WorldCat Identities

Museo Guggenheim Bilbao

Overview
Works: 368 works in 670 publications in 4 languages and 14,313 library holdings
Genres: Exhibition catalogs  Criticism, interpretation, etc  History  Interviews  Catalogs  Pictorial works  Biography 
Roles: Editor, Collaborator
Classifications: NA737.G44, 720.92
Publication Timeline
Key
Publications about Museo Guggenheim Bilbao Publications about Museo Guggenheim Bilbao
Publications by Museo Guggenheim Bilbao Publications by Museo Guggenheim Bilbao
Most widely held works about Museo Guggenheim Bilbao
 
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Most widely held works by Museo Guggenheim Bilbao
Frank Gehry, architect by Frank O Gehry ( Book )
4 editions published in 2001 in English and held by 888 WorldCat member libraries worldwide
"Since the 1997 completion of what many consider his greatest achievement - the stunning Guggenheim Museum in Bilbao, Spain - Frank O. Gehry has soared to the forefront of contemporary American architecture. Long recognized by his peers for his innovative designs, Gehry now enjoys a new level of prominence in the popular imagination. This book, the catalogue of the first large-scale retrospective of Gehry's work in 15 years, examines the architect's unique vision and provides the historical perspective with which to interpret the audacious accomplishments." "Essays by noted museum curators and architectural historians explore his iconoclastic spirit and trace his melding of unconventional materials and forms. Photographs, drawings, plans, and scale models communicate the breadth and complexity of Gehry's work and show how, in his view of architecture as sculptural space, Gehry has opened up a world of new possibilities for architecture."--BOOK JACKET
Clemente by Francesco Clemente ( Book )
5 editions published between 1999 and 2000 in English and held by 620 WorldCat member libraries worldwide
Książka towarzysząca wystawie w Salomon R. Guggenheim Museum, New York 8 październik - 9 styczeń 2000, oraz w Guggenheim Museum, Bilbao 14 luty - 4 czerwiec 2000
Brazil : body & soul ( Book )
2 editions published in 2001 in English and held by 581 WorldCat member libraries worldwide
Cy Twombly : cycles and seasons by Cy Twombly ( Book )
10 editions published in 2008 in English and held by 578 WorldCat member libraries worldwide
"Cy Twombly (b.1928) is one of the leading figures from the generation of American artists that also included Robert Rauschenberg, Jasper Johns and Andy Warhol. Unlike them, he left America early in his career to live and work in Italy where he drew inspiration from European literature and classical culture. He swiftly built an international reputation with his uniquely expressive abstract paintings, works on paper and sculpture." "Accompanying a major, touring retrospective spanning over fifty years of Twombly's work, this book provides a long-needed critical overview of his career, focusing on his paintings, drawings and sculpture. There is also a rare and wide-ranging interview with the artist and a newly commissioned text by the artist Tacita Dean, as well as an illustrated chronology and extensive bibliography." "Combining the latest scholarship with numerous colour illustrations, this will be the most thorough examination of the life and work of this artist for years to come."--BOOK JACKET
James Rosenquist : a retrospective by James Rosenquist ( Book )
2 editions published in 2003 in English and held by 550 WorldCat member libraries worldwide
David Hockney : a bigger picture by Barringer ( Book )
7 editions published in 2012 in English and German and held by 520 WorldCat member libraries worldwide
Assembles a collection of the painter's oversized landscape paintings inspired by the English countryside, along with essays that discuss his life, creative process, influences, and use of technology in his work
Claes Oldenburg : the Sixties by Claes Oldenburg ( Book )
5 editions published in 2012 in English and held by 448 WorldCat member libraries worldwide
"This comprehensive monograph explores the conceptual complexity and diversity of Claes Oldenburg's early work to reveal this influential artist's extraordinary inventiveness. Accompanying an exhibition of Oldenburg's seminal early work, this publication examines the breadth of his artistic career from the late 1950s to 1970. It features works including the landmark installations The Street and The Store and their accompanying performances; the highly influential spectacular sculptures of everyday objects as well as drawings and preparatory collages for public projects from the 1960s. The book traces the development of Oldenburg's practice as it follows his work up to the Mouse Museum. Also included in the publication is an extensive chronology, alongside notes as well as a variety of installation views that showcase the careful consideration given to modes of presentation. In addition to imagery of his Pop icons, this richly illustrated book contains an extensive selection of drawings, collages, and magazine and newspaper clippings as well as a wealth of previously unpublished notebook pages, preparatory studies, and photographs taken by the artist. This volume probes diverse aspects of his work to offer fresh perspectives on Oldenburg's artistic development and unprecedented insights into the conceptual process of his artistic explorations"--
Sugimoto : portraits by Hiroshi Sugimoto ( Book )
3 editions published in 2000 in English and held by 431 WorldCat member libraries worldwide
"Japanese artist Hiroshi Sugimoto is renowned for his elegant photographic series of seascapes, theaters, museum dioramas, and Buddhist statuary. His new series presents life-size, black-and-white portraits of historical figures - Henry VIII and each of his wives, Voltaire, Benjamin Franklin, Oscar Wilde, and Emperor Hirohito, among others - photographed in wax museums, isolated against black backgrounds, and dramatically lit so as to create haunting Rembrandtesque images. The series, which also includes a 25-foot, five-panel photograph of a wax effigy of Leonardo's Last Supper, emulates the grand tradition of portraiture and recalls the wax figures' sources in famous paintings by Holbein, David, Van Dyck, and Vermeer."--BOOK JACKET
China, 5000 years : innovation and transformation in the arts ( Book )
4 editions published in 1998 in English and held by 426 WorldCat member libraries worldwide
Cristina Iglesias by Cristina Iglesias ( Book )
3 editions published between 1997 and 1998 in English and Spanish and held by 405 WorldCat member libraries worldwide
Giorgio Armani by Nicola White ( Book )
7 editions published between 2000 and 2001 in English and Spanish and held by 399 WorldCat member libraries worldwide
Moving pictures : contemporary photography and video from the Guggenheim Museum collections by John G Hanhardt ( Book )
5 editions published in 2003 in English and held by 342 WorldCat member libraries worldwide
Published on the occasion of the exhibition <of same title>, Solomon R. Guggenheim Museum, New York, June 28, 2002--Jan. 12, 2003 <and> Guggenheim Museum Bilbao, Oct. 8, 2003--May 18, 2004--Verso t.p
Chaos & classicism : art in France, Italy, and Germany, 1918-1936 by Kenneth E Silver ( Book )
4 editions published in 2010 in English and held by 328 WorldCat member libraries worldwide
Haunted : contemporary photography, video, performance by Jennifer Blessing ( Book )
4 editions published in 2010 in English and held by 299 WorldCat member libraries worldwide
Drawn largely from the Guggenheim's extensive photography and video collections, Haunted features some 100 works by nearly 60 artists, including many recent acquisitions that will be on view at the museum for the first time. The exhibition is installed throughout the rotunda and its spiraling ramps, with two additional galleries on view from June 4 to September 1, featuring works by two pairs of artists to complete Haunted's presentation
Paris : capital of the arts, 1900-1968 ( Book )
3 editions published in 2002 in English and held by 287 WorldCat member libraries worldwide
Published to accompany the exhibition at the Royal Academy of Arts, this catalogue charts the influential progress of the visual arts in Paris. Key figures such as Matisse, Duchamp, Picasso and Kandinsky are all represented
Jean Dubuffet : Spur eines Abenteuers = trace of an adventure by Jean Dubuffet ( Book )
3 editions published in 2003 in German and English and held by 260 WorldCat member libraries worldwide
Yves Klein by Sidra Stich ( Book )
8 editions published in 2004 in 3 languages and held by 236 WorldCat member libraries worldwide
Yves Klein is one of the most extraordinary and influential figures in post-war avant-garde art. In less than a decade - up until his untimely death in 1962 - he forged a career and built up a body of work that together have influenced and inspired contemporaries and subsequent generations of artists worldwide. Klein sought in his art to liberate the senses, to heighten our sensibility and to intensify our experience of life. In this comprehensive review of his art and ideas, Sidra Stich examines the full range of his diverse creative output - his paintings and sculptures, installations, meticulously documented performances, his copious writings, and his proposals and drawings for visionary projects - and sets them within the context of the art of the time to assess Klein's originality and his legacy
John Chamberlain : Choices by John Chamberlain ( Book )
2 editions published in 2012 in English and held by 215 WorldCat member libraries worldwide
"Often identified as the artist who successfully translated Abstract Expressionism into three dimensions, John Chamberlain wound through Franz Schubert, the U.S. Navy, hairdressing, the Art Institute of Chicago, and the Black Mountain College poets on his path to art. In Chicago, Chamberlain admired the work of Willem de Kooning and David Smith and learned to weld. Black Mountain instilled in him an intuitive collage sensibility and an approach to language that favored the visual appearance and sounds of words, dissociating them from their definitions. Chamberlain moved to New York in 1956 and within a few years hit upon the decision to utilize car metal as art material. His sculptures hewn from automobiles inevitably attracted the wrong interpretation; where Chamberlain employed creative re-use, others saw simply car crashes. He spent the rest of his life outrunning that association. His primary concern was and continued to be three-dimensional abstraction. More sensitive observers noted a kinship between his works and the dramatic modeling and contrapposto of Baroque art and sculptural drapery studies. With collage--the juxtaposition of heterogeneous elements--and abstraction--the elimination of figurative imager--as guiding principles, Chamberlain articulated the maxim that permeates his entire oeuvre: 'it's all in the fit.' Throughout his career, modulations in scale and medium provide a vital rhythm to his development. The sculptures range from the size of a fist to the girth of a generous hug to the height of a young, and eventually not so young, tree. Swelling and shrinking, in coats of multicolor, monochrome, or black-and-white paint, the survey of Chamberlain's career displays the integrity of the artist's gesture in diverse manifestations. Despite his commitment to abstraction, identifying anthropomorphic and zoomorphic traits in the lyrical, twisting forms is irresistible. Their playful titles are planted like so many red herrings: Belvo-Violet (1962), Miss Lucy Pink (1962), Rooster Starfoot (1976), Lord Suckfist (1989), and SPHINXGRIN TWO (1986/2010). Chamberlain brazenly defied the taboo of color in sculpture, a holdover from the rhetoric of medium specificity surrounding Abstract Expressionism (materials should be true to themselves, therefore color is the business of painting), which was still influential in the 1960s and considered one of the foremost problems in sculpture at the time. He originally circumvented the controversy by pleading that his color was found straight off of the assembly lines and highways of America. Shortly thereafter, he began to apply new paint to the metal, intervening in ever more elaborate ways with the surfaces of his materials. There are examples of airbrushing from the 1960s, drips and pours from the 1970s, sandblasting from the 1980s, and freehand and stenciled patterns from the 1990s forward. Amassing a body of work that could not be ignored, Chamberlain has been clumsily shoehorned into a variety of ill-fitting categories. Perhaps the most fertile of these is the retroactive link with Abstract Expressionism. His choice of vernacular materials also tied him to Pop. These same materials understood as products of standardized manufacturing associated him with Minimalism, encouraged by the unwavering critical support of Donald Judd. His method of assembly drew him toward Neo-Dada. He remains the inveterate rebel without a tribe, while still being recognized as a standard-bearer of sculptural practice. Driven by the pursuit of what he does not already know, the desire for unprecedented information and knowledge, Chamberlain turned away from car metal to experiment with new materials for a period. In the summer of 1966, he began squeezing and tying urethane foam. A succession of sculptures in other mediums followed: he crushed galvanized steel boxes that he had fabricated at the enlarged dimensions of a cigarette pack, he treated paper bags with a technique he called 'articulate wadding,' he melted and vacuum-mineral-coated Plexiglas boxes, and he crumpled aluminum. He also made films and videos, notably the cult art classic The Secret Life of Hernando Cortez (1968). By the mid-1970s he returned to automobile steel with renewed vigor. In recent years Chamberlain used vintage cars (formerly junk) of similar stock to the materials he started out with in the late 1950s. The sculptures grew in scale and possess a new-found gravity. He also embarked on the production of monumental aluminum sculptures, based on works that fit in the palm of the hand, which he had been making since the mid-1980s. His creations of the last five years stand as self-assured totems or sentinels at the culmination of nearly six decades of art making. This retrospective gathering of works celebrates the remarkable legacy of John Chamberlain, whose passing on December 21, 2011, we acknowledge with heartfelt remembrance."--Museum website
Serra, Brancusi : Constantin Brancusi and Richard Serra : a handbook of possibilities by Constantin Brancusi ( Book )
6 editions published in 2011 in English and held by 214 WorldCat member libraries worldwide
"The starting point for this book is the work of Constantin Brancusi (1876-1957), as expressed in his reduction of volume to tease out formal essence. Some thirty-five exemplary works by Brancusi, among them 'The Kiss' and the 'Column of the Infinite', thus initiate a line of inquiry into the essence and the possibilities of sculpture, the discussion of which continues with a selection of works from different periods by Richard Serra (born 1939), whose art opens up new 'ways of seeing' to his viewers. The resulting juxtaposition of Brancusi's sensuous modeling of marble, bronze, wood, and plaster with Serra's minimalist steel sculptures set in motion a fascinating dialogue. The essays by Friedrich Teja Bach, Alfred Pacquement, Oliver Wick, and others conspire with the concentrated selection of works to underscore not only the contrasts between these two pioneering artists, but also their common ground enabling the reader to experience anew the universal power of sculpture." --Jacket
Richard Serra : the matter of time by Richard Serra ( Book )
5 editions published in 2005 in English and held by 171 WorldCat member libraries worldwide
 
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Audience level: 0.50 (from 0.07 for The Guggen ... to 0.93 for Guggenheim ...)
Alternative Names
Bilbao (Espagne) Museo Guggenheim
Bilbao Guggenheim
Guggenheim Bilbao
Guggenheim Bilbao Museo
Guggenheim Bilbao Museoa
Guggenheim Bilbao Museum.
Guggenheim museum
Guggenheim-Museum Bilbao
Guggenheim museum Bilbao, Espagne
Guggenheim Museum Ehemalige Vorzugsbenennung SWD
Guggenheimmuseet, Bilbao
Musée Guggenheim
Musée Guggenheim Bilbao.
Musée Guggenheim (Bilbao, Espagne)
Museo Guggenheim Bilbao.
Nilba (Espagne) Museo Guggenheim
Languages
English (148)
Spanish (16)
German (6)
French (6)
Covers