WorldCat Identities

黒木朋興

Overview
Works: 8 works in 13 publications in 2 languages and 42 library holdings
Genres: Handbooks and manuals 
Roles: Author, Editor
Publication Timeline
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Most widely held works by 黒木朋興
Nihongo hyōgenryoku : akademikku raitingu no tame no kiso torēningu( Book )

4 editions published in 2016 in Japanese and held by 21 WorldCat member libraries worldwide

"Ningen" no keifugaku : kindaiteki ningenzō no genzai to mirai by Kōichi Tagami( Book )

2 editions published in 2008 in Japanese and held by 11 WorldCat member libraries worldwide

La musique et le public chez Mallarmé l'influence de la musique allemande sur le poète français by Tomoki Kuroki( )

1 edition published in 2005 in French and held by 2 WorldCat member libraries worldwide

I should like to analyse the function of the term "music" in Mallarme's poetics, with special emphasis on the notion of "absolute music". This concept was propagated by Eduard Hanslick in his opposition to Richard Wagner, taken as the representative of the adherents of "programme music". Several nineteenthcentury French poets took an interest in the symphony, but the composer who influenced them most directly was Wagner, whereas the name of Hanslick was unfamiliar to them. Mallarme's notions of this new music came from Wagner ; but he was always jealous of the power of symphonies. Though he had lost faith in God, he sought a prototype of poetry in listening to Latin sacred chants, whose meaning is incomprehensible to the public. The cult of "absolute Music" is closely related to the emergence of the concert-going public, for example, those who attended the Pasdeloup concerts that held audiences of five thousand spellbound every evening in the 1860's. The general public have a great role in Mallarme's poetics. To understand the theme of music in his writings, we need to study how the new musical and theatrical public changed society towards the close of the 19th century. For this purpose, we shall draw on Benjamin's analysis of the transformation of Paris caused by Haussmann's urban planning, and we shall examine his key notion of allegory. Moreover, we shall deal with the other arts painting, theatre, dance - in connection with which the poet pursued his reflection on the nature of music
Akuma no robēru to pari operaza : jūkyūseiki gurando opera kenkyū( Book )

2 editions published in 2019 in Japanese and held by 2 WorldCat member libraries worldwide

Ema no furansu by Noemie Daniel( Book )

1 edition published in 2012 in Japanese and held by 2 WorldCat member libraries worldwide

La musique et le public chez Mallarmé : l'influence de la musique allemande sur le poète français by Tomoki Kuroki( Book )

1 edition published in 2005 in French and held by 2 WorldCat member libraries worldwide

I should like to analyse the function of the term "music" in Mallarme's poetics, with special emphasis on the notion of "absolute music". This concept was propagated by Eduard Hanslick in his opposition to Richard Wagner, taken as the representative of the adherents of "programme music". Several nineteenthcentury French poets took an interest in the symphony, but the composer who influenced them most directly was Wagner, whereas the name of Hanslick was unfamiliar to them. Mallarme's notions of this new music came from Wagner ; but he was always jealous of the power of symphonies. Though he had lost faith in God, he sought a prototype of poetry in listening to Latin sacred chants, whose meaning is incomprehensible to the public. The cult of "absolute Music" is closely related to the emergence of the concert-going public, for example, those who attended the Pasdeloup concerts that held audiences of five thousand spellbound every evening in the 1860's. The general public have a great role in Mallarme's poetics. To understand the theme of music in his writings, we need to study how the new musical and theatrical public changed society towards the close of the 19th century. For this purpose, we shall draw on Benjamin's analysis of the transformation of Paris caused by Haussmann's urban planning, and we shall examine his key notion of allegory. Moreover, we shall deal with the other arts painting, theatre, dance - in connection with which the poet pursued his reflection on the nature of music
Mararume no genzai( Book )

1 edition published in 2013 in Japanese and held by 1 WorldCat member library worldwide

Gurobarizeshon saishin : Atarashi kokyosei no kakutoku ni mukete( Book )

1 edition published in 2012 in Japanese and held by 1 WorldCat member library worldwide

 
Audience Level
0
Audience Level
1
  General Special  
Audience level: 0.81 (from 0.73 for La musique ... to 0.98 for Ema no fur ...)

Alternative Names
Kuroki, Tomooki, 1969-

黒木, 朋興  1969-

黒木朋興, 1969-

Languages