WorldCat Identities

Steward, James Christen

Overview
Works: 15 works in 45 publications in 1 language and 1,854 library holdings
Genres: Exhibition catalogs  Catalogs  Art 
Roles: Editor
Classifications: N6537.S2, 709.2
Publication Timeline
Key
Publications about  James Christen Steward Publications about James Christen Steward
Publications by  James Christen Steward Publications by James Christen Steward
Most widely held works by James Christen Steward
Betye Saar : extending the frozen moment by Betye Saar ( Book )
4 editions published in 2005 in English and held by 748 WorldCat member libraries worldwide
An illustrated collection of mixed-media collages by early twentieth-century African-American artist Betye Saar that blends spiritual, political, and cultural iconography to create complex works
The new child : British art and the origins of modern childhood, 1730-1830 by James Christen Steward ( Book )
8 editions published in 1995 in English and held by 318 WorldCat member libraries worldwide
The collections of the Romanovs : European art from the State Hermitage Museum, St. Petersburg ( Book )
8 editions published in 2003 in English and held by 230 WorldCat member libraries worldwide
When time began to rant and rage : figurative painting from twentieth-century Ireland ( Book )
5 editions published in 1998 in English and held by 228 WorldCat member libraries worldwide
A broad survey and some brilliant examples of 20th century Irish figurative painting discussing style and content
The mask of Venice : masking, theater & identity in the art of Tiepolo & his time ( Book )
3 editions published between 1996 and 1997 in English and held by 194 WorldCat member libraries worldwide
The Mask of Venice: Masking, Theater, and Identity in the Art of Tiepolo and His Time looks at the mask, both literal and figurative as a way of approaching the rich artistic production of eighteenth-century Venice. Timed to coincide with the three hundredth anniversary of the birth of Giambattista Tiepolo, the central figure in the exhibition, The Mask of Venice explores the visual representation of masking as a metaphor for disguise and freedom in the otherwise rigidly controlled society of the time. Moving from images of masking in Venetian society, to the derivation of the mask from the commedia dell'arte, to the use of the theatrical devices both to hide and reveal character in the visual arts, The Mask of Venice studies the social world as well as the world of artistic imagination. This trajectory through the liberation of the mask ultimately allows us to unmask, at least in part, the often mysterious work of Tiepolo himself
In human touch : photographs by Ernestine Ruben ( Book )
3 editions published in 2001 in English and held by 116 WorldCat member libraries worldwide
British art and the origins of modern childhood, 1730-1830 by James Christen Steward ( Book )
3 editions published in 1997 in English and Undetermined and held by 4 WorldCat member libraries worldwide
The new child : British art and the origins of modern childhood, 1730-1830. Published on the occasion of an exhibition by James Christen Steward ( Book )
1 edition published in 1995 in English and held by 2 WorldCat member libraries worldwide
Ultrasound Guidance as a Rescue Technique for Peripheral Intravenous Cannulation ( )
1 edition published in 2006 in English and held by 1 WorldCat member library worldwide
Peripheral intravenous (W) cannulation can be difficult to perform using the traditional landmark or visual/palpation technique in patients with access difficulties such as deep, sclerotic, small, or fragile veins. Ultrasound guidance has shown efficacy in expediting the cannulation of central veins, but there is limited information on its utility in facilitating cannulation in peripheral veins, particularly for patients with difficult access. The purpose of this study was to compare the use of ultrasound guidance versus traditional technique for placing peripheral IV's in patients with difficult access. Patients were eligible for the study if they were over 18 years, not on steroid or anticoagulant therapy, required an 18 or 20 gauge IV, and had undergone two unsuccessful IV attempts by standard of care methods (non-ultrasound). After informed consent, patients were randomized to either traditional or ultrasound IV insertion by one of three trained study anesthesia providers. Data collected included number of attempts to start an IV, time to cannulation, and patient perception of pain of the insertion (0- 10 scale). In addition patient age, gender, height, weight, and body mass index were recorded. A total of 18 useable subjects were enrolled with 6 subjects randomly assigned to the traditional group and 12 subjects to the ultrasound group. Analysis showed no significant difference between traditional and ultrasound techniques on minutes for insertion (11.3 + 8.5, vs. 13.9+13.2, p=.670), patient pain perception (1.7+().5 vs. 2.6+2A, p.227), or number of attempts (3.2 + 2.5 vs. 1.7+.09, p=.204.). However, power was low at under .43 for all comparisons. The results suggest that while ultrasound may require fewer attempts to cannulate, it is a potentially more painful and time consuming process
American vernacular : folk art from the collection : December 14, 1994, to April 16, 1995, University Art Museum and Pacific Film Archive, University of California at Berkeley by University Art Museum and Pacific Film Archive ( Book )
1 edition published in 1994 in English and held by 1 WorldCat member library worldwide
 
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Alternative Names
Steward, James
Steward, James C.
Languages
English (44)
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