WorldCat Identities

Bindman, David

Overview
Works: 11 works in 21 publications in 2 languages and 480 library holdings
Genres: Jazz  Operas  Drama 
Roles: Performer, Instrumentalist
Classifications: M1, 785.065
Publication Timeline
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Most widely held works by David Bindman
The way of the saxophone by Brooklyn Sax Quartet( )

4 editions published between 2001 and 2010 and held by 176 WorldCat member libraries worldwide

Blood, drum, spirit : live in China by Royal Hartigan Ensemble( )

4 editions published between 2008 and 2010 in No Linguistic content and English and held by 144 WorldCat member libraries worldwide

Blood drum spirit by Royal James Hartigan( )

5 editions published between 1995 and 2010 and held by 136 WorldCat member libraries worldwide

Trillium R : [Shala fears for the poor by Anthony Braxton( Recording )

1 edition published in 1999 in English and held by 14 WorldCat member libraries worldwide

The lowdown by Ehran Elisha Ensemble( Recording )

1 edition published in 2000 and held by 3 WorldCat member libraries worldwide

Sunset Park polyphony by David Bindman Ensemble( Recording )

1 edition published in 2012 and held by 2 WorldCat member libraries worldwide

Strawman dance( Recording )

1 edition published in 1995 in German and held by 1 WorldCat member library worldwide

Once upon a time in Chinese America, a martial arts ballet : Works & process at the Guggenheim( Visual )

1 edition published in 1999 in English and held by 1 WorldCat member library worldwide

Jazz composer, Fred Ho presents excerpts of his newest action-adventure epic. Based on a 17th century martial arts legend, this heroic tale of betrayal and redemption features a fusion of Eastern and Western styles of music, theater and martial arts. Includes a panel discussion with Fred Ho, Mira Kingsley, Jose Figueroa and Ruth Margraff, moderated by Celia Ipiotis. Ho discusses his background in both music and hand-to-hand combat techniques, and sets the scene for the piece, which is based on a 17th-century Chinese legend about the battle for control of the Shaolin Temple's martial arts secrets. Ho explains that the work's title derives from its allegorical representation of Chinese-American youth culture of the 1970s and 1980s. During the panel discussion, Ho and his collaborators discuss the score's musical roots in Chinese and African-American forms, the theatrical shaping of the work, the casting of martial artists in each of the roles, and the distinctions between martial arts and dance choreography
No comment( Recording )

1 edition published in 2000 in German and held by 1 WorldCat member library worldwide

The Kicker by Ehran Elisha Ensemble( Recording )

1 edition published in 1998 and held by 1 WorldCat member library worldwide

Not so unusual blues( Recording )

1 edition published in 2001 in German and held by 1 WorldCat member library worldwide

 
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Audience Level
0
Audience Level
1
  Kids General Special  
Audience level: 0.51 (from 0.45 for The Kicker ... to 0.97 for Strawman d ...)

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