WorldCat Identities

Dotto, Simone

Overview
Works: 13 works in 30 publications in 2 languages and 60 library holdings
Genres: History  Conference papers and proceedings 
Roles: Editor, Author, edi
Publication Timeline
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Most widely held works by Simone Dotto
Exposing the moving image : the cinematic medium across world fairs, art museums, and cultural exhibitions by Convegno internazionale di studi sul cinema( Book )

6 editions published between 2018 and 2019 in English and held by 11 WorldCat member libraries worldwide

A history of cinema without names/2 : contexts and practical applications : FilmForum/2016 : XXIII Convegno internazionale di studi sul cinema = XXIII International Film Studies Conference, University of Udine by Convegno internazionale di studi sul cinema( Book )

5 editions published in 2017 in English and held by 10 WorldCat member libraries worldwide

A history of cinema without names/3 : new research paths and methodological glosses : FilmForum/2017 : XXIV Convegno internazionale di studi sul cinema = XXIV International Film Studies Conference, University of Udine by Convegno internazionale di studi sul cinema( Book )

4 editions published in 2018 in English and held by 10 WorldCat member libraries worldwide

Voci d'archivio : fonografia e culture dell'ascolto nell'Italia tra le due guerre by Simone Dotto( Book )

3 editions published between 2019 and 2020 in Italian and held by 10 WorldCat member libraries worldwide

Il cervello di Carné : letterario 1941-1943 by Glauco Viazzi( Book )

2 editions published in 2021 in Italian and held by 6 WorldCat member libraries worldwide

Pearl Jam : still alive : testi commentati by Simone Dotto( Book )

2 editions published in 2014 in Italian and held by 5 WorldCat member libraries worldwide

Avant-garde and popular forms between music and visual media : transhistorical and intermedial investigaions( Book )

2 editions published in 2020 in English and held by 2 WorldCat member libraries worldwide

A history of cinema without names. Vol. 3. Collection of papers from the Gorizia International Film Studies Conference( Book )

1 edition published in 2018 in English and held by 1 WorldCat member library worldwide

History of Cinema Without Names' is an editorial project which gathers research papers presented at Gorizia Conference. It promotes a new research perspective on the notions of film authorship, style, and genre, with the aim of re-articulating their theoretical definition
A history of cinema without names : a research project : FilmForum/2015 : XXII Convegno internazionale di studi sul cinema = XXII International Film Studies Conference, University of Udine by Convegno internazionale di studi sul cinema( Book )

1 edition published in 2018 in English and held by 1 WorldCat member library worldwide

What you hear is what you (don't) see. Mario Wienerroither's Foley art in Musicless Musicvideos( )

1 edition published in 2016 in English and held by 1 WorldCat member library worldwide

Mario Wienerrother's Musicless Musicvideos series have recently surfaced on the Internet and since 2006, they have gained millions of views as a humorous YouTube sensation. As a professional sound designer, he re-edits already released and often widely known music videos by depriving them of music and adding a different, entirely sonic audio track that he records himself. All of these reworkings seem to raise the same hypothetical question: what if these audio-visual excerpts were deprived of their most signifying aural expression, namely music? Would they still have the same meaning? Would they tell the same 'story'? This article aims to explore Wienerroither's practices and the effects they provoke on our understanding of the aesthetic conventions of the music video. As a first step, I will provide a detailed account of the process for realizing the Musicless Musicvideos by drawing on an interview I carried out with the author. Secondly, I will investigate a number of Wienerroither's productions in relation to (1) the aesthetic conventions of music video and (2) the practical realm of Foley artistry. Through these comparisons, I will explore how the renewed sonic dimension in these videos matches the settings, objects and human figures we see on-screen and the extent to which this can change our understanding of the images themselves, through the production of a humorous effect and the construction of a sonic diegesis superimposed to the re-edited materials. The objective of the article is to demonstrate how, by relying on a sound-centred practice, Musicless Musicvideos undermine the overall balance between the visual and the aural elements in a typical music video
Resounding the past : re-presencing historical places, fragments, and objects through sound art by Simone Dotto( )

1 edition published in 2020 in English and held by 1 WorldCat member library worldwide

Retuning the screen : sound methods and the aural dimension of film and media history( Book )

1 edition published in 2021 in English and held by 1 WorldCat member library worldwide

 
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A history of cinema without names/3 : new research paths and methodological glosses : FilmForum/2017 : XXIV Convegno internazionale di studi sul cinema = XXIV International Film Studies Conference, University of Udine A history of cinema without names. Vol. 3. Collection of papers from the Gorizia International Film Studies Conference A history of cinema without names : a research project : FilmForum/2015 : XXII Convegno internazionale di studi sul cinema = XXII International Film Studies Conference, University of Udine New research paths and methodological glosses FilmForum/2017 : XXIV Convegno Internazionale di Studi sul Cinema, XXIV International Film Studies Conference, University of Udine
Covers
A history of cinema without names/2 : contexts and practical applications : FilmForum/2016 : XXIII Convegno internazionale di studi sul cinema = XXIII International Film Studies Conference, University of UdineA history of cinema without names/3 : new research paths and methodological glosses : FilmForum/2017 : XXIV Convegno internazionale di studi sul cinema = XXIV International Film Studies Conference, University of UdineAvant-garde and popular forms between music and visual media : transhistorical and intermedial investigaionsA history of cinema without names. Vol. 3. Collection of papers from the Gorizia International Film Studies ConferenceA history of cinema without names : a research project : FilmForum/2015 : XXII Convegno internazionale di studi sul cinema = XXII International Film Studies Conference, University of UdineNew research paths and methodological glosses FilmForum/2017 : XXIV Convegno Internazionale di Studi sul Cinema, XXIV International Film Studies Conference, University of Udine
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