WorldCat Identities
Thu Oct 16 17:50:27 2014 UTClccn-n940119840.10London, a portrait of a city : Serpentine Gallery 24-hour interview marathon /0.640.97Open Source 2010 : architecture as an open culture : Cecil Balmond, Hans-Ulrich Obrist, Sanford Kwinter, Tomás Saraceno, Ron Eglash, Rubedo, Overworld, António Adão da Fonseca, Luis Tavares Pereira, Gonçalo Azevedo /116932378Hans-Ulrich_Obristn 940119843542875Hans-Ulrich ObristObrist, H. U.Obrist, H.-U. 1968-Obrist, H. U. (Hans-Ulrich)Obrist, Hans-U. 1968-Obrist, Hans-UlrichObrist, Hans-Ulrich 1968-Obrist, UlrichObrist Ulrich 1968-....Obrist, Ulrich-HansObrist, Ulrich (Hans-Ulrich)Ulrich Obrist, Hans 1968-オブリスト, ハンス・ウルリッヒlccn-n50044731Richter, Gerhard1932-iveillartlccn-n77012066Koolhaas, Remilledtctbcrelccn-no97029485Peyton-Jones, Juliaothauictbedtlccn-no2004022393Ai, Weiweiiveartctblccn-n84148196New Museum of Contemporary Art (New York, N.Y.)prodstlccn-n82272058Bourgeois, Louise1911-2010lccn-n85379965Bernadac, Marie-Laureothedtlccn-n96110666Rist, Pipilotti1962-iveprfartdtelccn-nr2005012446Kurtz-Kretzschmar, Ilenepronc-serpentine gallerySerpentine GalleryObrist, Hans-UlrichInterviewsBiographyExhibition catalogsCriticism, interpretation, etcHistoryPictorial worksDocumentary filmsBiographical filmsNonfiction filmsCross-cultural studiesRichter, Gerhard,GermanyArtistsPhilosophyVideo artArchitectureSculptorsUnited StatesBourgeois, Louise,Installations (Art)Rist, Pipilotti,SwitzerlandAi, WeiweiArt museum curatorsObrist, Hans-UlrichUrbanizationCity planningArt and scienceCities and townsPainting, GermanLongevityOrganismsLongevity in artPlantsMuseums--CuratorshipArt museumsKoolhaas, RemSala, Anri,Metabolism in architecture (Movement)MathematicsArchitectsArchitecture, ModernMathematics in artJapanGolub, Leon,Themes, motivesArtInterviewsArts, ModernPaintersConceptual artArt, ModernAvant-garde (Aesthetics)Art, AbstractArt--PhilosophyScience--PhilosophyArtists' studiosLaboratoriesKelly, Ellsworth,Price, Cedric19681990199119921993199419951996199719981999200020012002200320042005200620072008200920102011201220132014217409831955709.2N6888.R49ocn833340992ocn857407206ocn779263695ocn859579244ocn805013549ocn174748700ocn859046651ocn075492667ocn078674579ocn313861766ocn171145199ocn187719969ocn883878720ocn448071214ocn814275836ocn762327268ocn762327225ocn419237707ocn769977118ocn440764463ocn867163645ocn867163646ocn875019469ocn881618208ocn864653295ocn864598287ocn864542767ocn864598383ocn864495562ocn846941414ocn813578833ocn446726638ocn881612055ocn780914349ocn469979384ocn443084457ocn438445205ocn440346495ocn438996381ocn876436899ocn760071309ocn725045992ocn827783709ocn800441156ocn724385873ocn180723983ocn794534471ocn826902174ocn724279361ocn725261406ocn883387652ocn864508495ocn864601464ocn889183594ocn864596552ocn185665913ocn889426338ocn450653949ocn791327886ocn822851877ocn439342967ocn422134026ocn422030064ocn693915102ocn767427882ocn763008791ocn824964080ocn822840042ocn826827648ocn466820206ocn74309186972217ocn037843769book19980.59Bourgeois, LouiseDestruction of the father reconstruction of the father : writings and interviews, 1923-1997BiographyInterviewsSince the age of twelve, the internationally renowned sculptor Louise Bourgeois has been writing - writing and drawing. First a diary precisely recounting the everyday events of her family life, then notes and reflections. Destruction of the Father - the title comes from the name of a sculpture she made following the death of her husband in 1973 - contains both formal texts and what the artist calls "pen-thoughts": drawing-texts often connected to her drawings and sculptures, with stories or poems inscribed alongside the images. This book collects both her writings and her spoken remarks on art, confirming the deep links between her work and her biography and offering new insights into her creative thinking and process+-+719770717562018ocn032131927book19950.59Richter, GerhardThe daily practice of painting : writings and interviews, 1962-1993InterviewsOver seven years in preparation, this book makes available a selection of Richter's texts, many translated for the first time. These texts come from all periods of his career, beginning with a letter he wrote to a film company promoting the first group show of German Pop Art in 1963, in which he was a participant. There are public statements about specific exhibitions, private reflections drawn from personal correspondence, answers to questions posed by critics, and excerpts from journals discussing the intentions, subjects, methods, and sources of his works from various periods. The writings are accompanied by 87 biographical illustrations from the artist's personal collection+-+K93531717556114ocn047272596book20010.66Rist, PipilottiPipilotti RistInterviewsExhibition catalogsOm den schweiziske kunstner Pipilotti Rist (1962- ) og hendes videoinstallationer+-+001483962543719ocn046805809rcrd20000.59Koolhaas, RemMutations : Rem Koolhaas, Harvard Project on the City, Stefano Boeri, Multiplicity, Sanford Kwinter, Nadia Tazi, Hans Ulrich ObristCross-cultural studiesThe future of the city worldwide+-+460827049343411ocn262432236book20090.56Ai, WeiweiAi WeiweiCriticism, interpretation, etcInterviewsAi Weiwei's work is an audacious blend of old and new, Western and Eastern, serious and irreverent. He has translated the readymade into a new artistic language, fusing neolithic pottery, fourteenth-century doors and seventeenth-century temple beams into surprising, at times shocking sculptures. He has documented his disdain for authority by giving the finger to the Tiananmen in Beijing, the Reichstag in Berlin and the White House in Washington (Study of Perspective, 1993-2005). And he has captured the mundane urban sprawl of his home city in a 150-hour video (Beijing 2003, 2003) that even dwarfs Andy Warhol's notorious eight-hour Empire. Ai Weiwei grew up on the edge of the Gobi desert in China's Western provinces. In the late 1970s he moved to Beijing, banding together with other pro-democracy artists in a loose collective know as the Stars group. In 1981, following government retaliation against their exhibitions, he moved to New York, where he attended art school and lived for twelve years, eventually returning to China when his father fell ill in 1993. Settling in Beijing, Ai became a rallying figure in a burgeoning new art scene. Taking up his art in earnest, he also emerged as a surprising and celebrated architect. (In addition to his numerous commissions for buildings in Beijing and beyond, he provided Swiss architects Herzog & De Meuron with the inspiration for their celebrated Beijing National Stadium, home to the 2008 Olympics.) What marks Ai as a truly twenty-first-century artist is precisely this multiplicity of roles: not just artist, designer and architect, but also curator, publisher, Web blogger and compass for an entire generation of Beijing artists. His outsize public persona is an integral part of his art. Although his outspoken views have brought him unwanted attention from the State, they have also generated excitement far beyond China's borders. His work has been increasingly featured in the world's most significant exhibitions, including Ducumenta 12 (2007), the 5th Asia-Pacific Triennial (2007) and the 15 Biennale of Sydney (2006), in the process providing the world with a inside view into one of the most exciting new art scenes. Karen Smith's Survey traces the artist's remarkable career from his early days in Beijing to his discovery of the Western avant-garde in New York and his recent emergence as a celebrated sculptor and architect. In the Interview Hans Ulrich Obrist discusses with the artist his father's artistic training and subsequent exile and the effects they had on his own views on art and authority. Bernard Fibicher's Focus looks at the monumental light sculpture Descending Light (2007). Artist's Choice features a poem by Ai Qing, one of China's most important twentieth-century writers. Artist's Writings include entries from Ai's blog, seen by millions of visitors each year and celebrated for its thoughtful and candid remarks on the subjects of art, politics and culture+-+643393962539517ocn242213358book20080.66Obrist, Hans-UlrichA brief history of curatingInterviewsPart of JRP|Ringier's innovative Documents series, published with Les Presses du Réel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field--from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U.S. through the inception of Documenta and the various biennales and fairs--with pioneering curators Anne D'Harnoncourt, Werner Hoffman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Clad+-+K00473054836119ocn037567455book19960.59Richter, GerhardGerhard Richter : 100 picturesExhibition catalogsNach einer kurzen Einführung in das frühe Werk Gerhard Richters gibt die Publikation einen nahezu vollständigen Überblick über sein Schaffen von 1993 bis 1996. Neben überwiegend abstrakten Arbeiten ist ein Zyklus von acht Bildern kleineren Formats von intimem, privatem Charakter entstanden. Autobiografische Elemente hat Gerhard Richter schon in früheren Jahren verwendet, doch treten sie verstärkt in dieser Folge von Motiven auf, die, verschleiert oder durch Spachtelhiebe "gefährdet", in madonnenhafter Attitüde seine junge Frau Sabine mit Kind zeigen. Der vom Künstler selbst gestaltete Band wird mit ganzseitigen farbigen Abbildungen zu einem außergewöhnlichen Zeugnis zeitgenössischer Kunst. 0+-+55564202283554ocn865452381book20140.23Sussman, RachelThe oldest living things in the worldPictorial works"The Oldest Living Things in the World is an epic journey through time and space. Over the past decade, artist Rachel Sussman has researched, worked with biologists, and traveled the world to photograph continuously living organisms that are 2,000 years old and older. Spanning from Antarctica to Greenland, the Mojave Desert to the Australian Outback, the result is a stunning and unique visual collection of ancient organisms unlike anything that has been created in the arts or sciences before, insightfully and accessibly narrated by Sussman along the way...Alongside the photographs, Sussman relays fascinating -- and sometimes harrowing -- tales of her global adventures tracking down her subjects and shares insights from the scientists who research them. The oldest living things in the world are a record and celebration of the past, a call to action in the present, and a barometer of our future." -- Publisher's description2929ocn077516638book20060.77Sala, AnriAnri SalaCriticism, interpretation, etcInterviews"Anri Sala's work is often about obscurity - obscurity of images but also of language and experience - which can render it both vexingly subtle and uncomfortably immediate. Working in a range of media - including video, photography and installation - and having been raised in Tirana, educated in Paris and now settled in Berlin, Anri Sala represents a truly contemporary international vision. They impact of his work - featured at the world's top venues and exhibitions - endorses Sala's conviction that art can transcend cultural references without losing any of its specificity nor, indeed, its power."--BOOK JACKET+-+727093962528514ocn762964032book20110.59Koolhaas, RemProject Japan : metabolism talks--History"Once there was a nation that went to war, but after they conquered a continent their own country was destroyed by atom bombs... then the victors imposed democracy on the vanquished. For a group of apprentice architects, artists, and designers, led by a visionary, the dire situation of their country was not an obstacle but an inspiration to plan and think... although they were very different characters, the architects worked closely together to realize their dreams, staunchly supported by a super-creative bureaucracy and an activist state... after 15 years of incubation, they surprised the world with a new architecture--Metabolism--that proposed a radical makeover of the entire land... Then newspapers, magazines, and TV turned the architects into heroes: thinkers and doers, thoroughly modern men..."--P. [4] de la couv2427ocn212431273book20080.53Obrist, Hans-UlrichFormulas for nowMathematical formulaeFor centuries the formula has been one of the building blocks of human knowledge. In mathematics and science, formulas express information symbolically to solve a problem, to describe an observable phenomenon, or to postulate a theory. More generally, a formula can be a plan of action, a statement or declaration, a definition or rule, or a list of ingredients or recipe to achieve a desired outcome. For all the contributors to this unique volume including eminent minds from the fields of art, science, mathematics, performance, architecture, design, literature, and sociology the formula is a fruitful way of investigating the nature of human existence. Selected especially for the book, more than one hundred invited participants have produced or chosen their own personal formulas to express the realities of contemporary life and to offer a means of negotiating a path through it. Contributors include Marina Abramovic, David Adjaye, John Baldessari, Matthew Barney, Louise Bourgeois, Thomas Demand, Elizabeth Diller, Olafur Eliasson, Brian Eno, Damien Hirst, Rem Koolhaas, Jeff Koons, Harry Mathews, Yoko Ono, Gerhard Richter, Nancy Spero, Rosemarie Trockel, Wang Jian Wei, James Watson+-+75038755052373ocn286493068book20090.77Richter, GerhardGerhard Richter : writings 1961-2007Interviews+-+49409588462128ocn053231453book20030.82Obrist, Hans-UlrichHans Ulrich Obrist : interviewsInterviewsTranscripts of interviews by Hans Ulrich Obrist with architects, artists, curators, film-makers, musicians, philosophers, social theorists and urbanists+-+K6893063332033ocn038089894book19970.86Golub, LeonLeon Golub : do paintings bite? : selected texts 1948-1996Interviews+-+726277843820014ocn049043522book19990.84Laboratorium"Laboratorium is an interdisciplinary project in which the scientific laboratory and the artist's studio are explored .... Throughout the summer we will establish within the city of Antwerpen netwerks, fluctuating between highly specialized work by scientists, artists, dancers, and writers"--from p. 17+-+K76806522818711ocn055037419book20020.86Price, CedricRe CPHistory+-+71811891281866ocn083525051book20060.79Koolhaas, RemRem KoolhaasCriticism, interpretation, etcInterviewsTranscribed interviews with Rem Koolhaas by Hans Ulrich Obrist+-+32255101381849ocn781787639visu20110.26Belz, CorinnaGerhard Richter paintingBiographyNonfiction filmsBiographical filmsDocumentary filmsBorn in 1932 in Dresden, Gerhard Richter is considered one of the world's greatest living painters and now nearly 80 years old, agreed to talk about his work, as a small film crew documents his creative process. Blunt, provocative, unashamedly curmudgeonly, and iconoclastic (but never cynical), the artist says he's 'interested in things he doesn't understand,' that 'painting is a secretive business,' and that 'each painting is an assertion that tolerates no company1826ocn038982156book19970.79Do itHistoryExhibition catalogs"Do it" began in 1993 with a discussion among Christian Boltanski, Bertrand Lavier and Hans-Ulrich Obist in the Café Select in Paris. From this encounter arose the idea of an exhibition of do-it-yourself descriptions or procedural instructions for art. In 1993, in cooperation with the AFAA (Association Française d'Action Artistique) twelve original do it texts were translated into eight languages and sent as a diplomatic dispatch to each country with which France maintains diplomatic relations. The first do it took place in September 1994 at the Ritter Kunsthalle In Klagenfurt, Austria+-+960018164517712ocn593370838book20090.79Kelly, EllsworthEllsworth Kelly : thumbing through the folder : a dialogue on art and architecture with Hans Ulrich ObristInterviews+-+38675708461552ocn725875825book20110.74Obrist, Hans-UlrichEverything you always wanted to know about curating but were afraid to askInterviewsExhibition catalogsVarious people interview art curator and critic Hans Ulrich Obrist about his life and work+-+4073768846842ocn316836599book20090.84Obrist, Hans-UlrichHans Ulrich Obrist : the China interviewsInterviews+-+7721826334591ocn056609557book20040.84Koons, JeffJeff Koons : retrospectiv = retrospectiveInterviewsExhibition catalogs472ocn875462739book20140.90Obrist, Hans-UlrichThink like clouds"Think Like Clouds collects for the first time the drawings, notes and diagrams of curator Hans Ulrich Obrist. For the past twenty-two years, Obrist has curated exhibitions worldwide and has interviewed personalities in nearly every field of endeavor: from architect Rem Koolhaas to artist Gerhard Richter to author and historian Studs Terkel. During conversations and curatorial work he draws and takes notes obsessively in order to help him remember and expand the topic at hand. But what ends up being drawn on hotel stationery or printouts of emails are more than mere memory aids. They are visual portraits of conversations or exhibitions made up of names, dates, quotes, and loose bits of information entangled in wavering lines and undulating scribbles. Taken as a whole, Think Like Clouds maps the intellectual and historical terrain of one of the most active and curious minds in contemporary art today. With an introduction by Paul Chan and an essay by Michael Diers"--Page 4 of cover291ocn212410472book20070.79Obrist, Hans-UlrichThe future will be--Quotations+-+0974080647122ocn466657041book20090.29Richter, GerhardObrist ; O'BristPortraitsGerhard Richter and Hans-Ulrich Obrist have known each other since 1985. Their collaboration began seven years later when the 24-year-old Obrist curated his first Richter exhibition. The following year he published a collection of his writings. Now Gerhard Richter has dedicated an artist's book to this long-standing relationship. The texts in the book have been created by rearranging interviews by Hans-Ulrich Obrist using a random generator. These are set in blocks without defined passages or paragraphs. The color plates are made up of photographs, both portraits and mementos, of Obrist from the past 15 years and close-ups of Richter's paintings, which Richter has then painted over using brushes and scrapers. Richter has arranged the image, text and interleaf pages. Upside down pages appear time and again, meaning that the book, which has two different sleeves, can be viewed from both sides. Both of the original sleeve designs (Obrist and O'Brist), are embossed, with the motif standing out from the background+-+K741510138101ocn471934484book20090.79Richter, GerhardObristInterviewsGerhard Richter and Hans-Ulrich Obrist have known each other since 1985. Their collaboration began seven years later when the 24-year-old Obrist curated his first Richter exhibition. The following year he published a collection of his writings. Now Gerhard Richter has dedicated an artist's book to this long-standing relationship. The texts in the book have been created by rearranging interviews by Hans-Ulrich Obrist using a random generator. These are set in blocks without defined passages or paragraphs. The color plates are made up of photographs, both portraits and mementos, of Obrist from the past 15 years and close-ups of Richter's paintings, which Richter has then painted over using brushes and scrapers. Richter has arranged the image, text and interleaf pages. Upside down pages appear time and again, meaning that the book, which has two different sleeves, can be viewed from both sides. Both of the original sleeve designs (Obrist and O'Brist), are embossed, with the motif standing out from the background+-+K741510138101ocn657082293book20100.47Obrist, Hans-UlrichIt has only just begun : Hans Ulrich Obrist in conversation with Joseph Grigely and Rirkrit Tiravanija91ocn607920863book20090.29Koolhaas, RemRem Koolhaas : conversaciones con Hans Ulrich ObristInterviews+-+325777079332471ocn768397616book20110.97Open source 2010, architecture as an open cultureOpen Source 2010 : architecture as an open culture : Cecil Balmond, Hans-Ulrich Obrist, Sanford Kwinter, Tomás Saraceno, Ron Eglash, Rubedo, Overworld, António Adão da Fonseca, Luis Tavares Pereira, Gonçalo AzevedoConference proceedingsInterviewsExhibition catalogs61ocn290472004book20090.10Obrist, Hans-UlrichLondon, a portrait of a city : Serpentine Gallery 24-hour interview marathonThis volume inaugurates a new series of publications edited by three leading authors on the world's architectural and artistic scene: H.U.Obrist, Rem Koolhaas and Stefano Boeri. This series of dialogues conducted by Hans Ulrich Obrist and Rem Koolhaas is dedicated to the most topical subjects on the international scene. Protagonists of the British architectural, political, and artistic scene, including Brian Eno, Zaha Hadid, Doris Lessing, Damien Hirst, and Gilbert and George, amongst others, have been invited to speak about the near future+-+540557203341ocn796076583visu20110.26Belz, CorinnaGerhard Richter paintingBiographyNonfiction filmsBiographical filmsDocumentary filmsBorn in 1932 in Dresden, Gerhard Richter is considered one of the world's greatest living painters and now nearly 80 years old, agreed to talk about his work, as a small film crew documents his creative process. Blunt, provocative, unashamedly curmudgeonly, and iconoclastic (but never cynical), the artist says he's 'interested in things he doesn't understand,' that 'painting is a secretive business,' and that 'each painting is an assertion that tolerates no company31ocn864093101book20130.47Obrist, Hans-UlrichGuan yu ce zhan de yi qie = Everything you always wanted to know about curating* *but were afraid to askInterviews21ocn234145505book20070.92Hadid, ZahaZaha Hadid : Hans Ulrich ObristInterviews+-+132551013811ocn889564248book20140.90Obrist, Hans-UlrichSharp tongues, loose lips, open eyes, ears to the groundExhibition catalogs+-+7197707175+-+7197707175Thu Oct 16 15:49:54 EDT 2014batch60123