WorldCat Identities

Uslip, Jeffrey

Overview
Works: 13 works in 22 publications in 1 language and 517 library holdings
Genres: Exhibition catalogs  Interviews 
Roles: Editor, wat, Interviewer
Classifications: N7349.C46, 709.2
Publication Timeline
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Most widely held works by Jeffrey Uslip
Chen Zhen : [a tribute] by Zhen Chen( Book )

2 editions published in 2003 in English and held by 205 WorldCat member libraries worldwide

Joyce Pensato : I killed Kenny by Joyce Pensato( Book )

3 editions published in 2014 in English and held by 79 WorldCat member libraries worldwide

Kelley Walker : Black Star Press by Kelley Walker( Book )

2 editions published in 2016 in English and held by 57 WorldCat member libraries worldwide

With nods to artistic influences ranging from Andy Warhol to Jackson Pollock and Sigmar Polke, Walker's work interrogates the ways a single image can migrate into a number of cultural contexts. Throughout his career, Walker has explored the manipulation and repurposing of images in order to destabilize issues of identity, race, class, sexuality, and politics. Often using such technologies as 3-D modeling software and laser-cutting, the artist works in a variety of media, including photography, painting, printmaking, collage, and sculpture. In an era of digital reproduction, Walker's work draws attention to popular culture?s perpetual consumption and reuse of images. Exhibition: Contemporary Art Museum, St. Louis, United States (16.09. - 31.12.2016)
Hurvin Anderson : backdrop by Hurvin Anderson( Book )

1 edition published in 2015 in English and held by 55 WorldCat member libraries worldwide

Kelley Walker : direct drive by Kelley Walker( Book )

4 editions published in 2016 in English and held by 52 WorldCat member libraries worldwide

Using the potency of advertising strategies, his work interrogates the ways a single image can migrate into a number of cultural contexts, how meaning constantly shifts, and how everything and everyone is subject to reinvention?just as the iconic recycling symbol he uses in numerous manifestations might ironically suggest. He explores authorship and authenticity, the manipulation and repurposing of images and material from the public domain in order to destabilize issues of identity, race, class, sexuality, consumerism, and politics. Production, transaction, analogue/digital conversion, and distribution processes are central to his practice:?I am working with a very complex way of producing objects that conflates and compresses and deflates all different types of modes of production in one object.? Often using such technologies as 3-D modeling software and laser cutting, Walker works in a variety of media, including photography, painting, printmaking, collage, and sculpture. Referencing the heritage of artists such as Andy Warhol, Jackson Pollock, and Sigmar Polke,?he combines printing techniques and digital manipulations. His work thus collapses the digital and the physical into a compressed space of representation?a new space for painting in the digital age,? Christophe Cherix observed in 2016. In an era of digital reproduction, Walker?s work draws attention to popular culture?s perpetual consumption
Wyatt Kahn : object paintings by Wyatt Kahn( Book )

1 edition published in 2016 in English and held by 48 WorldCat member libraries worldwide

Hovering in the space between sculpture and painting, the work of New York-based Wyatt Kahn (born 1983) reinvigorates the legacy of minimalism. His large-scale paintings collapse figuration and abstraction, encapsulate dynamic energy into geometric form and embrace imperfections and raw surfaces in an entirely human way. 'Wyatt Kahn: Object Paintings' features work from Kahn's first solo museum exhibition at the Contemporary Art Museum St. Louis. With an essay by scholar Robert Slifkin, the book also includes an interview between the artist and exhibition curator Jeffrey Uslip. Slifkin places Kahn in a 'vitalist tradition of modernism' that includes Ad Reinhardt, Frank Stella and Donald Judd. But in contrast to those more pristine artists, Kahn allows imperfection in his work. 'Every part of my work is made by my hand, which is a flawed hand, ' he tells Uslip, 'I embrace my natural flaws, and that vulnerability becomes empowerment.'
Agnes Denes : body prints, philosophical drawings, and map projections, 1969-1978 by Agnes Denes( Book )

1 edition published in 2012 in English and held by 7 WorldCat member libraries worldwide

Chen Zhen by Antoine Guerrero( Book )

3 editions published in 2003 in English and Undetermined and held by 4 WorldCat member libraries worldwide

Nina in position : Artists Space, January 25-March 29, 2008( Book )

1 edition published in 2008 in English and held by 4 WorldCat member libraries worldwide

Robert Swain : the form of color : May 17-August 23, 2014, Santa Monica Museum of Art by Robert Swain( Book )

1 edition published in 2014 in English and held by 2 WorldCat member libraries worldwide

Shana Lutker : combined faulty acts : Artists Space, January 25 - March 29, 2008( Book )

1 edition published in 2008 in English and held by 2 WorldCat member libraries worldwide

Agnes Denes : body prints, philosophical drawings and map projections 1969 - 1978 by Elsa Weiner Longhauser( Book )

1 edition published in 2012 in Undetermined and held by 1 WorldCat member library worldwide

Michael Staniak : IMG_ by Michael Staniak( Book )

1 edition published in 2016 in English and held by 1 WorldCat member library worldwide

Michael Staniak: IMG_' comprises paintings from four recent bodies of work: IMG_, Internet Blueprint, DATA, and PNG_Binary Code, the first two of which begin with the artist creating a three-dimensional textured relief. Staniak's IMG_ paintings use fluorescent pigments and holographic gradients to challenge the expectation of flatness, exuding a layered, sculptural quality. Undulations and indentations captured in the plaster's surface suggest ripples in water or sound waves. The Internet Blueprint series isolates a specific hue of blue popular on the Web, particularly on the social media networks Facebook, Twitter, and Tumblr. In the visual code of the Internet, this ubiquitous color signifies an empty field waiting for uploaded content or the potential for social connectivity
 
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Audience Level
0
Audience Level
1
  Kids General Special  
Audience level: 0.67 (from 0.61 for Chen Zhen ... to 0.96 for Agnes Dene ...)

Chen Zhen : [a tribute] Chen Zhen
Covers
Chen Zhen
Languages
English (20)