WorldCat Identities

Cooper, Mark Garrett

Overview
Works: 9 works in 45 publications in 1 language and 3,314 library holdings
Genres: History  Criticism, interpretation, etc  Bibliography  Academic theses 
Roles: Author, Editor
Classifications: PN1999.U57, 791.4302330922
Publication Timeline
.
Most widely held works by Mark Garrett Cooper
Universal women : filmmaking and institutional change in early Hollywood by Mark Garrett Cooper( )

14 editions published between 2010 and 2014 in English and held by 1,900 WorldCat member libraries worldwide

Between 1912 and 1919, the Universal Film Manufacturing Company credited eleven women with directing at least 170 films, but by the mid-1920s all of these directors had left Universal and only one still worked in the film industry at all. This book explores how corporate movie studios interpret and act on institutional culture in deciding what it means to work as a man or woman. In focusing on issues of institutional change, the author challenges interpretations that explain women's exile from the film industry as the inevitable result of a transhistorical sexism or as an effect of a broadly cultural revision of gendered work roles. He examines the relationship between institutional organization and aesthetic conventions during the formative years when women filmmakers such as Ruth Ann Baldwin, Cleo Madison, Ruth Stonehouse, Elise Jane Wilson and Ida May Park directed films for Universal
Love rules : silent Hollywood and the rise of the managerial class by Mark Garrett Cooper( )

13 editions published in 2003 in English and held by 964 WorldCat member libraries worldwide

Through close study of such films as Birth of a Nation, Enoch Arden, The Crowd, Why Change Your Wife? and The Jazz Singer, Mark Garrett Cooper uncovers an intimate connection between Hollywood romances of the silent era and the empowerment of a managerial class
Media U : how the need to win audiences has shaped higher education by Mark Garrett Cooper( )

7 editions published between 2017 and 2018 in English and held by 313 WorldCat member libraries worldwide

Are homecoming games and freshman composition, Twitter feeds and scholarly monographs really mortal enemies? Media U presents a provocative rethinking of the development of American higher education centered on the insight that universities are media institutions. Tracing over a century of media history and the academy, Mark Garrett Cooper and John Marx argue that the fundamental goal of the American research university has been to cultivate audiences and convince them of its value.Media U shows how universities have appropriated new media technologies to convey their message about higher education, the aims of research, and campus life. The need to create an audience stamps each of the university’s steadily proliferating disciplines, shapes its structure, and determines its division of labor. Cooper and Marx examine how the research university has sought to inform publics and convince them of its value to American society, from the rise of football and Great Books programs in the early twentieth century through a midcentury communications complex linking big science, New Criticism, and design, from the co-option of 1960s student activist media through the early-twenty-first-century reception of MOOCs and the latest promises of technological disruption. The book considers the ways in which universities have used media platforms to reconcile national commitments to equal opportunity with corporate capitalism as well as the vexed relationship of democracy and hierarchy. By exploring how media engagement brought the American university into being and continues to shape academic labor, Media U presents essential questions and resources for reimagining the university and confronting its future
Rediscovering U.S. newsfilm : cinema, television, and the archive( )

5 editions published in 2018 in English and held by 123 WorldCat member libraries worldwide

"The twentieth century generated tens of thousands of hours of American newsfilm but not the scholarly apparatus necessary to analyze and contextualize them. Assembling new approaches to the study of U.S. newsfilm in cinema and television, this book makes a long overdue critical intervention in the field of film and media studies by addressing the format's inherent intermediality; its mediation of "events" for local, national, and transnational communities; its distinctive archival legacies; and, consequently, its integral place in film and television studies more broadly. This collection brings fresh, contemporary methodologies and analysis to bear on a vast amount of material that has languished in relative obscurity for far too long"--
Motion picture accoutning by Mark Garrett Cooper( )

in English and held by 5 WorldCat member libraries worldwide

The cinematic order : visual love stories and the making of managerial America by Mark Garrett Cooper( )

2 editions published in 1998 in English and held by 3 WorldCat member libraries worldwide

Multicultural dimensions of film : a reader( Book )

1 edition published in 1998 in English and held by 3 WorldCat member libraries worldwide

The Dysphoric style in contemporary American independent cinema by David C Simmons( )

1 edition published in 2005 in English and held by 2 WorldCat member libraries worldwide

The relationship of the self-concept to the degree of dysfunctionality in the chemically dependent client by Mark G Cooper( )

1 edition published in 1992 in English and held by 1 WorldCat member library worldwide

 
Audience Level
0
Audience Level
1
  Kids General Special  
Audience level: 0.19 (from 0.07 for Universal ... to 0.83 for The Dyspho ...)

Universal women : filmmaking and institutional change in early Hollywood
Covers
Love rules : silent Hollywood and the rise of the managerial class
Alternative Names
Cooper, M. G.

Cooper, Mark G.

Garrett Cooper Mark

Languages
English (45)