WorldCat Identities

Burton, Amy (Soprano)

Overview
Works: 23 works in 40 publications in 2 languages and 1,772 library holdings
Genres: Musical settings  Librettos  Art music  Songs  Scores  Jazz  Operas  Arrangements (Music)  Concertos  Song cycles 
Roles: Singer, Performer, Author, Interviewee
Classifications: ML50.M939, 782.10268
Publication Timeline
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Most widely held works about Amy Burton
 
Most widely held works by Amy Burton
Persuasions ; Lord Chesterfield to his son ; Fixations ; Sonata for viola & piano by Richard Wilson( )

4 editions published between 1992 and 2007 in English and held by 339 WorldCat member libraries worldwide

Songs by John Musto( )

2 editions published in 2009 in English and held by 303 WorldCat member libraries worldwide

Useful knowledge by Paul Moravec( )

3 editions published in 2011 in English and held by 276 WorldCat member libraries worldwide

Souvenir de printemps by Amy Burton( )

2 editions published in 2005 in French and held by 252 WorldCat member libraries worldwide

Fond affection : music of Ernst Bacon by Ernst Bacon( Recording )

2 editions published between 2002 and 2007 in English and held by 214 WorldCat member libraries worldwide

Blue Monday by George Gershwin( Recording )

1 edition published in 1993 in English and held by 104 WorldCat member libraries worldwide

Collected songs : for medium voice and piano by John Musto( )

2 editions published between 2008 and 2015 in English and held by 84 WorldCat member libraries worldwide

Blue Monday by George Gershwin( Recording )

7 editions published in 1993 in English and Undetermined and held by 51 WorldCat member libraries worldwide

The secret agent by Michael Dellaira( Recording )

1 edition published in 2013 in English and held by 27 WorldCat member libraries worldwide

Got a little rhythm( Recording )

1 edition published in 2014 in English and held by 17 WorldCat member libraries worldwide

Blue Monday by George Gershwin( Recording )

1 edition published in 1993 in English and held by 11 WorldCat member libraries worldwide

The OPERA America songbook : new songs commissioned in celebration of the opening of the National Opera Center( Recording )

1 edition published in 2012 in English and held by 9 WorldCat member libraries worldwide

Blue Monday (135th Street blues) by George Gershwin( Recording )

3 editions published in 1993 in Undetermined and English and held by 4 WorldCat member libraries worldwide

Around New York( Recording )

1 edition published in 1995 in English and held by 1 WorldCat member library worldwide

Host Fred Child talks to composer/pianist John Musto, soprano Amy Burton and baritone Christopher Trakas. Burton, Trakas and Musto performed art songs from their upcoming concert at Walter Reade Theater at Lincoln Center ("Art of the Song" series, Nov. 1995) live in the WNYC performance studio
[Concert of November 11, 2007] by Linda Chesis( Recording )

1 edition published in 2007 in English and held by 1 WorldCat member library worldwide

Le nozze di Figaro = (the marriage of Figaro) : opera in four acts by Wolfgang Amadeus Mozart( Book )

1 edition published in 1998 in English and held by 1 WorldCat member library worldwide

Contains the complete text of the libretto with annotations in both English and Italian and a critical historical commentary. The text also includes the background of the composer, biographies of the principal singers and conductor. The two accompanying CDs contain the complete opera sung in Italian
1900, music at the crossroads : Works & process at the Guggenheim( Visual )

1 edition published in 2000 in English and held by 1 WorldCat member library worldwide

Features music written between the period 1897-1903 performed by various musicians. The program is introduced by Paul Kellogg, General and Artistic Director of the New York City Opera and includes remarks by Robert Rosenblum, the Stephen and Nan Swid Curator of Twentieth-Century Art at the Guggenheim Museum. Kellogg and Rosenblum read excerpts from contemporary literary works. Also includes a slide show of works from the early 20th century
Orfeo ed Euridice and Hansel & Gretel : New visions ; Works & process at the Guggenheim( Visual )

1 edition published in 1998 in English and held by 1 WorldCat member library worldwide

This program includes panel discussions of two New York City Opera productions for the 1998 season, Christoph Willibald Gluck's Orfeo ed Euridice and Engelbert Humperdinck's Hansel and Gretel, interspersed with performances of arias and duets from the operas. The Orfeo ed Euridice panel discusses the 18th-century atmosphere of operatic reform in which Gluck and librettist Ranieri de Calzabigi created the piece, the various revisions the work has undergone since it was written, the New York City Opera's adherence to Gluck's original version, and the director's emphasis on movement in the production. The Hansel and Gretel panelists discuss the opera's employment of German folklore and songs, the setting of the Brothers Grimm tale among New York's late 19th-century immigrant community for the New York City Opera production, the process of translating the opera into English, and the challenges of English-language opera for singers
Denis Johnson & Richard Festinger : Works & process at the Guggenheim( Visual )

1 edition published in 2003 in English and held by 1 WorldCat member library worldwide

This program includes a world premiere performance of The coming of age, a song cycle by Richard Festinger to poems by Denis Johnson, as well as a panel discussion of the piece. The panelists discuss their influences and work process, and talk about the time-oriented nature of both poetry and music composition. The program also includes a poetry reading by Johnson
Platée : Works & Process at the Guggenheim( Visual )

1 edition published in 2000 in English and held by 1 WorldCat member library worldwide

Excerpts from a New York City Opera production of Rameau's Platée are interspersed with comments from director/choreographer Mark Morris and costume designer Isaac Mizrahi. Dance and vocal excerpts are performed in costume. Mark Morris discusses how he discovered the opera, his love of baroque music, the differences between his choreography for operas and for stand-alone dance pieces, how his opera productions are affected by the houses in which they are staged, and his current and upcoming projects. Mizrahi discusses the inspiration for his costumes for Platée, his collaborations with Morris, the differences between fashion design and costume design
 
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Audience Level
0
Audience Level
1
  Kids General Special  
Audience level: 0.44 (from 0.29 for Blue Monda ... to 0.82 for 1900, musi ...)

WorldCat IdentitiesRelated Identities
Languages
English (32)

French (2)