WorldCat Identities

Clarke, Philip

Overview
Works: 11 works in 13 publications in 2 languages and 447 library holdings
Genres: Exhibition catalogs  History  Documentary television programs  Catalogs  Criticism, interpretation, etc  Pictorial works  Documentary films  Nonfiction films  Trivia and miscellanea 
Roles: Translator
Classifications: NX554.A1, 813.54
Publication Timeline
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Most widely held works by Philip Clarke
The real DaVinci code by Tony Robinson( Visual )

2 editions published between 2005 and 2006 in English and held by 251 WorldCat member libraries worldwide

Examines claims by authors Dan Brown and Michael Baigent about a possible bloodline extending from a union between Jesus Christ and Mary Magdalene and the Catholic Church's attempts to extinguish this information
Oskar Kokoschka : portraits of people and animals by Oskar Kokoschka( Book )

2 editions published in 2013 in English and held by 92 WorldCat member libraries worldwide

Known for his highly expressionistic, colourful portraits and landscape paintings, Austrian artist Oskar Kokoschka (1886-1980) was an avant-garde inspiration to a generation of painters. The four-month retrospective exhibition exhibited in Museum Boijmans Van Beuningen features 150 paintings and drawings that highlight a great cultural movement in Europe during the late 19th and early 20th century. This major retrospective brings together Kokoschka's confrontational portraits more than half a century after his work was last exhibited in The Netherlands
Asian art by Jan van Campen( Book )

1 edition published in 2014 in English and held by 38 WorldCat member libraries worldwide

A dream collection : surrealism in Museum Boijmans Van Beuningen by Museum Boijmans van Beuningen( Book )

1 edition published in 2017 in English and held by 32 WorldCat member libraries worldwide

Glenn Brown : Rembrandt : after life by Glenn Brown( Book )

1 edition published in 2017 in English and held by 12 WorldCat member libraries worldwide

Catalogus bij een tentoonstelling in het Rembrandthuis over de originaliteit van Rembrandt in vergelijking met het digitaal talent van de Amerikaanse schilder Glenn Brown
The road to Van Eyck by Jan van Eyck( Book )

1 edition published in 2012 in English and held by 6 WorldCat member libraries worldwide

" ... catalogue presents more than 90 masterpieces of Netherlandish, French and German art from around 1400. The richly illustrated catalogue sheds light on what and who inspired the renowned painter Jan van Eyck ..."--Exhibition website
Straatleven = Street life( Book )

1 edition published in 2014 in English and held by 6 WorldCat member libraries worldwide

Verzameling oude prentbriefkaarten van Amsterdam
Brancusi, Rosso, Man Ray : framing sculpture by Peter van der Coelen( Book )

1 edition published in 2014 in English and held by 5 WorldCat member libraries worldwide

Next spring Museum Boijmans Van Beuningen is showing the work of three of the most influential artists of the twentieth century: Constantin Brancusi (1876-1957), Medardo Rosso (1858-1928) and Man Ray (1890-1976). Masterpieces will be flown in from top collections all over the world, including the Centre Pompidou in Paris and the Museum of Modern Art in New York. They include iconic sculptures never shown in the Netherlands, such as Brancusi’s ‘Princesse X’ (1915-16) and ‘Colonne sans fin’ (1918). Brancusi, Rosso and Man Ray all used photography in an innovative way in their work. A group of forty sculptures and more than sixty photographs that the artists took of their sculptures afford a unique insight into their artistic practice. After 1900 technical developments made photography easier and more affordable and therefore accessible to more people. At the beginning of the twentieth century, artists increasingly sought a new language of forms in photography. Brancusi, Rosso and Man Ray employed photography not so much as a means of recording their work as a way of making clear how observers should view and interpret their works. They used experimental techniques such as overexposure, innovative camera angles and blurring the foreground or background. Brancusi, for example, photographed his works in direct sunlight so that the polished bronze flashes dramatically in the photographs. He would not allow anyone else to photograph his sculptures so that the representation of his work remained entirely in his own hands. Rosso manipulated his photographic prints by re-photographing them, cutting and writing on them. While Man Ray embraced a more versatile approach, he explored a cameraless photography technique by placing objects directly onto the phographic paper. 0Exhibition: Museum Boijmans van Beuningen, Rotterdam, the Netherlands (8.2.-11.5.2014)
FK 23 Bantam by Harm Stevens( Book )

1 edition published in 2013 in English and held by 3 WorldCat member libraries worldwide

Rubens painter of sketches by Friso Lammertse( Book )

1 edition published in 2018 in English and held by 1 WorldCat member library worldwide

Dobyvatelia( Visual )

1 edition published in 2007 in Slovak and held by 1 WorldCat member library worldwide

What makes an empire rise and fall? See how human nature influenced the fate of nations throughout history
 
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The real DaVinci code
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Languages
English (12)

Slovak (1)