WorldCat Identities

Braud, Michel 1959-

Overview
Works: 28 works in 92 publications in 2 languages and 766 library holdings
Genres: Criticism, interpretation, etc  Biography  History  Conference papers and proceedings  Diaries 
Roles: Author, Editor, Publishing director, Thesis advisor, Opponent, Collector, Compiler
Classifications: PN56.S744, 809
Publication Timeline
.
Most widely held works by Michel Braud
La tentation du suicide dans les écrits autobiographiques : 1930-1970 by Michel Braud( Book )

17 editions published between 1970 and 1992 in French and held by 179 WorldCat member libraries worldwide

THE MANNER IN CHICH THE TEMPTATION TO COMMIT SUICIDE IS EXPRESSED IN AUTOBIOGRAPHICAL WRITINGS WOULD APPEAR TO BE CONDITIONNED BY THE PARTICULAR GENRE USED, BE IT A DIARY, A LETTER OR AN AUTOBIOGRAPHY. THE CHOICE OF GENRE REFLECTS THE EXISTENTIAL CHOICES MADE BY THE WRITER, NOTWITHSTANDING THE FACT THAT THESE GENRES SOMETIMES OVERLAP. ON A MORE GENERAL LEVEL, THE EXPRESSION OF THE WILL TO COMMIT SUICIDE CAN BE TRACED BOTH TO THE FACT THAT EXISTENCE GRADUALLY LOST ITS MEANING AND TO THE FACT THAT WRITERS BEGAN TO GIVE EXPRESSION TO THEIR PERSONALITIES. THE HISTORICAL, IDEOLOGICAL AND CULTURAL CHANGES WHICH HAVE TAKEN PLACE BETWEEN 1930 AND 1970 SHOW THIS LOSS OF MEANING VERY WELL. THE AUTHOR OF AUTOBIOGRAPHICAL WRITINGS CAN THUS BE SEEN TO REFLECT ON THE UNDERLYING CAUSES OF HIS TEMPTATION TO COMMIT SUICIDE. HE GIVES EXPRESSION TO HIS MALAISE, TRACES ITS DEVELOPMENT AND IMAGINES HIS DEATH. HOWEVER, HE ALSO ATTEMPS TO GIVE HIS EXISTENCE A NEW MEANING OR AT LEAST A SENSE OF CERTAINTY. IF HE CANNOT FALL BACK ON RELIGION, HE IS OBLIGED TO SEEK PEACE OF MIND ELSEWHERE - IN HIMSELF OR IN WRITING
Jacques Borel : l'imagination autobiobraphique by Michel Braud( Book )

11 editions published in 2000 in French and held by 165 WorldCat member libraries worldwide

La forme des jours : pour une poétique du journal personnel by Michel Braud( Book )

7 editions published in 2006 in French and held by 134 WorldCat member libraries worldwide

Journaux intimes : de madame de Staël à Pierre Loti( Book )

5 editions published in 2012 in French and held by 55 WorldCat member libraries worldwide

Le récit sans fin : poétique du récit non clos( Book )

6 editions published in 2016 in French and held by 53 WorldCat member libraries worldwide

L'irressemblance : poésie et autobiographie( Book )

7 editions published between 2006 and 2007 in French and held by 39 WorldCat member libraries worldwide

Poétiques de la durée( Book )

6 editions published in 2010 in French and held by 27 WorldCat member libraries worldwide

Les Enseignements de la fiction( Book )

3 editions published in 2006 in French and held by 27 WorldCat member libraries worldwide

Adèle, Adèle et Léontine journaux de jeunes filles protestantes à la fin du XIXe siècle( Book )

3 editions published between 2009 and 2010 in French and held by 20 WorldCat member libraries worldwide

L'amitié dans les écrits du for privé et les correspondances de la fin du Moyen Âge à 1914( Book )

1 edition published in 2014 in French and held by 17 WorldCat member libraries worldwide

L'Art de l'ordinaire( Book )

1 edition published in 2012 in French and held by 6 WorldCat member libraries worldwide

Les difficultés du français dictionnaire = Podręczny słownik trudności języka francuskiego by Michel Braud( Book )

2 editions published in 1993 in French and held by 3 WorldCat member libraries worldwide

Drôles de verbes by Beata Hrehorowicz( Book )

3 editions published between 1992 and 1994 in French and Polish and held by 3 WorldCat member libraries worldwide

La représentation de l'intimité dans le travail de Patrice Chéreau 1982-2010 by Valerie Nativel( )

2 editions published in 2012 in French and held by 2 WorldCat member libraries worldwide

Privacy is a challenge launched to representation: how do we show what is hidden in essence, that which escapes the public sphere to find place in the private realm, between the walls of homes, or in conscience? In this aesthetic questioning - what can the representation accomplish in front of the paradox of privacy ? - here, an ethical stake is added: what can we show of this sphere governed by the secret and the decent ? The basis of our research is the work of the director and film-maker Patrice Chéreau. Both on stage as well as on screen, bodies are given to be seen until excess, creating embarrassment and fascination in the audience. Two postures take shape here: intruder or Peeping Tom. The spectator is called to reflect his activity. To the theater, it is the link between an uncluttered scenic device and a powerfully carnal act, that places the spectator in disturbing physical proximity to an overflowing body. In the cinema, by exposing the audience to a secreting nudity, far from the standards of images produced by Photoshop, the film-maker calls forth a magnified drive which creates a haptic feature of the glance. So, the representation of privacy arouses a need to exceed the vision in order to feel the visible. This is made possible via the director. In the final analysis, we look at the relationship between Patrice Chéreau and his actors, the relationship where not only the actor's erotic, but also the ethics of privacy, take shape, both considered as the means to overtake obscenity, exhibitionism or pornography, characterizing the representation of intimacy
L'expression ecrite et la composition française by Michel Braud( Book )

3 editions published in 1991 in French and Polish and held by 2 WorldCat member libraries worldwide

"J'écris mes histoires d'amour et je vis mes livres." étude du journal intime d'Annie Ernaux, "Se perdre by Myriam Seyt( )

1 edition published in 2010 in French and held by 2 WorldCat member libraries worldwide

Pendant un peu plus d'une année, l'écrivain Annie Ernaux a vécu une passion destructrice et sans espoir avec un diplomate russe, marié, en poste à Paris pour un an. Tenue au secret et ne pouvant confier son histoire d'amour au monde, l'auteur décide de consigner dans son journal intime, de façon très régulière, l'histoire de cette liaison qui rapidement devient une vraie passion et même une obsession : obsession pour un homme qui se change en obsession de l'attente. La diariste en effet va vivre au rythme de l'attente des appels téléphoniques de son amant, au point d'évacuer progressivement le monde extérieur, de sorte que le journal joue à la fois le rôle de refuge, celui qui permet de s'exprimer, et le rôle d'exutoire, pour libérer son âme des tourments d'une passion synonyme avant tout, ici, de souffrance. Le journal intime devient surtout le confident idéal pour la diariste : elle dépose en effet là, dans l'espace du secret, et en retrait du monde, toutes ses souffrances, ses espérances et ses moments de bonheur, qui se résument le plus souvent à la remémoration des scènes d'amour : elles sont nombreuses, décrites avec précision, sans honte et parfois de façon "crue", puisqu'au moment de l'écriture, la diariste ne craint pas le regard d'un éventuel lecteur. De plus, comme tout autobiographe, Annie Ernaux signe "le pacte autobiographique", c'est-à-dire qu'elle fait la promesse d'être sincère et de dire la vérité. D'autre part, de cette passion sans issue surgit le sentiment de mort, accompagné d'une résurgence de souvenirs douloureux, de hontes et de blessures anciennes : tout le journal se tient entre Éros et Thanatos. Mais la diariste parvient à surmonter le sentiment de déréliction et de perte qui s'empare d'elle grâce à l'écriture, qui intervient comme une compensation, et grâce à la littérature qui permet, tout en partant à la reconquête de soi, de transformer la vie en roman. Le journal intime perd alors sa destination première et se change insensiblement en un autre "livre" aux yeux du lecteur qui a la sensation de lire un véritable récit : celui d'une histoire d'amour
Une lecture de l'espace romanesque célinien by Suzanne Munsch( )

1 edition published in 2011 in French and held by 1 WorldCat member library worldwide

Toute œuvre littéraire s'inscrit dans un mouvement de pensée singulier apte à lui donner une forme propre : un espace. La forme unitaire ou morcelée que constitue un ensemble romanesque est significative des intentions et des intuitions de l'auteur. En cherchant à déterminer les limites de l'espace romanesque célinien, nous tentons de comprendre les motivations du geste littéraire et, à travers les romans de Louis-Ferdinand Céline, de conceptualiser ce qui pourrait devenir un outil d'analyse critique : "l'espace romanesque."
Le voyage en France de la comtesse Tarnowska by Michel Braud( Book )

1 edition published in 2003 in French and held by 1 WorldCat member library worldwide

 
moreShow More Titles
fewerShow Fewer Titles
Audience Level
0
Audience Level
1
  Kids General Special  
Audience level: 0.82 (from 0.76 for Jacques Bo ... to 0.98 for Les diffic ...)

Languages
French (80)

Polish (2)