WorldCat Identities

Guerrero, Ed

Works: 14 works in 40 publications in 2 languages and 1,417 library holdings
Genres: Reviews  Interviews  Criticism, interpretation, etc  Conference proceedings 
Roles: Author, Interviewee
Classifications: PN1995.9.N4, 791.436520396073
Publication Timeline
Most widely held works by Ed Guerrero
Framing Blackness : the African American image in film by Ed Guerrero( Book )

11 editions published between 1993 and 2012 in English and held by 921 WorldCat member libraries worldwide

A challenge to Hollywood's one-dimensional images of African Americans
Do the right thing by Ed Guerrero( Book )

11 editions published between 2001 and 2010 in English and held by 411 WorldCat member libraries worldwide

Ed Guerrero discusses how Do The Right Thing epitomises Spike Lee's powerful impact on the representation of race and difference in America
Mierda, mierda : veinte años de crítica teatral, 1986-2006 by Ed Guerrero( Book )

2 editions published in 2012 in Spanish and held by 16 WorldCat member libraries worldwide

Acto único : directores en escena by Ed Guerrero( Book )

3 editions published in 2003 in Spanish and held by 14 WorldCat member libraries worldwide

The ideology and politics of black representation in U.S. narrative cinema by Ed Guerrero( )

3 editions published between 1989 and 1993 in English and held by 6 WorldCat member libraries worldwide

Fantastic otherness: racial representation in Hollywood's sci-fi and horror films by Ed Guerrero( Recording )

1 edition published in 1994 in English and held by 1 WorldCat member library worldwide

Guerrero describes how minority stereotypes and fears of a non-homogeneous society can manifest themselves in science fiction and horror films
Reversing the lens : ethnicity, race, gender, and sexuality through film by Jun Xing( Book )

1 edition published in 2003 in English and held by 1 WorldCat member library worldwide

Reversing the Lens is relevant to anyone who is curious about how video and film can be utilized to expose ethnicity, race, gender, and sexuality as social constructions subject to political contestation and in dialogue with other potential forms of difference."--Jacket
The End at The End: Apocalyptic Cinema at the Close of a Millennium by Julian Cornell( Book )

1 edition published in 2011 in English and held by 1 WorldCat member library worldwide

This dissertation examines the enduring popularity of apocalypticism in mainstream films at the end of the 20th century. Considered synonymous with disaster fictions, the apocalyptic is a meaning generating system which holds a privileged place in American cultural and political discourse. Employing a wide ranging methodology grounded in cultural history this project endeavors to explain how the apocalyptic can be understood as an allegorical mode of emplotment, in Hayden White's terminology, a way to make historical process comprehensible. Drawing upon the work of Frank Kermode, my study considers the apocalyptic to be a sense-making template through which historical events are filtered in order to provide them with immanence and transcendent meaning. The resiliency and pliability of the apocalyptic mode can be attributed to its open-ended allegorical structure, by the indeterminate nature of its sign system which allows it to be available for either critiquing or affirming hegemonic structures. I will explore how this narrative, derived from religious sources, has been appropriated in the secular arena, as a paradigmatic means to engage the sense of crisis held to be symptomatic of postmodernity
Trying To Get Over: African American Directors After Blaxploitation, 1977--1986 by Keith Corson( )

1 edition published in 2012 in English and held by 1 WorldCat member library worldwide

The representation and involvement of African Americans in the film industry took a dramatic downturn following the demise of the blaxploitation cycle. With an average of over thirty black-focused films released per year between 1972 and 1976, narrative films featuring black stars or specifically targeting a black audience dwindled to only a handful of annual releases in the following decade due in large part to the changing film industry and a broader conservative shift in American politics. The supposed inroads of black artists in Hollywood during the 1970s largely evaporated, with the first group of black directors to work in Hollywood finding themselves shut out of the industry only a half-decade later. This dissertation charts the careers of the eight black directors who found a way to complete full-length features and secure commercial distribution in the decade following the blaxploitation cycle. Although they shared their struggles trying to carve out a space in an industry that was increasingly hostile to black involvement, the manner in which these eight directors navigated the industry varied widely, to say nothing of their personal and political sensibilities. This dissertation examines the multifaceted careers of Michael Schultz, Sidney Poitier, Jamaa Fanaka, Fred "the Hammer" Williamson, Richard Pryor, Prince, Gilbert Moses, and Stan Lathan, taking into account their differing approaches to filmmaking while also making a case for their shared legacy in shaping black popular culture in the 1980s and beyond
Neither fish nor fowl : imagining bisexuality in the cinema by Beth Carol Roberts( Book )

1 edition published in 2013 in English and held by 1 WorldCat member library worldwide

This dissertation investigates how bisexuality is represented in the cinema. Its key components include a genealogy of critical and theoretical discourses in the field and a discourse analysis of selected film texts and their critical reception. Based on this research, I argue that the coding of bisexuality depends not only on the ordering of same- and other-sex attractions, but also on their frequency and duration. That is, the medium is as important as the form to the legibility of bisexuality in the movies. For just as narratives activate (or negate) spatio-temporal configurations of bisexuality, expressing it as the coincidence or coexistence of hetero- and homosexual activities, so too does the time/space continuum of the cinema arbitrate the ways viewers read those events. What is at work here is not simply a coding, which transfers a set of meanings from text to text regardless of its formal architecture, but rather three kinds of codes (sexuality, narrative, cinema) that cascade in ways that have both ideological and epistemological implications
Hip hop on film : performance culture, urban space, and genre transformation in the 1980s by Kimberley Monteyne( Book )

2 editions published in 2009 in English and held by 1 WorldCat member library worldwide

Moreover, these productions use the format of the musical in ways that question the perceived limitations of the genre's structure. The consistent employment of musical conventions previously associated with conservative values such as an emphasis upon communal harmony, heteronormativity, and the staging of a final show, often facilitate progressive social and political goals when set against the backdrop of the predominantly Black and Latino inner city. Importantly, the new music man of the hip hop musical emerges to challenge the racial politics of traditional Hollywood musicals which habitually disempowered and depoliticized non-White performers
Baadasssss cinema( Visual )

1 edition published in 2003 in English and held by 1 WorldCat member library worldwide

This film takes us back to the early 70s and the explosion of blaxploitation films, today one of American cinema's most beloved cult genres. The original guilty pleasure, these fun and energetic films had all the action, comedy, sex and groovy music you could want in two hours worth of entertainment
Significations of blackness : American cinema and the idea of a black film by Michael Boyce Gillespie( )

1 edition published in 2007 in English and held by 1 WorldCat member library worldwide

"Significations of Blackness: American Cinema and the idea of a Black Film" is concerned with the necessary, creative tensions between film practice and specific modalities of black expressive culture. The focus of the project is to redraw the lines of influence, appreciation, allusion, causality, reference, and exposition in complex ways that deliberately challenge the critical constitution of film blackness. As opposed to critical work of a social realist inflection that insists a 'black film' should deliberately answer questions of black authenticity, ontology, or existential condition, this project considers 'film blackness' as a discursive investment in the idea of black film and thus how the idea of black film engages the epistemological questions of race and expressive culture and not the ontology ones
100 years of Black film : imaging African American life, history, and culture : February 1-4, 1995, National Museum of American History, Smithsonian Institution, Washington, D.C. by National Museum of American History (U.S.)( Book )

1 edition published in 1995 in English and held by 1 WorldCat member library worldwide

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Framing Blackness : the African American image in film
Alternative Names
Guerrero, Ed 1953-

Guerrero, Eduardo 1953-

Guerrero Edward

Do the right thingReversing the lens : ethnicity, race, gender, and sexuality through film