WorldCat Identities

Noseda, Gianandrea

Overview
Works: 544 works in 1,212 publications in 9 languages and 26,092 library holdings
Genres: Musical settings  Excerpts  Operas  Suites  Requiems  Live sound recordings  Concertos  Art music  Symphonic poems  Songs 
Roles: Conductor, Performer, msd, Interviewee, Author, Director, Other, Commentator
Classifications: M2010.B75, 782.1
Publication Timeline
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Most widely held works by Gianandrea Noseda
Aria : the opera album by Andrea Bocelli( Recording )

28 editions published between 1998 and 2015 in 7 languages and held by 959 WorldCat member libraries worldwide

Opera arias by Anna Netrebko( )

26 editions published between 2003 and 2017 in 8 languages and held by 660 WorldCat member libraries worldwide

Piano concerto no. 1 ; Ballades by Frédéric Chopin( )

6 editions published in 2016 and held by 578 WorldCat member libraries worldwide

Symphonic poems by Franz Liszt( )

7 editions published in 2005 in 3 languages and held by 486 WorldCat member libraries worldwide

Orchestral works by Bedřich Smetana( )

6 editions published in 2007 and held by 483 WorldCat member libraries worldwide

Verdi by Giuseppe Verdi( )

19 editions published between 2012 and 2013 in 3 languages and held by 425 WorldCat member libraries worldwide

Anna Netrebko marks ten years as a solo performer with an all Verdi program that pays homage to the master of Italian grand opera. Each work featured here is full of emotion, power, and extraordinary drama
Bassoon concertos by Karen Geoghegan( )

9 editions published in 2010 in 3 languages and held by 402 WorldCat member libraries worldwide

Orchestral works by Luigi Dallapiccola( )

7 editions published in 2010 in Italian and Latin and held by 389 WorldCat member libraries worldwide

Tartiniana ; Due pezzi ; Piccola musica notturna ; Frammenti sinfonici dal balletto Marsia ; Variazioni per orchestra by Luigi Dallapiccola( )

4 editions published in 2004 and held by 389 WorldCat member libraries worldwide

Fiamma del belcanto by Diana Damrau( )

7 editions published in 2015 in 3 languages and held by 387 WorldCat member libraries worldwide

Piano concerto, op. 33 (B 63) ; Violin concerto, op. 53 (B 96) by Antonín Dvořák( )

11 editions published in 2005 in No Linguistic content and Undetermined and held by 380 WorldCat member libraries worldwide

Burlesca, P 59 ; Prelude, corale and fugue, P 30 ; Rossiniana : P 148 ; Five études-tableaux, P 160 by Ottorino Respighi( )

7 editions published between 2006 and 2008 and held by 372 WorldCat member libraries worldwide

War requiem by Benjamin Britten( )

13 editions published between 2012 and 2018 in 3 languages and held by 364 WorldCat member libraries worldwide

Public awareness of Benjamin Britten's person and works advanced dramatically -- even explosively -- twice during his lifetime. The first time was in 1945, when his opera Peter Grimes was produced for the postwar reopening of Sadler's Wells Theatre in London. The second time followed the premier at Coventry and the subsequent series of performances all across Europe and North America of the War Requiem. Except to those provincials who thought that milky pastoral was the only idiom appropriate for an Englishman and who also found the young Britten too clever by half, the triumph of Peter Grimes marked not just the confirmation of a prodigious talent; it represented a moment of hope that, for the first time since the death of Henry Purcell in 1695, England had produced a composer of international stature. The impact the War Requiem made 17 years later was wider and deeper by far. Britten, approaching 50, had become an artist whose every new utterance was awaited with the most lively interest and the highest expectations. The War Requiem, moreover, was tied to a pair of events that were heavily freighted with history and emotion: the destruction of Coventry Cathedral in an air raid during the night of November 14-15, 1940, and its reconsecration more than 21 years later. Its first performance was planned as an international event with respect both to participants and audience. Most importantly, the War Requiem was a weighty and poignant statement on the subject of piercingly urgent concern to much of humankind. In the War Requiem, Britten drew on forces larger and more complex than in any previous work of his. The basic division of the performers is into two groups, reflecting the dual source of the words; the libretto stands in a relation of text (the Latin Missa pro defunctis) and commentary (the nine Owen poems). The Latin text is essentially the province of the large mixed chorus, but from this there is spillover in two opposite directions: the solo soprano represents a heightening of the choral singing at its most emotional, while the boys' choir represents liturgy at its most distanced. The mixed chorus and solo soprano are accompanied by the full orchestra; the boys' choir, whose sound should be distant, is supported by an organ. All this constitutes one group. The other group consists of the tenor and baritone soloists, whose province is the series of Owen songs; they are accompanied by the chamber orchestra. - Program notes / Michael Steinberg
Piano concertos nos. 1-5 by Sergey Prokofiev( )

14 editions published between 2013 and 2014 in No Linguistic content and Undetermined and held by 356 WorldCat member libraries worldwide

Jean-Efflam Bavouzet tackles Prokofiev's five formidable piano concertos
Francesca da Rimini by Sergei Rachmaninoff( )

9 editions published in 2007 in Russian and Undetermined and held by 347 WorldCat member libraries worldwide

Francesca da Rimini: Oper in zwei Bildern, einem Prolog und einem Epilog, op. 25. Libretto: Modest Tschaikowsky
Orchestral works by Ermanno Wolf-Ferrari( )

9 editions published in 2009 in No Linguistic content and Undetermined and held by 346 WorldCat member libraries worldwide

Symphony no. 3 ; Divertimento concertante ; Concerto soirée by Nino Rota( )

4 editions published in 2011 and held by 338 WorldCat member libraries worldwide

Nino Rota is a well known composer of film music, and probably always will be, as long as classics such as Fellini's La Strada, La dolce vita and 8 1/2, Visconti's The Leopard, and Coppola's The Godfather remain in circulation. It's easy to forget Rota's sizeable contributions to the concert hall, theatre, dozens of piano pieces, chamber, orchestral, and choral works, 11 operas an 5 ballets. His concert music is every bit as tuneful and entertaining as his film scores
Words of Michelangelo by Dmitrij Sjostakovitj( )

7 editions published in 2006 in Russian and held by 338 WorldCat member libraries worldwide

Symphonic poems by Franz Liszt( )

7 editions published between 2005 and 2007 in Undetermined and No Linguistic content and held by 337 WorldCat member libraries worldwide

 
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Audience level: 0.36 (from 0.26 for Aria : the ... to 1.00 for New York P ...)

WorldCat IdentitiesRelated Identities
Alternative Names
Gianandrea Noseda chef d'orchestre italien

Gianandrea Noseda director italià

Gianandrea Noseda Italiaans dirigent

Gianandrea Noseda Italian conductor

Gianandrea Noseda italský dirigent

Noseda, G. 1964-

Нозеда, Джанандреа

Ջանանդրեա Նոսեդա իտալացի դիրիժոր

ג'נאנדראה נוזדה

노세다, 잔안드레아 1964-

노세다, 지아난드레아 1964-

ジャナンドレア・ノセダ

詹安德烈·诺塞达

贾南德雷亚·诺赛德

Languages