WorldCat Identities

Ranzini, Paola

Overview
Works: 28 works in 78 publications in 3 languages and 567 library holdings
Genres: Biography  Criticism, interpretation, etc  Personal correspondence  History  Conference papers and proceedings  Bibliography  Biographies  Sources  Academic theses 
Roles: Editor, Author, Publishing director, Translator, Transcriber, Opponent, 958, Other
Classifications: PQ4698, 852.6
Publication Timeline
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Most widely held works by Paola Ranzini
The fan; a comedy in three acts by Carlo Goldoni( Book )

8 editions published between 2002 and 2014 in Italian and held by 116 WorldCat member libraries worldwide

2 actes, 7 personatges femenins, 6 personatges masculins i 2 decorats
Gli amanti timidi by Carlo Goldoni( Book )

9 editions published in 2004 in Italian and held by 113 WorldCat member libraries worldwide

Les littératures de la Corne de l'Afrique : regards croisés( Book )

5 editions published in 2016 in French and held by 50 WorldCat member libraries worldwide

Verso la poetica del sublime : l'estetica "tragica" di Melchiorre Cesarotti by Paola Ranzini( Book )

8 editions published in 1998 in Italian and French and held by 49 WorldCat member libraries worldwide

Dramaturgia universale antica e moderna by Melchiorre Cesarotti( Book )

4 editions published in 1997 in Italian and held by 40 WorldCat member libraries worldwide

Memorie by Carlo Goldoni( Book )

3 editions published in 1993 in Italian and held by 40 WorldCat member libraries worldwide

Théâtres de masse et théâtres populaires : les expériences italiennes face aux suggestions esthétiques européennes( Book )

6 editions published in 2018 in French and held by 38 WorldCat member libraries worldwide

Ce volume réunit des études de différents spécialistes italiens et français, universitaires, artistes (comédiens et metteurs en scène), sur les formes historiques du théâtre de masse et du théâtre populaire. Les expériences étudiées montrent qu'un véritable dialogue France/Italie a eu lieu. Ce volume analyse les frontières qui séparent théâtres de masse et théâtres populaires ; et la question qui parcourt toutes les études est l'actualité non seulement d'un tel débat, mais aussi de l'idée d'un théâtre pour un public élargi ou populaire
Paroles d'écrivains : écritures de la migration : rencontre avec Gabriella Kuruvilla by Anna Proto Pisani( Book )

5 editions published in 2014 in French and held by 33 WorldCat member libraries worldwide

Voici un voyage dans l'univers des écritures dites migrantes. La première partie est le récit d'une rencontre avec l'écrivaine italo-indienne Gabriella Kuruvilla. La seconde partie explore les notions d'"écritures migrantes", "écriture de la migration", "litérature de la migration", "littérature muliculturelle", "littérature de la deuxième génération". Dans les études proposées, des spécialistes de formation, méthode, langue et pays différents se confrontent sur ces notions
Politica e affetti familiari : lettere di Amelia, Carlo e Nello Rosselli a Guglielmo, Leo e Nina Ferrero e Gina Lombroso Ferrero (1917-1943) by Rosselli( Book )

3 editions published in 1997 in Italian and held by 26 WorldCat member libraries worldwide

Théâtre italien contemporain des auteurs pour le nouveau millénaire : théâtre( Book )

2 editions published in 2014 in French and held by 19 WorldCat member libraries worldwide

Dramaturgia universale antica e moderna by Melchiorre Cesarotti( Book )

1 edition published in 1997 in Italian and held by 9 WorldCat member libraries worldwide

Entre Voltaire et Ossian : l'esthétique de Melchiorre Cesarotti (1730-1808) by Paola Ranzini( )

6 editions published between 1994 and 1996 in French and held by 7 WorldCat member libraries worldwide

L'œuvre et la pensée de Melchiorre Casarotti (1730-1808), le traducteur italien des poèmes d'Ossian, sont généralement rapportées aux prodromes du romantisme. Notre étude vise à redessiner le profil de ce critique-théoricien : nous avons cru retrouver le centre de sa spéculation esthétique ainsi que de son activité critique dans le domaine du théâtre. Son émotionnalisme modéré ainsi que son exigence de moralité et de clarté rationnelle s'expliquent très bien par la définition qu'il a donnée du plaisir tragique et de la tragédie parfaite. Le Ragionamento sopra il diletto della tragedia (1762 ; 1808) s'est révélé l'écrit fondamental pour notre enquête : c'est à partir de cet essai que la spéculation cesarottienne s'adresse vers une esthétique "tragique", le plaisir tragique devenant le plaisir artistique tout court. Une pareille esthétique est le fondement de la dramatisation de l'épopée homérique que Cesarotti a réalisée par son remaniement de l'Iliade, mais aussi du pathétisme mélodramatique de sa traduction poétique d'Ossian. D'ailleurs, des autographes inédits que nous avons retrouves (Cenni relativi al piano della prefazione sopra il "coriolano" di Shakespeare ; Dramaturgia universale antica e moderna) démontrent que l'intérêt pour la composition théâtrale, ainsi que l'activité même de critique théâtral a accompagné toutes les phases de sa vie
Politica e affetti familiari : lettere di Amelia, Carlo e Nello Rosselli a Guglielmo, Leo e Nina Ferrero e Gina Lombroso (1917-1943) by Carlo Rosselli( Book )

1 edition published in 1997 in Italian and held by 4 WorldCat member libraries worldwide

Kristian Gullichsen, Erkki Kairamo, Timo Vormala : architecture 1969-2000 by Sebastiano Brandolini( Book )

1 edition published in 2000 in English and held by 4 WorldCat member libraries worldwide

Un dramma satirico contro il Fascismo? Angelica di Leo Ferrero by Paola Ranzini( )

1 edition published in 1999 in Italian and held by 2 WorldCat member libraries worldwide

Revue des études italiennes : index raisonnés (1936-1996)( Book )

1 edition published in 1997 in French and held by 2 WorldCat member libraries worldwide

Rhétorique du silence dans l'univers dramatique, poétique et cinématographique d'Harold Pinter by Samba Mbaye( Book )

2 editions published in 2015 in French and held by 2 WorldCat member libraries worldwide

The main purpose of this research is not only to try to grasp the meaning of the unsaid and the hidden in the artistic work of Harold Pinter, but first and foresmost to show that language can neither have a meaning nor be made out if we do not consider what is lying underneath or if we disregard any reading between the lines. Even if it's obvious that the stage is more often than not under the yoke of words, the gist of any play is to be looked for in silence. In Pinter's dramatic world, silence can be understood as what cannot be said, what is not thoroughly said, what is not clearly expressed, what is not yet said, what will never be said. It can be due to many reasons, a silence may be observed under duress, as it may be made purposefully. The body language is more than important, for what is displayed through it can urge any shrewd spectator to muse upon what is beyond his eyes. Since words and images are not often reliable, the work of any spectator is to ponder over what is shown or said to him. And like any tool of communication, silence requires a text and a context to yield the substance emnodied in it. Any attempt to sever the language of words from that of silence is doomed to failure. Silence per se is the realm of silent words. Before being uttered, any word was first kept in silence. All discourses stem from silence, and whilst some can reach the listener, others need a particular attention, whence our interest in Pinter's early poems. The silence we'redealing with is not a void. It's pregnant with meaning and cannot be avoided as long as we're able to speak or we're potential locutors
Les gravures néoclassiques d' une édition napoléonienne d' Ossian by Paola Ranzini( )

1 edition published in 1993 in French and held by 2 WorldCat member libraries worldwide

Carteggio inedito Ferrero-Pitoëff( )

1 edition published in 1999 in French and held by 2 WorldCat member libraries worldwide

Compostella : messale per la vita cristiana by Catholic Church( Book )

2 editions published between 1993 and 1994 in Italian and held by 2 WorldCat member libraries worldwide

 
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Audience level: 0.82 (from 0.69 for Kristian G ... to 0.98 for Dramaturgi ...)

Kristian Gullichsen, Erkki Kairamo, Timo Vormala : architecture 1969-2000
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Languages
Italian (39)

French (30)

English (1)