The first comprehensive history of these world-famous monsters, The Gargoyles of Notre-Dame argues that they transformed the iconic thirteenth-century cathedral into a modern monument. Michael Camille begins his long-awaited study by recounting architect Eugène Viollet-le-Duc?s ambitious restoration of the structure from 1843 to 1864, when the gargoyles were designed
Gothic art : glorious visions by Michael Camille ( Book )
20 editions published between 1996 and 2003 in English and held by 1,371 WorldCat member libraries worldwide
"When we look at the soaring spaces of Chartres cathedral or the shimmering pages of a gilded and painted manuscript, we are witnesses to a new kind of vision. In this radical reappraisal of Gothic art in Europe, the word "Gothic" describes not only an art style but a changing concept of space, time, and society - a new kind of perception, both visual and spiritual, in which light is of central importance. Camille shows us how the art of the thirteenth and fourteenth centuries was seen in its own time and explores the way vision itself was understood. In this age of glorious painting, magnificent, intricate architecture and sculpture, and jewellike manuscript illumination, art was an expression of religious passion and earthly power, of public and private wealth; of science and learning. The new vision led to an explosion of brilliant images but had its grim side, rarely noticed by art history: the distorted representation of "others" like Jews, heretics, and lepers; a new vision not only of the marvelous, but also of the grotesque."--Jacket
Image on the edge : the margins of medieval art by Michael Camille ( Book )
40 editions published between 1992 and 2013 in English and held by 927 WorldCat member libraries worldwide
A gargoyle lurks at the corner of a Gothic cathedral. A monstrous face peers from the margin of a medieval text. At the far reaches of cultural spaces a chorus of odd and arresting figures assembles, commenting endlessly on the world it surveys. What these characters are doing at the margins is the subject of Michael Camille's new book, an exhilarating account of the medieval imagination testing--and defining--its boundaries. Where others have isolated the marginal image as a detail, Camille considers such marginalia in direct and complex relation to the whole work. Ranging with graceful authority through the culture of the Middle Ages, from art to architecture, music to illustrated manuscripts, courtly romances to social rituals, he finds in the margins a distorted yet apt reflection of medieval conventions. It is here at the edge--of the monastery, the cathedral, the court, the city--that medieval artists found room for experimentation, for glossing, parodying, modernizing, and questioning cultural authority without ever undermining it. Viewing marginalia in their proper social and cultural context, Camille reveals scandalous and subversive aspects, as well as apparently paradoxical stabilizing functions. He rejects oppositions such as high and low, profane and sacred, and instead projects a vision of medieval culture in which marginal resistance, inversion, and transgression play an integral, even necessary, role. Chimeras as disruptions of religious order; gargoyles as embodiments of fears and temptations; scatological drawings as manifestations of crisis in the chivalric class; charivari as ritual reinscriptions of social norms: Image on the Edge presents a vivid picture of a medieval world in which contradictions were not only tolerated, but worked with exquisite detail into the very fabric of society. With a richness of expression in keeping with his subject--and with a wealth of sumptuous illustrations--Camille illuminates these details; in doing so, he revises and enhances our understanding of medieval culture's self-representation
The Gothic idol : ideology and image-making in medieval art by Michael Camille ( Book )
25 editions published between 1989 and 1995 in English and held by 796 WorldCat member libraries worldwide
This book examines the theme of idol-worship in medieval art. The author reveals the ideological basis of paintings, statues and manuscript illuminations that depicted the worship of false gods in the 13th and 14th centuries
The medieval art of love : objects and subjects of desire by Michael Camille ( Book )
17 editions published between 1998 and 2004 in English and held by 628 WorldCat member libraries worldwide
Mirror in parchment : the Luttrell Psalter and the making of medieval England by Michael Camille ( Book )
14 editions published between 1998 and 2013 in English and held by 619 WorldCat member libraries worldwide
"What is the status of visual evidence in history? Can we actually see the past through images? Where are the traces of previous lives deposited? Michael Camille addresses these important questions in Mirror in Parchment, a lively, searching study of one medieval manuscript, its patron, producers, and historical progeny."--Publisher's description
Master of death : the lifeless art of Pierre Remiet, illuminator by Michael Camille ( Book )
8 editions published in 1996 in English and Spanish and held by 565 WorldCat member libraries worldwide
Michael Camille's 'little history of death' as well as exhuming the life and work of a single medieval artist whose speciality was the representation of suffering, old age, death and corporeal decay, explores the macabre obsessions that permeated late medieval culture and the more general relationship between mortality and image-making. How did the artist figure the inevitable and how was the fact of death, emblematized in the painted corpse, made to work as a social sign of cadaverous presence in the absence of life. Camille argues that the medieval world perceived death as larger than life, that death was implicit at birth and stretched beyond the end of life to the resurrection of the body at the last Judgement. Each of Camille's chapters, framed by an imagined account of the illuminator's last hours and illustrated with examples of his art follows this inexorable path of death. Camille describes the theological origins of death and its physical beginnings at birth. He shows how representations of death shaped medieval notions of the historical past. In this period, people were constantly preparing themselves for death, as shown by Remiet's striking image of the figures of Death waiting at the end of the pilgrimage of human life. Remiet's frequent depiction of the rotting corpse reveals his society's dreaded anticipation of the end of time when, reawakened in the flesh, each individual would face the threat of an eternal and terrifying second death
Imagining an Irish past : the Celtic revival, 1840-1940 ( Book )
3 editions published between 1991 and 1992 in English and held by 283 WorldCat member libraries worldwide
Other objects of desire : collectors and collecting queerly ( Book )
9 editions published in 2001 in English and held by 141 WorldCat member libraries worldwide
Images dans les marges : aux limites de l'art médiéval by Michael Camille ( Book )
3 editions published in 1997 in French and held by 81 WorldCat member libraries worldwide
Die Kunst der Gotik : Höfe, Klöster und Kathedralen by Michael Camille ( Book )
8 editions published in 1996 in German and Undetermined and held by 57 WorldCat member libraries worldwide
Le monde gothique by Michael Camille ( Book )
3 editions published in 1996 in French and held by 57 WorldCat member libraries worldwide
Une synthèse des enjeux politiques, spirituels et culturels de cette apogée de l'Occident chrétien, à partir de XIIe siècle
Die Kunst der Liebe im Mittelalter by Michael Camille ( Book )
7 editions published between 1998 and 2000 in German and held by 29 WorldCat member libraries worldwide
L'art de l'amour au Moyen Âge : objets et sujets du désir by Michael Camille ( Book )
3 editions published in 2000 in French and held by 27 WorldCat member libraries worldwide
Toutes les idées relatives à l'amour romantique furent élaborées par les poètes et les artistes du Moyen Age. Faisant appel à une profusion d'images, datant du 12e au 15e siècle, l'auteur explore le cadre symbolique et social de l'amour, ses mythes et ses paradoxes en tant que code social d'une élite. [SDM]
Middeleeuwse minnekunst : onderwerpen en voorwerpen van begeerte by Michael Camille ( Book )
2 editions published in 2000 in Dutch and held by 24 WorldCat member libraries worldwide
Les gargouilles de Notre-Dame : médiévalisme et monstres de la modernité by Michael Camille ( Book )
1 edition published in 2011 in French and held by 24 WorldCat member libraries worldwide
El ídolo gótico : ideología y creación de imágenes en el arte medieval by Michael Camille ( Book )
2 editions published in 2000 in Spanish and held by 21 WorldCat member libraries worldwide
I thought I had time : from the Western Blot Series by Robert Farber ( Book )
2 editions published in 1992 in English and held by 15 WorldCat member libraries worldwide
Arte gótico : visiones gloriosas by Michael Camille ( Book )
3 editions published in 2005 in Spanish and held by 13 WorldCat member libraries worldwide
Oeuvres complètes; comédies, drames by Eugène Scribe ( Book )
in French and held by 13 WorldCat member libraries worldwide
 
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Audience Level
0
Audience Level
1
  Kids General Special  
Audience level: 0.51 (from 0.08 for Middeleeuw ... to 0.86 for Les gargou ...)
Alternative Names
Camille, M.
カミール, マイケル
Languages
English (152)
German (14)
French (12)
Spanish (6)
Dutch (2)
Covers