WorldCat Identities

Guilbault, Jocelyne

Overview
Works: 30 works in 79 publications in 3 languages and 1,551 library holdings
Genres: Criticism, interpretation, etc  History  Biography 
Roles: Author, Compiler, Editor
Classifications: ML3485.5, 781.6309729
Publication Timeline
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Most widely held works by Jocelyne Guilbault
Zouk : world music in the West Indies by Jocelyne Guilbault( Book )

14 editions published between 1993 and 1996 in English and held by 551 WorldCat member libraries worldwide

Governing sound : the cultural politics of Trinidad's Carnival musics by Jocelyne Guilbault( Book )

10 editions published in 2007 in English and held by 364 WorldCat member libraries worldwide

Written in two parts, part 1 explores the development of Calypso, from it's emergence in the pre-colonial period to the post colonial period. In part 2, the focus is on the new Carnival musical practices of soca, rapso, chutney, soca and ragga soca, and the ways in which they contirbuted to the redefination of Trinidadian cultural politics in the neoliberal era. The new rationailities, contigencies, desires and musical experments that animated the new musics and enabled them to gradually displace calypso from its centrality as national expression is examined
Musical traditions of St. Lucia, West Indies : dances and songs from a Caribbean island by Jocelyne Guilbault( Recording )

9 editions published in 1993 in 3 languages and held by 277 WorldCat member libraries worldwide

Roy Cape : a life on the calypso and soca bandstand by Jocelyne Guilbault( Book )

3 editions published in 2014 in English and held by 144 WorldCat member libraries worldwide

Roy Cape is a Trinidadian saxophonist active as a band musician for more than fifty years and as a bandleader for more than thirty ... Part ethnography, part biography, and part Caribbean music history, [this] is about the making of reputation and circulation and about the meaning of labor and work ethics ... it joins Roy's voice with that of ethnomusicologist Jocelyne Guilbault ,,, combining fdirst-person narrative, dialogue, and the polyphony of Roy's bandmates' voices"--Publisher's description
Zouk by Jocelyne Guilbault( Recording )

5 editions published in 1993 in 3 languages and held by 40 WorldCat member libraries worldwide

A collection of popular Haitian music from the West Indies. Zouk is a style of music associated with crowds at a festival or holiday celebration
Musical events in the lives of the people of a Caribbean island, St. Lucia by Jocelyne Guilbault( )

10 editions published between 1984 and 1991 in English and held by 20 WorldCat member libraries worldwide

Zouk : world music in the West Indies by Jocelyne Guilbault( Recording )

1 edition published in 1993 in English and held by 5 WorldCat member libraries worldwide

Instruments musicaux à Sainte-Lucie contexte d'apparition et transmission d'un savoir musical by Jocelyne Guilbault( Book )

2 editions published between 1983 and 1993 in French and held by 5 WorldCat member libraries worldwide

Racial projects and musical discourses in Trinidad, West Indies by Jocelyne Guilbault( )

1 edition published in 2000 in English and held by 3 WorldCat member libraries worldwide

Musical traditions of St. Lucia, West Indies dances and songs from a Caribbean Island( )

2 editions published in 1993 in Creoles and Pidgins, French-based and held by 2 WorldCat member libraries worldwide

Music, politics, and pleasure : live soca in Trinidad by Jocelyne Guilbault( )

1 edition published in 2010 in English and held by 2 WorldCat member libraries worldwide

Audible entanglements : nation and diasporas in Trinidad's calypso music scene by Jocelyne Guilbault( )

1 edition published in 2005 in English and held by 2 WorldCat member libraries worldwide

Zouk : world music in the West Indies( Visual )

in English and held by 2 WorldCat member libraries worldwide

Musical events in the lives of the people of a caribbean island, st. lucia (creole culture, interpretation) by Jocelyne Guilbault( )

1 edition published in 1984 in English and held by 2 WorldCat member libraries worldwide

Values operating across genres. The generalizations drawn from this research were repeatedly tested, in the field, against new circumstances and new occasions. The fundamental goal of this study is to come to a closer understanding of the St. Lucian system of meanings as expressed in musical events
'Making and selling culture' : Calypso music during carnival by Jocelyne Guilbault( )

1 edition published in 2005 in English and held by 1 WorldCat member library worldwide

On interpreting popular music : zouk in the West Indies by Jocelyne Guilbault( )

1 edition published in 1990 in English and held by 1 WorldCat member library worldwide

Governing sound : the cultural politics of Trinidad's Carnival musics( Recording )

1 edition published in 2007 and held by 1 WorldCat member library worldwide

Politics of ethnomusicological knowledge production and circulation by Jocelyne Guilbault( )

1 edition published in 2014 in English and held by 1 WorldCat member library worldwide

Musique et politique : les répertoires de l'identité by Françoise Albertini( )

1 edition published in 2015 in French and held by 0 WorldCat member libraries worldwide

Musiciens et chanteurs sont à l'origine de pratiques qui s'insèrent pleinement dans le jeu complexe des rapports sociaux. Aux stades de la création, de la production ou de la consommation, les musiques n'échappent jamais aux enjeux socio-culturels d'un lieu, d'une époque, d'une communauté humaine. Conformes ou dissidentes à l'égard des logiques dominantes, elles demeurent productrices d'émotions esthétiques et porteuses des liens sociaux. Les musiques sont des enjeux de pouvoir et certaines logiques économiques ou politiques peuvent conduire à leur instrumentalisation. L'histoire est malheureusement riche de ces musiciens annexés par des régimes politiques au destin funeste. Mais les musiques sont aussi porteuses d'identités culturelles voire d'appels à la résistance. Structurant des groupes sociaux, des communautés nationales, elles peuvent contribuer, par leur capacité mobilisatrice, à accentuer ou plus fréquemment à faire tomber les murs du racisme, de l'intolérance ou du totalitarisme. C'est qu'il n'est de pratique musicale que dans l'échange. C'est bien là toute l'ambiguïté et la richesse de cet objet, à la fois verbe codé, situé, et langage universel, transculturel. Elles méritent donc pleinement que les sociologues, les artistes, les mélomanes et les citoyens que nous sommes tous tentent de franchir ces miroirs du son qui nous renvoient les images parfois brouillées de nos sociétés
 
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Zouk : world music in the West IndiesZoukZouk : world music in the West Indies
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Governing sound : the cultural politics of Trinidad's Carnival musicsZoukZouk : world music in the West Indies