WorldCat Identities

Payne, Christiana

Overview
Works: 38 works in 100 publications in 2 languages and 1,897 library holdings
Genres: Exhibition catalogs  Criticism, interpretation, etc  Biography  Art  Conference papers and proceedings 
Roles: Author, Editor, Other, Contributor
Classifications: ND1354.4, 759.2
Publication Timeline
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Most widely held works by Christiana Payne
Toil and plenty : images of the agricultural landscape in England, 1780-1890 by Christiana Payne( Book )

8 editions published in 1993 in English and held by 378 WorldCat member libraries worldwide

Prospects for the nation : recent essays in British landscape, 1750-1880( Book )

7 editions published in 1997 in English and held by 370 WorldCat member libraries worldwide

This fascinating book provides a picture of the changing state of British landscape studies. Art historians, historians, geographers, and literary. scholars discuss a wide range of topics: the role of landscape in the construction of a national identity; tourism and the politics of the picturesque; the relation of scientific observation to naturalistic landscape; and the depiction of rural labor. In so doing, they point up the extent to which scholarship has moved from concerns with individual artists to broader issues of representation and society.The authors challenge a number of orthodoxies in chapters that reconsider the role of women amateurs in landscape painting, recast the notion of John Sell Cotman's genius, explore the imaging of the nation, and examine the development of the history of watercolor painting. With essays by Maxine Berg, Stephen Copley, Stephen Daniels (with Susanne Seymour and Charles Watkins), Elizabeth Helsinger, Andrew Hemingway, Alun Howkins, Charlotte Klonk, Kay Dian Kriz, Anne Pullan, Kim Sloan, Sam Smiles, and the editors, the book is pluralistic in content and multidisciplinary in nature. It not only indicates where matters stand at the moment but suggests directions for future scholarship
John Brett : Pre-Raphaelite landscape painter by Christiana Payne( Book )

6 editions published in 2010 in English and held by 338 WorldCat member libraries worldwide

English accents : interactions with British art, c. 1776-1855 by Christiana Payne( Book )

13 editions published between 2004 and 2018 in English and held by 254 WorldCat member libraries worldwide

"In the century following the foundation of the Royal Academy in 1768, British art had an international reputation: prints spread knowledge of the work of British artists around the globe, and it was widely seen as the product of a modern, commercial society, and much admired by artists as diverse as Goya in Spain, Delacroix in France, and Bierstadt in America. In recent years, scholars working on this period have become increasingly aware of the international context of their subject, but there has been no systematic analysis of the reception of British art abroad. This collection of essays looks at the uses made of the paintings of Reynolds, Hogarth, Lawrence and their contemporaries on the continent of Europe, and in the colonies and ex-colonies of Australia and America. The authors go beyond the simple issue of 'influence' to consider how ideas and artistic conventions originating in the British Isles were adapted, appropriated or resisted in these new environments. In the process, some surprising views of British art emerge, demonstrating how a multi-faceted view from the outside can correct and enrich the narrative produced within a national school, and revealing some of the important connections that are obscured when art is studied, as it so often is, within narrow national boundaries."--Provided by publisher
Where the sea meets the land : artists on the coast in nineteenth-century Britain by Christiana Payne( Book )

8 editions published between 2006 and 2007 in English and Spanish and held by 99 WorldCat member libraries worldwide

"The author explores artists' responses to the coast and looks at the different ways politicians, tourists, theologians, poets and scientists would have viewed the coast. She shows how the images fit into the wider narratives of responses to social change and the transformation of religious belief. Special attention is paid to the development of lighthouses and lifeboats, and to the interest in the social organisation of fishing villages, both of which provided important subject matter for artists." "Cartoons, photography and book illustrations are considered alongside significant oil paintings and watercolours. Their themes range from satirical humour to the most serious philosophical reflections. The book discusses the work of well-known artists, including J. M. W. Turner, John Constable, William Powell Frith and Winslow Homer, as well as others, such as James Clarke Hook and Henry Moore, whose contributions have been little studied in modern times."--Back cover
Objects of affection : pre-Raphaelite portraits by John Brett by Christiana Payne( Book )

9 editions published in 2010 in English and held by 60 WorldCat member libraries worldwide

The power of the sea : making waves in British art 1790-2014 by Janette Kerr( Book )

1 edition published in 2014 in English and held by 60 WorldCat member libraries worldwide

From the sublime spectacle of crashing waves to the vast and open expanse of the oceans, the sea has long fascinated artists in Britain. 'The Power of the Sea' offers a multi-disciplinary approach to this fascinating subject, showcasing work by internationally-renowned contemporary artists alongside key historical works from national and regional art collections. Many of the earliest artists in the exhibition - George Morland, Francis Danby, John Brett and Walter Langley - emphasized the Romanticism of the sea through images depicting the human costs of shipwrecks and their aftermath. Meanwhile JMW Turner and John Constable were captivated by its elemental nature - its fury and fluidity, breeze and light. By the late nineteenth century, the sea seemed more benign, a source of leisure and health: Henry Moore, David James, and Sydney Mortimer Laurence experimented with different ways to capture the movement of the waves. In the twentieth century Paul Nash, Edward Wadsworth and Paul Feiler found reassurance in the simple geometry of sea walls and boats, while Peter Lanyon, John Piper and Joan Eardley portrayed the coast as much more insubstantial, a place of swirling winds and shifting moods, reflecting personal experience. In contemporary art, maritime environments have been both minimalist panoramas and places of familiarity and intimacy. Maggi Hambling, recognised for her celebrated series of North Sea Paintings, has depicted the power and energy of the sea in both paint and bronze. Gail Harvey creates colourful waves, while Kurt Jackson, Len Tabner and Janette Kerr depict seas that furiously foam and froth. The monochromatic photographs and etchings of James Beale, Norman Ackroyd and Thomas Joshua Cooper capture the moods, beauty and momentary movements of the ocean. History, memory, myth and maritime tradition inhabit the works of Hugh O'Donoghue and Will Maclean. Coastal erosion and rising sea levels are portrayed in work by Simon Read, Michael Porter and Jethro Brice, while Peter Matthews and Andrew Friend immerse work in the sea or create devices that deliberately disappear beneath its surface. This significant exhibition demonstrates the contrasts and continuities in artists' engagement with the sea over a period that spans more than two centuries. It encompasses a time of great change in man's relationship with nature - and the understanding of that relationship - bringing us to the present day and the effects of climate change upon rising sea levels, which has only lent greater urgency to their work. Exhibiting Contemporary Artists: Norman Ackroyd RA, James Beale RWA, Jethro Brice, Annie Cattrell, Thomas Joshua Cooper RSA, Susan Derges, Andrew Friend, Maggi Hambling, Andrew Hardwick RWA, Gail Harvey, Sax Impey RWA, Kurt Jackson RWA, Janette Kerr PRWA, Rona Lee, Marian Leven RSA, Anne Lydiat, Will Maclean RSA, Peter Matthews, Joanna Millett, Hughie O'Donoghue RA, Michael Porter RWA, Simon Read, Terry Setch RWA, Len Tabner.--http://www.rwa.org.uk
John Brett : a pre-Raphaelite in Cornwall by Charles Brett( Book )

6 editions published in 2006 in English and held by 58 WorldCat member libraries worldwide

Singing from the walls : the life and art of Elizabeth Forbes by Judith Cook( Book )

2 editions published in 2000 in English and held by 53 WorldCat member libraries worldwide

Silent witnesses : trees in British art, 1760-1870 by Christiana Payne( Book )

1 edition published in 2017 in English and held by 37 WorldCat member libraries worldwide

In the eighteenth and nineteenth centuries, naturalists, poets and artists were united in their love of trees. William Gilpin began his influential 'Remarks on Forest Scenery' (1791) with the bold statement that?It is no exaggerated praise to call a tree the grandest, and most beautiful of all the productions of the earth.? Illustrated books and tree portraits celebrated the beauty, antiquity and diversity of individual, and particularly ancient specimens. A wide range of drawing manuals showed artists and amateurs how to express their?character? and?anatomy?, as if they were human subjects. Paintings of woodland scenes provided welcome relief from city life, and studies of exotic trees reflected the growth of tourism and empire. The arrival of new species from all over the world aroused much excitement and scientific activity. At the same time, the native trees? oak, ash, beech, elm? acquired new resonance as emblems of the rural countryside. Many of Britain?s most important landscape painters, including Paul Sandby, John Constable, Samuel Palmer, Edward Lear, and the Pre-Raphaelites, made themselves experts in the drawing and painting of trees
The life & art of Elizabeth Forbes by Judith Cook( Book )

1 edition published in 2000 in English and held by 7 WorldCat member libraries worldwide

AIR : visualising the invisible in british art 1768-2017 by Christiana Payne( Book )

1 edition published in 2017 in English and held by 6 WorldCat member libraries worldwide

Air' explores the tradition in British art of finding inspiration in the air around us and skies above us. The book weaves its way through British art including early experiments with air and studies of clouds, to representations of breath (blowing glass, balloons) and wind instruments to flying creatures (real and imaginary) and wartime skies, before considering the physical possibilities of flight which shifted our perceptions of the landscape, as aerial photography made the view of the earth from above available to wider audiences. Contemporary work introduces new environmental issues to the narrative, making reference to climate change and air-borne disease, as well as considering air as an integral component in the process of making art, to demonstrate how air is everywhere. 00Exhibition: Royal West of England Academy, Bristol, UK (16.06.-03.09.2017)
John Brett : Pre-Raphaelitism landscape painter by Christiana Payne( Book )

1 edition published in 2010 in English and held by 4 WorldCat member libraries worldwide

William Henry Hunt : country people by William Henry Hunt( Book )

2 editions published in 2017 in English and held by 4 WorldCat member libraries worldwide

Taking its lead from W.H. Hunt's watercolour The Head Gardener, c. 1825, that is part of The Courtauld Gallery's permanent collection, this focused display will be first to investigate Hunt's depiction of rural figures in his work of the 1820s and 1830s. Consisting of twenty drawings borrowed from collections across the United Kingdom, William Henry Hunt: Country People will bring together watercolours depicting country people in their working or living environments, from farmer and gamekeeper to stonebreaker and gleaner. The representation of these country men, women and children, closely observed, raises questions about their status and way of life at a time of rapid agricultural and social change. These profound changes are also reflected in the literature of the period. William Henry Hunt was one of the most admired watercolourists of the 19th century. Better known as 'Bird's Nest Hunt' for his intricate still lives of flowers, fruit and birds' eggs, he exhibited prolifically at the Old Water Colour Society. His works were sought after by collectors, notably John Ruskin, a serious champion of his work.'00Exhibition: Courtauld Institute, London, UK (24.06. ? 17.09.2017)
An unstable genre( )

1 edition published in 1995 in English and held by 3 WorldCat member libraries worldwide

John Linnell at the Fitzwilliam by Christiana Payne( )

1 edition published in 1982 in English and held by 3 WorldCat member libraries worldwide

John Brett's 'Christmas morning, 1866' by Christiana Payne( )

1 edition published in 2008 in English and held by 3 WorldCat member libraries worldwide

Modernity at the seaside by Christiana Payne( )

1 edition published in 2010 in English and held by 3 WorldCat member libraries worldwide

 
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Audience level: 0.63 (from 0.39 for John Brett ... to 0.97 for An unstabl ...)

Toil and plenty : images of the agricultural landscape in England, 1780-1890 Toil and plenty : images of the agricultural landscape in England, 1780-1890 : [published inconjunction with the exhibition ... Nottingham University Art Gallery, 7 October - 14 November 1993]
Covers
Prospects for the nation : recent essays in British landscape, 1750-1880John Brett : Pre-Raphaelite landscape painterEnglish accents : interactions with British art, c. 1776-1855Rustic simplicity : scenes of cottage life in nineteenth-century British art : Djanogly Art Gallery, the University of Nottingham Arts Centre, 26 September - 8 November, 1998, Penlee House Gallery & Museum, Penzance, 25 November - 9 January 1999Where the sea meets the land : artists on the coast in nineteenth-century BritainObjects of affection : pre-Raphaelite portraits by John BrettJohn Brett : a pre-Raphaelite in CornwallSinging from the walls : the life and art of Elizabeth Forbes
Alternative Names
Knowles, Christiana, 1956-

Languages