WorldCat Identities

Braud, Michel 1959-

Overview
Works: 28 works in 93 publications in 2 languages and 830 library holdings
Genres: Criticism, interpretation, etc  History  Conference papers and proceedings  Biography  Dictionaries  Biography‡vDictionaries  Diaries 
Roles: Author, Editor, Collector, Publishing director, Opponent, Thesis advisor, Compiler
Publication Timeline
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Most widely held works by Michel Braud
La tentation du suicide dans les écrits autobiographiques : 1930-1970 by Michel Braud( Book )

17 editions published between 1970 and 1992 in French and held by 181 WorldCat member libraries worldwide

L'EXPRESSION DE LA TENTATION DU SUICIDE, DANS LES ECRITS AUTOBIOGRAPHIQUES, APPARAIT CONDITIONNNEE PAR LE GENRE UTILISE (AUTOBIOGRAPHIE, JOURNAL INTIME OU CORRESPONDANCE) QUI TRAHIT LES CHOIX EXISTENTIELS DE L'AUTEUR, MEME SI DES PASSERELLES ENTRE CES GENRES SONT POSSIBLES. ELLE S'INSCRIT, PLUS GLOBALEMENT, DANS LA DOUBLE PERSPECTIVE DE LA PERTE D'UN SENS A L'EXISTENCE ET DE L'APPARITION D'UNE EXPRESSION DE SOI. LES MUTATIONS HISTORIQUES, IDEOLOGIQUES ET CULTURELLES, ENTRE 1930 ET 1970, FONT RESSORTIR CETTE PERTE DE SENS. L7AUTEUR D'ECRITS AUTOBIOGRAPHIQUES APPARAIT ALORS PENCHE SUR LES CAUSES INTIMS DE SA TENTATION SUICIDAIRE; IL EXPRIME SON MALAISE, LE VOIT EVOLUER ET IMAGINE SA PROPRE MORT. MAIS IL EST AUSSI EN QUETE D'UN SENS NOUVEAU OU D'UNE MORALE D'EXISTENCE; SI LA RELIGION NE LUI EST PLUS UN RECOURS, IL DOIT CHERCHER AILLEURS UN EQUILIBRE PERSONNEL : EN LUI-MEME OU DANS L'ECRITURE
Jacques Borel : l'imagination autobiobraphique by Michel Braud( Book )

11 editions published in 2000 in French and held by 167 WorldCat member libraries worldwide

La forme des jours : pour une poétique du journal personnel by Michel Braud( Book )

7 editions published in 2006 in French and held by 135 WorldCat member libraries worldwide

Dictionnaire de l'autobiographie : écritures de soi de langue française( Book )

3 editions published in 2017 in French and held by 61 WorldCat member libraries worldwide

This dictionary responds to a threefold wish: it intends first to establish the balance sheet of several decades of theoretical reflection, more than forty years after the publication of the Autobiographical Pact (1975) of Philippe Lejeune. It then aims to map a field of research whose extension is often misunderstood: autobiography in the strict sense, but also, and more generally, the writings of self. At a time when the mediaization of autofiction blurs the boundaries between fiction and non-fiction, it seems important to describe the specificities of the non-fictional field and to ask whether autobiographical writing is a model of writing identifiable with a few traits Or a registry that transcends generic borders. Finally, this dictionary wishes to fecundate a new theoretical impetus. It goes beyond a vulgate promoted by the academic and academic institution, constituted in canon, is not limited only to the corpus consecrated but is also interested in authors unknown, even ordinary writings. Behind the success of the autobiography is a diversity of practices and genres that share in first-person writing, which experience variable fortunes but are constantly nourishing each other: memories, memories, testimonials, diaries, correspondences Intimate, chronic ... It is a question of opening up the autobiography by reinscribing it in a broad historical continuity and within the Francophone space; The writings of self, often reduced to their mere pretension to imitate the world, are also essential supports for the renewal of literary creation.--Translation of page 4 of cover by Honoré Champion
Le récit sans fin : poétique du récit non clos( Book )

6 editions published in 2016 in French and held by 57 WorldCat member libraries worldwide

Journaux intimes : de madame de Staël à Pierre Loti( Book )

5 editions published in 2012 in French and held by 55 WorldCat member libraries worldwide

L'irressemblance : poésie et autobiographie( Book )

7 editions published between 2006 and 2007 in French and held by 40 WorldCat member libraries worldwide

Les Enseignements de la fiction( Book )

3 editions published in 2006 in French and held by 28 WorldCat member libraries worldwide

Poétiques de la durée( Book )

6 editions published in 2010 in French and held by 27 WorldCat member libraries worldwide

Adèle, Adèle et Léontine journaux de jeunes filles protestantes à la fin du XIXe siècle( Book )

3 editions published between 2009 and 2010 in French and held by 23 WorldCat member libraries worldwide

L'amitié dans les écrits du for privé et les correspondances de la fin du Moyen Âge à 1914( Book )

1 edition published in 2014 in French and held by 17 WorldCat member libraries worldwide

L'Art de l'ordinaire( Book )

1 edition published in 2012 in French and held by 6 WorldCat member libraries worldwide

Drôles de verbes by Beata Hrehorowicz( Book )

3 editions published between 1992 and 1994 in French and Polish and held by 3 WorldCat member libraries worldwide

Les difficultés du français dictionnaire = Podręczny słownik trudności języka francuskiego by Michel Braud( Book )

2 editions published in 1993 in French and held by 3 WorldCat member libraries worldwide

L'expression ecrite et la composition française by Michel Braud( Book )

3 editions published in 1991 in French and Polish and held by 2 WorldCat member libraries worldwide

"J'écris mes histoires d'amour et je vis mes livres." étude du journal intime d'Annie Ernaux, "Se perdre by Myriam Seyt( )

1 edition published in 2010 in French and held by 2 WorldCat member libraries worldwide

Pendant un peu plus d'une année, l'écrivain Annie Ernaux a vécu une passion destructrice et sans espoir avec un diplomate russe, marié, en poste à Paris pour un an. Tenue au secret et ne pouvant confier son histoire d'amour au monde, l'auteur décide de consigner dans son journal intime, de façon très régulière, l'histoire de cette liaison qui rapidement devient une vraie passion et même une obsession : obsession pour un homme qui se change en obsession de l'attente. La diariste en effet va vivre au rythme de l'attente des appels téléphoniques de son amant, au point d'évacuer progressivement le monde extérieur, de sorte que le journal joue à la fois le rôle de refuge, celui qui permet de s'exprimer, et le rôle d'exutoire, pour libérer son âme des tourments d'une passion synonyme avant tout, ici, de souffrance. Le journal intime devient surtout le confident idéal pour la diariste : elle dépose en effet là, dans l'espace du secret, et en retrait du monde, toutes ses souffrances, ses espérances et ses moments de bonheur, qui se résument le plus souvent à la remémoration des scènes d'amour : elles sont nombreuses, décrites avec précision, sans honte et parfois de façon "crue", puisqu'au moment de l'écriture, la diariste ne craint pas le regard d'un éventuel lecteur. De plus, comme tout autobiographe, Annie Ernaux signe "le pacte autobiographique", c'est-à-dire qu'elle fait la promesse d'être sincère et de dire la vérité. D'autre part, de cette passion sans issue surgit le sentiment de mort, accompagné d'une résurgence de souvenirs douloureux, de hontes et de blessures anciennes : tout le journal se tient entre Éros et Thanatos. Mais la diariste parvient à surmonter le sentiment de déréliction et de perte qui s'empare d'elle grâce à l'écriture, qui intervient comme une compensation, et grâce à la littérature qui permet, tout en partant à la reconquête de soi, de transformer la vie en roman. Le journal intime perd alors sa destination première et se change insensiblement en un autre "livre" aux yeux du lecteur qui a la sensation de lire un véritable récit : celui d'une histoire d'amour
La représentation de l'intimité dans le travail de Patrice Chéreau 1982-2010 by Valerie Nativel( )

2 editions published in 2012 in French and held by 2 WorldCat member libraries worldwide

Privacy is a challenge launched to representation: how do we show what is hidden in essence, that which escapes the public sphere to find place in the private realm, between the walls of homes, or in conscience? In this aesthetic questioning - what can the representation accomplish in front of the paradox of privacy ? - here, an ethical stake is added: what can we show of this sphere governed by the secret and the decent ? The basis of our research is the work of the director and film-maker Patrice Chéreau. Both on stage as well as on screen, bodies are given to be seen until excess, creating embarrassment and fascination in the audience. Two postures take shape here: intruder or Peeping Tom. The spectator is called to reflect his activity. To the theater, it is the link between an uncluttered scenic device and a powerfully carnal act, that places the spectator in disturbing physical proximity to an overflowing body. In the cinema, by exposing the audience to a secreting nudity, far from the standards of images produced by Photoshop, the film-maker calls forth a magnified drive which creates a haptic feature of the glance. So, the representation of privacy arouses a need to exceed the vision in order to feel the visible. This is made possible via the director. In the final analysis, we look at the relationship between Patrice Chéreau and his actors, the relationship where not only the actor's erotic, but also the ethics of privacy, take shape, both considered as the means to overtake obscenity, exhibitionism or pornography, characterizing the representation of intimacy
Le voyage en France de la comtesse Tarnowska by Michel Braud( Book )

1 edition published in 2003 in French and held by 1 WorldCat member library worldwide

Une lecture de l'espace romanesque célinien by Suzanne Munsch( )

1 edition published in 2011 in French and held by 1 WorldCat member library worldwide

Toute œuvre littéraire s'inscrit dans un mouvement de pensée singulier apte à lui donner une forme propre : un espace. La forme unitaire ou morcelée que constitue un ensemble romanesque est significative des intentions et des intuitions de l'auteur. En cherchant à déterminer les limites de l'espace romanesque célinien, nous tentons de comprendre les motivations du geste littéraire et, à travers les romans de Louis-Ferdinand Céline, de conceptualiser ce qui pourrait devenir un outil d'analyse critique : "l'espace romanesque."
 
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Languages
French (83)

Polish (2)