WorldCat Identities

Guerrero, Ed

Overview
Works: 13 works in 39 publications in 1 language and 1,873 library holdings
Genres: Criticism, interpretation, etc  History  Documentary films  Film excerpts  Motion pictures  Academic theses  Interviews  Conference papers and proceedings 
Roles: Author, Interviewee
Classifications: PN1995.9.N4, 791.436520396073
Publication Timeline
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Most widely held works by Ed Guerrero
Framing Blackness : the African American image in film by Ed Guerrero( Book )

11 editions published between 1993 and 2012 in English and held by 931 WorldCat member libraries worldwide

A challenge to Hollywood's one-dimensional images of African Americans
BaadAssss cinema( Visual )

2 editions published between 2002 and 2003 in English and held by 438 WorldCat member libraries worldwide

"In this groundbreaking documentary from the Independent Film channel, filmmaker Isaac Julien takes us back to the early 70s and the explosion of blaxploitation films, today one of American cinema's most beloved cult genres. The original guilty pleasure, these fun and energetic films had all the action, comedy, sex and groovy music you could want in two hours worth of entertainment"--Container
Do the right thing by Ed Guerrero( Book )

13 editions published between 2001 and 2013 in English and held by 428 WorldCat member libraries worldwide

Ed Guerrero discusses how Do The Right Thing epitomises Spike Lee's powerful impact on the representation of race and difference in America
The ideology and politics of black representation in U.S. narrative cinema by Ed Guerrero( )

4 editions published between 1989 and 1993 in English and held by 8 WorldCat member libraries worldwide

Significations of Blackness: American cinema and the idea of a black film by Michael Boyce Gillespie( )

1 edition published in 2007 in English and held by 7 WorldCat member libraries worldwide

While attentive to the fact that the 'black' of black film is informed by the constitutive cultural fiction of race as sociological category, the dissertation insists that this fiction cannot and should not be the exclusive determination of a black film hermeneutics. Thus, the project is committed to appreciating black film in more inclusive terms as an unfinalizable dialogue between American cinema, film form/aesthetics, and black expressive culture. Chapter One argues that Coonskin (Ralph Bakshi, 1975) is as an exercise in the racial grotesque and that the film performs a radical re-signification and critique of the racial stereotype. Chapter Two is a consideration of Chameleon Street (Wendell B. Harris Jr., 1991) and the significant ways the protagonist of the film complicates ideas of passing and mimicry as he functions as a signifying menace
Trying to get over : African American directors after blaxploitation, 1977-1986 by Keith Corson( )

1 edition published in 2012 in English and held by 7 WorldCat member libraries worldwide

The representation and involvement of African Americans in the film industry took a dramatic downturn following the demise of the blaxploitation cycle. With an average of over thirty black-focused films released per year between 1972 and 1976, narrative films featuring black stars or specifically targeting a black audience dwindled to only a handful of annual releases in the following decade due in large part to the changing film industry and a broader conservative shift in American politics. The supposed inroads of black artists in Hollywood during the 1970s largely evaporated, with the first group of black directors to work in Hollywood finding themselves shut out of the industry only a half-decade later. This dissertation charts the careers of the eight black directors who found a way to complete full-length features and secure commercial distribution in the decade following the blaxploitation cycle. Although they shared their struggles trying to carve out a space in an industry that was increasingly hostile to black involvement, the manner in which these eight directors navigated the industry varied widely, to say nothing of their personal and political sensibilities. This dissertation examines the multifaceted careers of Michael Schultz, Sidney Poitier, Jamaa Fanaka, Fred "the Hammer" Williamson, Richard Pryor, Prince, Gilbert Moses, and Stan Lathan, taking into account their differing approaches to filmmaking while also making a case for their shared legacy in shaping black popular culture in the 1980s and beyond
Blaxploitalian : 100 years of blackness in the Italian cinema( Visual )

1 edition published in 2017 in English and held by 4 WorldCat member libraries worldwide

"Blaxploitalian 100 years of blackness in Italian cinema" is a diasporic, hybrid, critical, and cosmopolitan dimension documentary that uncovers the careers of a population of entertainers seldom heard from before: Black actors in Italian cinema. BlaxploItalian cleverly disclosed the personal struggles classic Afro-Italian and African diasporic actors faced, correlating it with contemporary actors who work diligently to find respectable and significant roles. -- description from case
100 years of Black film : imaging African American life, history, and culture : February 1-4, 1995, National Museum of American History, Smithsonian Institution, Washington, D.C. by National Museum of American History (U.S.)( Book )

1 edition published in 1995 in English and held by 1 WorldCat member library worldwide

Hip hop on film : performance culture, urban space, and genre transformation in the 1980s by Kimberley Monteyne( Book )

1 edition published in 2009 in English and held by 1 WorldCat member library worldwide

The hip hop musical is pointedly about the lives of young people and as such should be considered part of the re-emergence of teen cinema in the 1980s. Yet, it defies the exclusionary logic of most mainstream youth films. As White-oriented suburban teen film banished parents and children to the margins of narrative action, hip hop musicals presented viewers with inclusive communities and families that directly referenced inner city social problems following a spike in divorce rates and diminished government assistance
The End at The End: Apocalyptic Cinema at the Close of a Millennium by Julian Cornell( Book )

1 edition published in 2011 in English and held by 1 WorldCat member library worldwide

The dissertation presents a series of case studies representing typical expressions of popular apocalyptic narratives. Chapter two explores alien invasion tales. Envisioned by H.G. Wells as a protest against colonialism, the apocalypse averted has become a means of expressing support for imperialism. An analysis of Independence Day situates it within Wells's tradition and demonstrates how this film affirms society's hegemonic structures, particularly American Exceptionalism. Chapter three considers the zombie apocalypse Day of the Dead, where the apocalyptic is deployed as a means to criticize imperialism and racialist ideologies. The fourth chapter explores the post-apocalyptic through close textual analysis of Waterworld . Containing elements of both rejection and confirmation of hegemonic discourse, the post-apocalyptic narrative is revealed to be an ambivalent text, tenuously balancing traditional hopeful elements of regeneration and rebirth against the desirability and inevitability of cataclysm. The fifth chapter tackles the controversial film The Rapture, viewing it as demonstrating the textual nature of the apocalyptic and as critical of American apocalypticism itself
Fantastic otherness: racial representation in Hollywood's sci-fi and horror films by Ed Guerrero( Recording )

1 edition published in 1994 in English and held by 1 WorldCat member library worldwide

Guerrero describes how minority stereotypes and fears of a non-homogeneous society can manifest themselves in science fiction and horror films
Neither Fish Nor Fowl: Imagining Bisexuality in the Cinema by Beth Carol Roberts( Book )

1 edition published in 2013 in English and held by 1 WorldCat member library worldwide

In its deconstruction of this coding, the dissertation finds methodologies centered on the issues of representation and visibility inadequate, as they tend not to explore the contingencies of discursive formations and systems of knowledge. The semiotic approach I propose allows us to intervene in critical and theoretical discourses that, often to the detriment of bisexuality, leave unexamined the relation between texts and contexts, artifacts and documents. Finally, the codes at work in its imaging still limit and delimit how we see and know bisexuality in the movies, but these constraints are instructive for those of us in bisexual studies. Perhaps we should focus less on the possibilities of an inscrutable future than on the challenges of a complicated past. For it is in the way we cherish our sexual histories, composed as they are of events and experiences that may no longer bear any obvious relation to our present selves, that makes bisexual people neither straight nor gay
Reversing the lens : ethnicity, race, gender, and sexuality through film by Jun Xing( Book )

1 edition published in 2003 in English and held by 1 WorldCat member library worldwide

"Reversing the Lens brings together noted scholars in history, anthropology, sociology, ethnic studies, and film studies to promote film as a powerful educational tool that can be used to foster cross-cultural communication with respect to race and ethnicity. Through such films as Skin Deep, Slaying the Dragon, and Mississippi Masala, contributors demonstrate why and how visual media help delineate various forms of "critical visual thinking" and examine how racialization is either sedimented or contested in the popular imagination
 
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Framing Blackness : the African American image in film
Alternative Names
Guerrero, Ed 1953-

Guerrero, Eduardo 1953-

Guerrero Edward

Languages
English (39)

Covers
BaadAssss cinemaDo the right thingReversing the lens : ethnicity, race, gender, and sexuality through film