WorldCat Identities

Taylor-Batty, Mark 1966-

Works: 19 works in 76 publications in 1 language and 3,610 library holdings
Genres: Criticism, interpretation, etc  History  Exhibition catalogs  Bibliography‡vExhibition catalogs  Catalogs 
Roles: Author, Editor, Publisher, Author of introduction
Classifications: PR6066.I53, 822.914
Publication Timeline
Most widely held works by Mark Taylor-Batty
The theatre of Harold Pinter by Mark Taylor-Batty( Book )

11 editions published between 2013 and 2014 in English and held by 279 WorldCat member libraries worldwide

The plays of the late Nobel laureate Harold Pinter have formed part of the canon of world theatre since the 1960s. Frequently revived on the professional stage, and studied on almost every Theatre Studies course, his importance and influence is hard to overestimate. This 'Critical Companion' offers an assessment of Pinter's entire body of work for the stage, appraising his skill as a dramatist and considering his impact and legacy. Through a clear focus on issues of theatricality and the effect of the plays in performance, this book considers Pinter's chief narrative concerns and offers a unifying theme through which over four decades of work may be understood. Plays are considered in themed chapters that follow the chronological sequence of work, illuminating the development of his aesthetic and concerns. 00
Harold Pinter by Mark Taylor-Batty( Book )

10 editions published between 2000 and 2010 in English and held by 275 WorldCat member libraries worldwide

About Pinter : the playwright and the work by Mark Taylor-Batty( Book )

8 editions published in 2005 in English and held by 217 WorldCat member libraries worldwide

Mark Batty provides a critical study of the work of Harold Pinter, one of Britain's most successful living dramatists. Batty has compiled a wide-range of material which gives equal emphasis to the study and context of Pinter's writing and the experiences of the theatre practitioners who put his work on stage
Language culture type : international type design in the age of Unicode by John D Berry( Book )

2 editions published in 2002 in English and held by 200 WorldCat member libraries worldwide

Language Culture Type grew out of the first international type-design competition, the 2001 bukva:raz!, whose goal was to promote global cultural pluralism, interaction, and diversity in typographic communications as part of the United Nations Year of Dialog among Civilizations. The book lavishly presents the winning entries, along with information about each typeface, its language, and its designer. A series of essays gives context for the interplay of types and languages in the world today including the attempt to mesh all existing scripts into a single digital encoding system called Unicode. It also delves into the specific issues around developing typefaces for the many linguistic cultures in the world, from the various Cyrillic letterforms to Vietnams ancient ideographic script
Printing at the Whittington Press, 1972-1994 : an exhibition at the Grolier Club, New York, 28 September--18 November 1994( Book )

2 editions published in 1994 in English and held by 99 WorldCat member libraries worldwide

Gudrun Zapf von Hesse : bindings, handwritten books, type faces, examples of lettering and drawings by Gudrun Zapf von Hesse( Book )

4 editions published in 2002 in English and held by 91 WorldCat member libraries worldwide

Roger Blin : collaborations and methodologies by Mark Taylor-Batty( Book )

7 editions published in 2007 in English and held by 59 WorldCat member libraries worldwide

Roger Blin's career in the Arts was woven inextricably into the fabric of the Twentieth-Century French Avant-Garde. First appearing in the films of Abel Gance, Marcel Carné and Jean Cocteau, his acting career led him to a close friendship and association with Antonin Artaud, for whom he performed the function of assistant director. He championed Samuel Beckett's En attendant Godot, otherwise rejected unanimously by the French theatrical establishment, was Jean Genet's director of choice and was long associated with artists and practitioners as diverse as Arthur Adamov, Jean-Louis Barrault and Jacques Prévert. Marxist in outlook, Blin also sought to apply rigorous humanist principles to his art and delighted in the opportunities he enjoyed to disrupt and upturn the attitudes and complacencies of certain of his audiences. This book surveys all aspects of Blin's artistic output to consider and clarify his motivations, his ambitions and his aesthetic preferences. In doing so, the author hopes to offer perspectives on the methodologies that Blin employed and define the influence his work and his legacy has exerted on the French and World stage
Giambattista Bodoni( Book )

1 edition published in 1991 in English and held by 8 WorldCat member libraries worldwide

Prix Charles Peignot : commemorative book( Book )

1 edition published in 2002 in English and held by 6 WorldCat member libraries worldwide

Health of waterways within the Port Phillip & Western Port catchments : annual stream health monitoring report 1997( Book )

1 edition published in 1998 in English and held by 3 WorldCat member libraries worldwide

Creating digital performance resources : a guide to good practice( Book )

2 editions published in 2001 in English and held by 2 WorldCat member libraries worldwide

This is a basic guide to good practice for using electronic information and resources in the performing arts, with lots of pointers to specialised information
Roger Blin - le point de repere de la rigueur : a study of his methodology through an assessment of his work by Mark Taylor-Batty( Book )

2 editions published in 1995 in English and held by 2 WorldCat member libraries worldwide

Samuel Beckett's Waiting for Godot (Modern theatre guides) by Juliette Taylor-Batty( Book )

1 edition published in 2008 in Undetermined and held by 1 WorldCat member library worldwide

Brecht in practice : theatre, theory and performance by David Barnett( Book )

1 edition published in 2014 in English and held by 1 WorldCat member library worldwide

"Bertolt Brecht's reputation as a flawed, irrelevant or difficult thinker for the theatre can often go before him to such an extent that we run the risk of forgetting the achievements that made him and his company, the Berliner Ensemble, famous around the world. David Barnett examines both Brecht the theorist and Brecht the practitioner to reveal the complementary relationship between the two. This book aims to sensitize the reader to the approaches Brecht took to the world and the stage with a view to revealing just how carefully he thought about and realized his vision of a politicized, interventionist theatre. What emerges is a nuanced understanding of his concepts, his work with actors and his approaches to directing. The reader is encouraged to engage with Brecht's method that sought to 'make theatre politically' in order to locate the innovations he introduced into his stagecraft. There are many examples given of how Brecht's ideas can be staged, and the final chapter takes two very different plays and asks how a Brechtian approach can enliven and illuminate their production. Ultimately, the book invites readers, students and theatre-makers to discover new ways of apprehending and making use of Brecht"--
Watching war on the twenty-first century stage : spectacles of conflict by Clare Finburgh( )

1 edition published in 2017 in English and held by 0 WorldCat member libraries worldwide

"What do we watch when we watch war? At a time when spectacle and conflict have joined forces via audio-visual technologies in ways that are more powerful than ever, who now manages public perceptions of war and how? Watching War on the Twenty-First Century Stage: Spectacles of Conflict examines how theatre in the UK has staged, debated and challenged the ways in which spectacle is habitually weaponized in times of war. In this original and interdisciplinary interrogation Clare Finburgh provides a richly provocative account of the structuring role that spectacle plays in warfare, engaging with the works of philosopher Guy Debord, cultural theorist Jean Baudrillard, visual studies specialist Marie-José Mondzain, and performance scholar Hans-Thies Lehmann. Throughout her study, Finburgh offers coherence to a large and expanding field of theatrical war representations by analysing a wide spectrum of works, including expressionist drama, documentary theatre, comedy, musical satire and dance theatre: among the productions considered are Nigel Jamieson's Honour Bound, Lola Arias's MINEFIELD, Mark Ravenhill's Shoot/Get Treasure/Repeat, Hayley Squires's Vera Vera Vera, Lone Twin's Alice Bell, Richard Norton-Taylor's verbatim tribunal play Tactical Questioning, and Dennis Kelly's Osama the Hero. Through her analysis, Finburgh demonstrates how features unique to the theatrical art--the construction of a fiction in the presence of the audience--can present possibilities for a more informed engagement with how spectacles of war are produced and circulated."--
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Audience level: 0.52 (from 0.20 for The theatr ... to 0.97 for Samuel Bec ...)

Harold Pinter
Alternative Names
Batty, Mark.

Batty, Mark, 1966-

Batty, Mark James

Batty, Mark James Taylor-.

Batty, Mark Taylor-.

Taylor-Batty, Mark 1966-

Taylor-Batty, Mark James.

English (53)

About Pinter : the playwright and the workLanguage culture type : international type design in the age of UnicodeGudrun Zapf von Hesse : bindings, handwritten books, type faces, examples of lettering and drawingsRoger Blin : collaborations and methodologiesCreating digital performance resources : a guide to good practice