WorldCat Identities

Bury, Mariane

Overview
Works: 25 works in 78 publications in 1 language and 918 library holdings
Genres: Criticism, interpretation, etc  History  Manuscripts  Conference papers and proceedings  Fiction  Drama 
Roles: Author, Publishing director, Editor, Thesis advisor, Opponent, 956
Classifications: PQ2349, 843.8
Publication Timeline
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Most widely held works by Mariane Bury
La poétique de Maupassant by Mariane Bury( Book )

11 editions published in 1994 in French and Undetermined and held by 251 WorldCat member libraries worldwide

Mariane Bury présente "Une vie" de Guy de Maupassant by Mariane Bury( Book )

11 editions published between 1995 and 1996 in French and held by 129 WorldCat member libraries worldwide

Le miel et le fiel : la critique théâtrale en France au XIXe siècle( Book )

6 editions published in 2008 in French and held by 120 WorldCat member libraries worldwide

La nostalgie du simple : essai sur les représentations de la simplicité dans le discours critique au XIXe siècle by Mariane Bury( Book )

7 editions published in 2004 in French and held by 106 WorldCat member libraries worldwide

Redécouvrir Nisard, 1806-1888 : un critique humaniste dans la tourmente romantique by Mariane Bury( Book )

6 editions published between 2009 and 2010 in French and held by 82 WorldCat member libraries worldwide

Jeux et enjeux des théâtres classiques (XIXe-XXe siècles) : actes du colloque tenu en Sorbonne les 2 et 3 mars 2001( Book )

3 editions published in 2003 in French and held by 67 WorldCat member libraries worldwide

Miss Harriet by Guy de Maupassant( Book )

1 edition published in 2000 in French and held by 57 WorldCat member libraries worldwide

Cette édition du recueil de nouvelles cherche à mettre en valeur la cohérence de l'ensemble, la rigueur et la force de la composition, les préoccupations de l'écrivain. Elle propose l'intégralité des premières versions de chacune des nouvelles
Le Horla et autres récits fantastiques by Guy de Maupassant( Book )

3 editions published between 2000 and 2007 in French and held by 29 WorldCat member libraries worldwide

"Volume de récits fantastiques, pour la plupart écrits de 1882 à 1887
Écriture et vision du monde dans l'oeuvre de Guy de Maupassant by Mariane Bury( Book )

6 editions published in 1991 in French and Undetermined and held by 8 WorldCat member libraries worldwide

The criticism is not interested in Maupassant's legibility; she is born of aesthetic project, which links writing and view about the world. The search of distinction between "conte" and "nouvelle" had too long stopped the Maupassant's criticism. In fact, the short story defies all systematization and arises from Maupassant's pessimism. This philosophy of art leads to "illusionist realisms", which is studied here in theoretical texts as in practice of sensual and visual writing. The senses play a key role in the relations between narrative and suggestion. Maupassant creates an impression of reality starting from his own view without cultural superimposition. Nothing is less objective than this so named naturalist work. Finally, this conception of realistic writing implies the elaboration of a "rhétorique du réel". Which bases the text's efficiency on analogical system: the rhetoric of transparency. The metaphors and comparisons are used to create the effect of reality; but the analogy acts in two parallel fields: the realistic and the artistic
Le Horla, et autres contes d'angoisse by Guy de Maupassant( Book )

1 edition published in 1978 in French and held by 2 WorldCat member libraries worldwide

Our woe is upon us. This chilling tale of one man's descent into madness was published shortly before the author was institutionalized for insanity, and so The Horla has inevitably been seen as informed by Guy de Maupassant's mental illness. While such speculation is murky, it is clear that de Maupassant'hailed alongside Chekhov as father of the short story'was at the peak of his powers in this innovative precursor of first-person psychological fiction. Indeed, he worked for years on The Horla's themes and form, first drafting it as "Letter from a Madman," then telling it from a doctor's point of view, before finally releasing the terrified protagonist to speak for himself in its devastating final version. In a brilliant new translation, all three versions appear here as a single volume for the first time. The Art of The Novella Series Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time
Littérature française du XIXe siècle by Arlette Michel( Book )

1 edition published in 1993 in French and held by 1 WorldCat member library worldwide

Le primitif dans l'œuvre de Maupassant by Alice De Wolf( )

1 edition published in 2011 in French and held by 1 WorldCat member library worldwide

At a time when the future of humanity was all that mattered, Maupassant focused on the origins. For him man is a "human animal" combining elements of both modern and archaic behaviour. This original approach is the one Maupassant wants us to adopt with regard to his work, in which he endeavours to reveal the primitive aspect of man within his civilized refinement and not in opposition to it. In what way is the primitive an element which is disturbing? How does Maupassant portray the relationship between nature and the human body as primitive? He describes nature, the body, sexuality, animality and stupidity as irreducible components of man. However, nature and the human body are fundamentally ambivalent. The primitive element holds up a disturbing mirror image to the 19th century man. As such, it is tantamount to setting the cat among the pigeons, thereby tarnishing the notion of civilized man and his values. By condemning society as unnatural, Maupassant challenges the actual definition of civilized behaviour, and questions the traditional opposition between the civilized and the uncivilized. The anthropological acceptance of the concept of primitive, and in particular the principle of "participation", in hindsight throws a different light on Maupassant's works. This is the angle adopted in the last section. Because it defies norms, the notion of primitive refutes what constitutes the framework and laws of society. Hence Maupassant's works blur the distinctions between social, sexual and moral behaviour, as well as those between madness and reason, between fantasy and realism. Lastly Maupassant contributes to this breakdown of bearings with his primitive style of writing
L'art du feuilleton dans les Habits Noirs de Paul Féval by Carole Ntsame Mve( )

1 edition published in 2012 in French and held by 1 WorldCat member library worldwide

Le présent travail concerne les huit romans du cycle Les habits noirs de Paul Féval : Les habits noirs, Cœur d'acier, La rue de Jérusalem, L'arme invisible, Maman Léo, L'avaleur de sabre, Les compagnons du trésor, La bande cadet. Si nous avons choisi d'étudier la série Les habits noirs de Paul Féval, c'est parce que nous sommes convaincue que ce cycle de romans sollicite la collaboration du lecteur. Nous n'avons pas la prétention d'affirmer que nous allons épuiser tout le potentiel interprétatif que recèlent ces romans mais nous pensons au contraire que beaucoup de choses restent à dire. Les quelques études menées dans ce travail ne sont qu'une contribution infime dans le vaste champ de la littérature et plus précisément dans la critique littéraire. Le XIXe siècle en France est incontestablement l'ère de l'essor de bien des innovations. Tous les paramètres de l'activité physique et intellectuelle vont connaître des bouleversements incommensurables. Des domaines technologiques, scientifiques en passant par ceux des humanités, aucun secteur ne peut se targuer de n'avoir pas subi quelques chamboulements l'ayant profondément modifié. Paul Féval est souvent considéré comme l'un des grands romanciers populaires du XIXe siècle : contes, nouvelles, livres d'histoire, romans autobiographiques, fantastiques, historiques, policiers, sociaux, pièces de théâtre ; journaliste, épistolier, conférencier. Notre travail sur Les habits noirs est consacré à tout ce qui se rapporte à la formation humaine et intellectuelle chez Paul Féval. Notre problématique est de savoir si Les habits noirs de Paul Féval renferme les caractéristiques principales qui déterminent le roman feuilleton au XIXe siècle
Dossier : Guy de Maupassant( Book )

1 edition published in 1993 in French and held by 1 WorldCat member library worldwide

Une bestialité antisociale : la danse chez Maupassant by Mariane Bury( )

1 edition published in 1998 in French and held by 1 WorldCat member library worldwide

Guy de Maupassant( Book )

1 edition published in 1998 in French and held by 1 WorldCat member library worldwide

Mécanismes de la fatalité et construction d'un élan vital dans les nouvelles de Theodor Storm et de Guy de Maupassant by Rachel Lolliot( )

1 edition published in 2015 in French and held by 1 WorldCat member library worldwide

A short story is a brief narrative and therefore can represent the tragic of existence : it catches on the spot all the events of life and presents them in a restricted economy. Theodor Storm and Guy de Maupassant obey the rule and offer narratives marked by fatality, which is the demonstration of fate and/ or chance shown through the description of realistic landscapes and through the emphasis of key objects which pull with them the decline of the characters. The narrative technique also serves the fabrication of this determinism. So, both authors allow themselves to intersperse stories, to go back into the narration, so that the weigh of fate and/ or chance is heavier and works as a spring mechanism taking place tragically. Nevertheless, even if everything suggests the opposite, these short stories are not so pessimistic. Indeed, a life force typical of the philosophical and social thinking of the 19th century arises from this fatality marked with fate and/ or chance. Fate and/ or chance is in fact the blind expression of a will which determines the choice of characters. So these short stories emphasize the illusion of characters' free will who think they can decide of their life. From there, the creative impulse stemming from the writing allows a interruption of this determinism. So, it is those mechanisms of fate that are defused in this work to observe this saving and liberatoring life force, inherent to the philosophic and literary concept of the XIXth century
L'histoire littéraire des écrivains : paroles vives by Université Paul Valéry( )

1 edition published in 2015 in French and held by 0 WorldCat member libraries worldwide

Le grand retour de l'histoire littéraire dans l'espace critique a donné lieu à diverses réflexions et publications sur les modes de constitution de l'histoire littéraire. Le présent numéro de Lieux Littéraires est consacré à un aspect souvent négligé de la question : l'histoire littéraire telle que les écrivains du xixe siècle l'ont conçue. Autant dire que l'histoire littéraire est ici considérée non depuis les modèles de l'enseignement universitaire (même si ceux-ci interviennent nécessairement dans l'analyse) mais dans les termes des écrivains eux-mêmes, comme une imagination de l'histoire de la littérature, participant des stratégies de garantie de l'œuvre et de la construction de la figure de l'auteur. Plus comme une poétique que comme une discipline, donc
 
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Audience Level
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  Kids General Special  
Audience level: 0.79 (from 0.70 for Le Horla e ... to 0.99 for L'art du f ...)

Alternative Names
Bury Mariane Chassain- 1961-....

Bury, Marianne

Bury Marianne 1961-....

Chassain-Bury Mariane 1961-....

Languages
French (71)