WorldCat Identities

Pomarède, Vincent

Publication Timeline
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Most widely held works by Vincent Pomarède
The Louvre : all the paintings by Anja Grebe( Book )

14 editions published in 2011 in English and held by 1,308 WorldCat member libraries worldwide

Comprehensive collection catalog of the paintings collection of the Louvre. Each entry includes artist's name, painting name, date, size, material, location in the museum, and the Louvre inventory number. The DVD-ROM includes all paintings in the book and is browsable by artist, collection, or location. The advanced search feature allows searching by title, date, material, location, and more
Corot by Gary Tinterow( Book )

29 editions published in 1996 in 4 languages and held by 931 WorldCat member libraries worldwide

Corot's long and prolific career coincided with major artistic developments: the flourishing of Neoclassical, Romantic, and Realist tendencies; the Barbizon school; the rise of Impressionism. Although he has been claimed at various times for each of these movements, Corot defies categorization. His art was fueled by a profound love of the natural world, and the vision he pursued was his own. This catalogue of the exhibition recounts the engrossing progress of his life and art
1001 paintings of the Louvre : from antiquity to the nineteenth century by Musée du Louvre( Book )

6 editions published in 2005 in English and held by 483 WorldCat member libraries worldwide

"Covering a period of production that spans from antiquity to the nineteenth century, this book offers a comprehensive overview of the varied forms of artistic expression involving the use of coloured pigments by presenting over 1,000 works held in the Musee du Louvre that can be defined as "paintings" of some kind."--Jacket
Leonardo da Vinci : the restoration of the century( Visual )

1 edition published in 2013 in English and held by 250 WorldCat member libraries worldwide

"The restoration of Leonardo's final masterpiece, 'The Virgin and child with Saint Anne' was completed and exhibited in the Louvre in March 2012. Viewers and critics were astounded by its new life and luminosity, allowing details to be seen again for the first time in 500 years. Nevertheless, the pain-staking restoration process caused ructions and controversy amongst the panel of international experts and the restorer chosen to undertake the work"--SBS-TV website
The hidden lives of works of art( Visual )

1 edition published in 2012 in English and held by 247 WorldCat member libraries worldwide

A staggering number of paintings were once thought to be Rembrandts, but of the 800 or so works attributed to the Dutch master during the 19th century, only about 300 remain authenticated. Interestingly, the 1800s were also a period in which France dominated Rembrandt collecting and research. In the 20th century, expertise shifted to Holland, Great Britain, and the U.S., leaving French holdings isolated and neglected for a time. The Louvre, however, contains some of his most revered masterpieces, including Bathsheba at Her Bath and The Slaughtered Ox, which provide fertile ground for ongoing discussions of authenticity. Could some works long attributed to the master actually have been produced by a pupil or a copyist? How can one distinguish between real and fake? To restore or not to restore? This film visits the Louvre during its Rembrandt Study Days, using the museum's "off the wall, out of the frame" approach to address some of the most intriguing questions in art scholarship
The hidden lives of works of art( Visual )

1 edition published in 2012 in English and held by 236 WorldCat member libraries worldwide

Look beneath the surface of any centuries-old painting and you'll find no shortage of stories. More than likely the picture, like an ancient building, has a colorful history of damage and restoration. But some masterpieces tell a separate tale that can't be seen with the eye or a microscope. Poussin Study Day at the Museé des Beaux-Arts in Lyon focused on a single work, The Flight into Egypt, which was acquired in association with the Louvre and other sponsors for 17 million euros. This film delves into that intriguing, lesser-known narrative, reflecting a broad area of art history which museums and experts often prefer to keep quiet - the morass of ownership, authentication, and price issues capable of propelling even the most beloved work into hazardous legal and financial territory. Are these the kinds of forces that should determine a painting's fate? Such questions make this episode unique in the Hidden Lives series. Viewers encounter an entirely different aspect of a painting'
Ingres, 1780-1867 by Jean-Auguste-Dominique Ingres( Book )

22 editions published in 2006 in French and held by 227 WorldCat member libraries worldwide

Corot : extraordinary landscapes by Vincent Pomarède( Book )

4 editions published in 1996 in English and Undetermined and held by 171 WorldCat member libraries worldwide

Was Jean-Baptiste Camille Corot the last of the Classical painters or a precursor of the Impressionists? With his quiet, luminous canvases, which were miracles of light, color, and form, this legendary French painter forever changed the direction of landscape painting
Corot, un artiste et son temps : actes des colloques organisés au musée du Louvre par le service culturel les 1er et 2 mars 1996 à Paris et par l'Académie de France à Rome, villa Médicis, le 9 mars 1996 à Rome by Vincent Pomarède( Book )

10 editions published between 1998 and 1999 in 3 languages and held by 152 WorldCat member libraries worldwide

À l'occasion du bicentenaire de la naissance de Jean-Baptiste Camille Corot, un colloque international a eu lieu à l'auditorium du musée du Louvre ainsi qu'à l'Académie de France à Rome. Ces actes en restituent la teneur et proposent à la fois une vue plus nuancée sur le <<modernisme>> de Corot et reconsidèrent ses racines dans la tradition néoclassique. Corot, que l'on voulait peintre de plein air, ne travaillait-il pas davantage en atelier en s'éloignant des sujets ébauchés sur le motif? Quelle fut sa formation et que peut-on dire de son goût? Quel est le profil de ses collectionneurs contemporains? Font-ils partie d'un public <<moderniste>> ou <<traditionnaliste>>? Comment se définit son cercle d'amis? Quels furent ses rapports avec le milieu des paysagistes en Italie? Enfin, de telles questions permettent-elles de reformuler les problèmes d'attribution et de datation?
L'école de Barbizon : peindre en plein air avant l'impressionnisme : [exposition], Lyon, Musée des beaux-arts, 22 juin-9 septembre 2002 by Vincent Pomarède( Book )

16 editions published in 2002 in French and held by 151 WorldCat member libraries worldwide

Achille-Etna Michallon : [exposition présentée au musée du Louvre, pavillon de Flore, du 10 mars au 10 juin 1994] by Vincent Pomarède( Book )

18 editions published in 1994 in French and Undetermined and held by 150 WorldCat member libraries worldwide

Eugène Delacroix, La liberté guidant le peuple by Arlette Sérullaz( Book )

8 editions published between 2004 and 2012 in French and Undetermined and held by 122 WorldCat member libraries worldwide

Corot la mémoire du paysage by Vincent Pomarède( Book )

6 editions published between 1996 and 2007 in French and held by 86 WorldCat member libraries worldwide

Un simple paysagiste qui a su profiter de la mode pour la représentation de la nature, en vogue à son époque? Et si Corot était bien plus? En 53 ans de carrière, en 3000 tableaux, un peintre ayant abordé tous les genres
De Corot à l'art moderne : souvenirs et variations by Jean-Baptiste-Camille Corot( Book )

8 editions published in 2009 in French and held by 85 WorldCat member libraries worldwide

Présentation de l'oeuvre de Jean-Baptiste Camille Corot (1796-1875) dans une approche comparative avec celles de ses successeurs (Monet, Renoir, Cézanne, Picasso, Matisse, Kandinsky). Formé dans la tradition classique du paysage italien et français, il s'est inspiré des maîtres du réalisme hollandais et de l'école anglaise
Henri Fantin-Latour, (1836-1904) : Museu Calouste Gulbenkian, Lisboa, 26 de junio - 6 de septiembre de 2009, Museo Thyssen-Bornemisza, Madrid, 29 de septiembre de 2009-10 de enero de 2010 by Henri Fantin-Latour( Book )

13 editions published in 2009 in 4 languages and held by 83 WorldCat member libraries worldwide

Compañero de generación de Manet, Degas y Whistler, Fantin-Latour (Grenoble, 1836 - Buré, 1904) compartió con ellos muchas de sus aspiraciones estéticas aunque, por razones complejas, no ha pasado a la historia como uno de los grandes pioneros de la modernidad. Esta exposición presenta una ambiciosa selección de más de 70 piezas, tanto óleos como dibujos, reuniendo lo más destacado de su producción procedente de museos y colecciones de todo el mundo
Romanticismo : il nuovo sentimento della natura by Gabriella Belli( Book )

1 edition published in 1993 in Italian and held by 76 WorldCat member libraries worldwide

Corot : naturaleza, emoción, recuerdo by Jean-Baptiste-Camille Corot( Book )

5 editions published in 2005 in Spanish and French and held by 73 WorldCat member libraries worldwide

Eugène Delacroix : La mort de Sardanapale by Vincent Pomarède( Book )

3 editions published in 1998 in French and held by 72 WorldCat member libraries worldwide

Homère : [exposition, musée du Louvre-Lens du 27 mars au 22 juillet 2019] by Louvre-Lens( Book )

5 editions published in 2019 in French and held by 70 WorldCat member libraries worldwide

Cet ouvrage est publié à l'occasion de l'exposition Homère, présentée au musée du Louvre-Lens, du 27 mars au 22 juillet 2019. Homère, avec les deux monuments littéraires que sont l'Iliade et l'Odyssée qui lui sont généralement attribués, est sans conteste une des sources majeures les plus anciennes de la culture occidentale. Au-delà de leur importance dans la littérature, ces deux œuvres ont irrigué depuis lors l'imaginaire des différentes civilisations héritières de la Grèce. Ainsi, confusément, la Guerre de Troie, les noms d'Achille, d'Hector ou d'Ulysse continuent encore à raisonner dans nos esprits aujourd'hui. À plus fort titre, les artistes dans l'Antiquité, comme depuis la Renaissance, y ont puisé une multitude de sujets fondamentaux dans l'histoire de l'art
 
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Audience level: 0.42 (from 0.12 for The Louvre ... to 0.86 for Corot : na ...)

WorldCat IdentitiesRelated Identities
The Louvre : all the paintings
Covers
Corot1001 paintings of the Louvre : from antiquity to the nineteenth centuryCorot : extraordinary landscapes
Alternative Names
Vincent Pomarède Frans kunsthistoricus

Vincent Pomarède French art historian

Vincent Pomarède historiador de l'art francès

Vincent Pomarède historiador del arte francés

포마레드, 뱅상 1959-

ポマレッド, ヴァンサン

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