WorldCat Identities

Film Preservation Associates

Overview
Works: 271 works in 607 publications in 5 languages and 14,138 library holdings
Genres: Drama  Silent films  History  Film adaptations  Animated films  Juvenile works  Horror films  Children's films  Short films  Vampire films 
Roles: prn, fds, Distributor, Producer
Classifications: PN1997, 791.4372
Publication Timeline
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Most widely held works by Film Preservation Associates
The birth of a nation by D. W Griffith( Visual )

11 editions published between 1992 and 2008 in 3 languages and held by 882 WorldCat member libraries worldwide

Epic story of two families during the Civil War and Reconstruction. Controversial for heroic portrayal of Ku Klux Klan
Nosferatu : a symphony of horror by F. W Murnau( Visual )

9 editions published between 1991 and 2003 in 5 languages and held by 634 WorldCat member libraries worldwide

The first film version of Bram Stoker's Dracula. Count Orlock (Nosferatu, the vampire), leaves his castle in the Carpathians and travels by ship to Bremen, bringing coffins filled with dirt and plague rats
Landmarks of early film by David Shepard( Visual )

8 editions published between 1994 and 2016 in English and No Linguistic content and held by 568 WorldCat member libraries worldwide

A collection of 40 films from the era 1886-1913, including Edison Kinetoscope films, Eadweard Muybridge's series photography, films by the Lumière Brothers, Melies' A trip to the moon, Edison's The Great Train Robbery, and animated cartoons by Winsor McCay
The cabinet of Dr. Caligari by Robert Wiene( Visual )

19 editions published between 1996 and 2008 in 4 languages and held by 541 WorldCat member libraries worldwide

A somnambulist commits murders at a hypnotist's bidding in this German expressionist horror classic. Also featured on this videodisc is an excerpt of "Genuine: a tale of a vampire", a 1920 release which reunited "Caligari's" creative team
The magic of Méliès by Georges Méliès( Visual )

14 editions published between 1978 and 2008 in English and No Linguistic content and held by 501 WorldCat member libraries worldwide

"Decades before the term 'special effects' was coined, audiences of the newborn cinema were witnessing spectacular screen illusions, courtesy of the medium's first master magician: Georges Méliès. Such films as THE ECLIPSE (1907) and LONG DISTANCE WIRELESS PHOTOGRAPHY (1908) not only demonstrate Méliès's astounding employment of double exposure, makeup, editing and theatrical trickery but provide mesmerizing insight into the social context of his work, which blended Victorian approaches to astronomy, superstition and feminine beauty with the unnatural wonders of 20th-century technology and heavy doses of slapstick. The centerpiece of the collection is THE IMPOSSIBLE VOYAGE (1904), presented with the authentic frame-by-frame hand-coloring and narration penned by Méliès himself. GEORGES MÉLIÈS: CINEMA MAGICIAN is a documentary on the filmmaker's life, integrating rare photographs, early drawings and numerous clips. It charts Méliès' rise from shoe factory worker to proprietor of Paris's mystical Théatre Robert-Houdin, where he learned the skills to become a cinematic illusionist and developed an interest in the supernatural, exquisitely represented in THE MYSTERIOUS RETORT (1906) and THE BLACK IMP (1905)."--Publisher
Die Nibelungen by Fritz Lang( Visual )

2 editions published in 2002 in No Linguistic content and English and held by 422 WorldCat member libraries worldwide

In part one, Siegfried wins the hand of Kriemhilde by slaying the dragon and defeating Brunhilde. When Brunhilde learns that magic has been used to conquer her, she has Siegfried murdered. In part two, Kriemhilde seeks revenge for Siegfried's death and marries Attila, king of the Huns, in order to further her purpose
The hunchback of Notre Dame by Victor Hugo( Visual )

3 editions published between 1991 and 2007 in English and held by 361 WorldCat member libraries worldwide

Set during the reign of Louis XI. Clopin bought Esmeralda from the gypsies when she was young. Dancing in the square at the festival, Esmeralda is spotted by Jehan, the evil brother of the good archdeacon Claude Frollo. When he sets Quasimodo out to kidnap Esmeralda, Phoebus, Captain of the Guards, rescues her and captures Quasimodo. Quasimodo is sentenced to be flogged, and the only one who will give him water while he is tied in the square is Esmeralda. After Clopin forces Esmeralda to leave Phoebus at the ball, she sends a note to Phoebus to meet her at Notre-Dame. In the garden, Phoebus is stabbed in the back by Jehan. Esmeralda is accused of stabbing Phoebus, convicted by the courts and sentenced to hang. Clopin, Phoebus and Quasimodo all try different ways to save Esmeralda
Intolerance : a drama of comparisons by D. W Griffith( Visual )

8 editions published between 1916 and 2006 in English and No Linguistic content and held by 357 WorldCat member libraries worldwide

Comprised of four separate, interwoven stories, unified by the common theme of man's inhumanity to man. The Babylonian story deals with the fall of Babylon in 538 B.C. The Judean story features the life of Christ. The French story centers on the Massacre of St. Bartholomew's Day in 1572. The modern story is set in an American mill town and the slum area of an American city
The great train robbery : and other primary works by Edwin S Porter( Visual )

9 editions published between 1994 and 2002 in English and No Linguistic content and held by 357 WorldCat member libraries worldwide

"The genesis of the motion picture medium is recreated in this collection of films from cinema's formative period. More than crucial historical artifacts, these films reveal the foundation from which the styles and stories of the contemporary cinema would later arise. An animated rendering of Eadweard Muybridge's primitive motion studies (1877-85) begins the program, immediately defining the compound appeal of cinema as both a scientific marvel and sensational popular entertainment. This is followed by the works of Louis and Auguste Lumière."--Publisher
D.W. Griffith : years of discovery, 1909-1913( Visual )

2 editions published between 2002 and 2006 in English and held by 307 WorldCat member libraries worldwide

Twenty two of the best early films directed by D.W. Griffith which helped shape cinematic narrative for two generations
Comedy, spectacle and new horizons( Visual )

11 editions published between 1994 and 2002 in English and held by 290 WorldCat member libraries worldwide

"By 1907 the cinema's initial growing pains had subsided and fairly distinct generic categories of production were established. This volume of The Movies Begin examines some of these integral works that begin to reflect the modern day cinema -- punctuated with authentic hand-tinted lantern slides used during early theatrical exhibition. Visual comedy, with notable elements of slapstick, is represented in Pathé Frères' The Policeman's Little Run (1907), Bangville Police (1913, marking the first appearance of the legendary Keystone Kops) and Max Linder's Troubles Of A Grass Widower (1908). Best remembered today as a major influence on Charlie Chaplin, Linder was one of the first and most popular stars of the cinema. The comic potential of such a basic device as an undercranked camera is exhibited in Pathés Onésime, Horloger (Onésime, Clock-maker, 1912). Alice Guy-Blaché's Making An American Citizen (1912) is an excellent example of the films of social conscience, always an undercurrent beneath the apparently smooth surfaces of commercial productions. Released the very same week was D.W. Griffith's A Girl And Her Trust, a superb film of wide emotional range and great technical virtuosity made near the end of his tenure at the Biograph Company. Nero, Or The Fall Of Rome (1909) strains at conventional film limitations in dimension and duration, looking forward to the revolutionary Italian epics (Cabiria, The Last Days Of Pompeii) that followed a few years later. Equally prophetic are the dazzling animations showcased in the Vitograph Company's Windsor McCay And His Animated Pictures (1911)."--Publisher
Our daily bread : and other films of the Great Depression( Visual )

4 editions published between 1999 and 2006 in English and held by 284 WorldCat member libraries worldwide

Our daily bread: A depression-era drama in which a young couple leads a group of unemployed people in making a communal farm succeed. Includes a prologue to the movie by David Shepard. California election: Two fake newsreels used as conservative propaganda to paint the End Poverty in California's supporters as sluggardly, indecisive radicals as opposed to the respectable intelligent idealists of Republican incumbent Frank Merriam's camp. Secretly produced by MGM and Irving Thalberg. The plow that broke the plains. A visualization of the settlement and landscape changes to the Great Plains. The river: A record of the Mississippi River. Power and the land: Designed to convince American farmers of the necessity for rural electrification through farm cooperatives. Shows a dramatization of a family on an Ohio farm revealing the hardships of life on a non-electrical farm contrasted with the benefits brought by electricity. The new frontier: Shows how pioneers create a new community
Experimentation and discovery( Visual )

6 editions published between 1994 and 2002 in English and held by 238 WorldCat member libraries worldwide

"More than any other decade, the first ten years of the moving picture saw the greatest amount of experimentation and development. Ranging from the ingeniously creative to the audacious, the films represented in this volume offer a sampling of the primitive masterworks that allowed the technical novelty of the cinema to so quickly flourish into an artistically expressive medium. In the films of Cecil Hepworth, one witnesses a primal use of titles (How It Feels To Be Run Over, 1900) and some other rather gruesome visual comedy (Explosion Of A Motor Car, 1900). A Visit To Peek Frean And Co.'s Biscuit Works (1906) by G.H. Cricks features the extensive use of indoor arc lighting; at the same time being a key transitional film between the early actualities and a more involved form of non-fiction filmmaking that would ultimately blossom into the documentary. From France's Pathé Frères come films that are alternately titillating (Par Le Trou De Serrue/Peeping Tom, 1901), awe-inspiring (Aladin, Or The Wonderful Lamp, 1906), colorful (Magic Bricks, 1908) and dramatic (Revolution In Russia, 1905, which depicts the same event as Eisenstein's Battleship Potemkin). Particularly striking is History Of A Crime (1901), in which a criminal's memories are visually rendered through a unique bit of production design. This volume concludes with several works from the Edison Manufacturing Co., including the first known advertising film (Dewar's - It's Scotch, 1898) and Edwin S. Porter's The Dream Of A Rarebit Fiend (1906, a stunning visual fantasy adapted from the comics of Windsor McCay, whose animation can be glimpsed in vol. 5 of this series."--Publisher
Way down East by D. W Griffith( Visual )

7 editions published between 1992 and 2008 in English and held by 222 WorldCat member libraries worldwide

Impoverished Anna Moore lives in a New England village with her elderly mother. Anna sets out to petition her wealthy city-dwelling Aunt Emma for help. At Aunt Emma's Anna meets rich, idle, womanizer Lennox Sanderson, who uses a mock marriage to compel her surrender to his seduction. When Anna announces that she is pregnant, the cad reveals the truth then deserts her. Anna's baby dies, her mother passes away. Abandoned and orphaned she finds refuge working on the Bartlett farm--a shamed woman who only wishes to keep her secret. David Bartlett has fallen in love with the gentle servant girl, however, and refuses to let the Puritanical justifications of a stuffy and unfeeling society alter his feelings
La roue = The wheel( Visual )

2 editions published in 2008 in No Linguistic content and English and held by 222 WorldCat member libraries worldwide

"I know that Creation is a Great Wheel which cannot move without crushing someone!"--Victor Hugo. With this quotation begins the story of widowed railroad engineer Sisif. He finds an infant girl in a train wreck, and realizing that her parents are dead, rescues her and decides to raise her as his daughter, Norma. His wife died in childbirth, and Norma will make a good companion for his son, Elie. Knowing nothing of Norma's true origins, Elie and Norma grow up having an unusually close relationship, stopped from developing any further by their belief they are siblings. Haunted by his actions and resultant guilt, Sisif is driven to drink, making him all the more susceptible to the scheming of his wealthy boss, De Hersan, who wants to marry Norma. Though Norma refuses Hersan at first, Sisif's dismissal from the railway forces her to accept, which destroys both men. Elie realizing that he could have had the love of his life all along--once the truth comes out--is especially tragic. This seminal film introduced many innovations in set design and construction, location shooting, cinematic graphic effects, and particularly rhythmic editing. Gance's technique was years ahead of its time and influenced filmmakers all over the world, as his technical mastery is always in the service of the story
The lost world by Harry O Hoyt( Visual )

8 editions published between 2001 and 2017 in English and No Linguistic content and held by 202 WorldCat member libraries worldwide

Professor Challenger, a man of vision persuades his skeptical colleagues to return with him to a remote South American plateau where he has discovered living dinosaurs. Resisting danger and death, Challenger's party returns to London in triumph with a captive Brontosaurus. But the beast excapes, turning the city into a shambles, before crashing through the London Bridge and swimming out toward the ocean
 
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Audience level: 0.31 (from 0.16 for The hunchb ... to 0.40 for Die Nibelu ...)

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