WorldCat Identities

Hostetler, Lisa 1971-

Overview
Works: 29 works in 67 publications in 2 languages and 1,423 library holdings
Genres: Exhibition catalogs  History  Pictorial works  Exhibition, pictorial works  Cookbooks  Catalogs 
Roles: Author, Editor, win
Classifications: TR645.M52, 778.6
Publication Timeline
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Most widely held works by Lisa Hostetler
Color rush : American color photography from Stieglitz to Sherman by Katherine A Bussard( Book )

9 editions published in 2013 in English and held by 500 WorldCat member libraries worldwide

"From magazine pages to gallery walls, from advertisements to photojournalism, Color Rush charts the history of color photography in the United States from the moment it became available as a mass medium to the moment when it no longer seemed an unusual choice for artists. The book begins with the 1907 unveiling of autochrome, the first commercially available color process, and continues up through the 1981 landmark survey show and book The New Color Photography, which hailed the widespread acceptance of color photography in contemporary art. Color Rush brings together Ansel Adams, William Eggleston, Eliot Porter, Cindy Sherman, Edward Steichen, Stephen Shore, and many more."--Publisher's website
Louis Faurer by Anne Tucker( Book )

5 editions published in 2002 in English and held by 300 WorldCat member libraries worldwide

"Louis Faurer was one of America's "quiet" photographers. Known for his raw, melancholy, and psychologically charged pictures of life on the street, and in particular for his evocative shots of 1940s and 1950s Times Square, New York, Faurer frequently drew on the film noir idiom to create memorable images. Photographs of moviegoers, box-office lines, ushers, and cinemas advertising B movies such as Force of Evil, Edge of Doom, and Ace in the Hole are recurrent themes." "Much of Faurer's best work, though, is of ordinary people, and he frequently haunted the streets of New York, finding poetry amid the crackle of the city. In an untitled picture taken in 1937 in Philadelphia, the trousers, jacket cuffs, and cane of a seated man are in sharp focus, as are a box of pencils and a sign announcing "I am totally blind." Hurrying past him are the blurred images of pedestrians. Other shots such as I Am Paralyzed, Daddy Warbucks, and Eddie combine a social and personal awareness that was rare for its time." "Faurer also worked as a fashion photographer for nearly thirty years, producing work for Harper's Bazaar, Vogue, and Flair, with a particular gift for highlighting his subject's ephemeral grace. He was a lasting influence on Robert Frank and other members of the New York school of photography." "This book, the first to examine Faurer's work in depth and bring it to a modern readership, draws together a great deal of previously unpublished material, as well as images not seen since they originally appeared in magazines in the 1940s and 1950s."--Jacket
Street seen : the psychological gesture in American photography, 1940-1959 by Lisa Hostetler( Book )

15 editions published between 2009 and 2010 in English and German and held by 250 WorldCat member libraries worldwide

"This in-depth and generously illustrated look at six postwar photographers, alongwith a selection of their predecessors and contemporaries, captures a unique and pivotal moment in American photographic history. World War II and its aftermath ushered in a new era of artistic expression. Abstract Expressionism, film noir, Beat poetry, and the New Journalism are often considered responses to war's shocking realities. Creative photographers responded to the same situation with images that broke the rules of conventional photographic technique. Street Seen, a companion volume to an exhibition, highlights six photographers who were prominent during and immediately following the war. Lisette Model's unflinching look at the urban environment; Louis Faurer's portraits of eccentrics in Times Square; Ted Croner's haunting night images; Saul Leiter's evocative glimpses of daily life; William Klein's graphic, confrontational style; and Robert Frank's documentation of American ideals gone awry--these and other beautifully reproduced photographs communicate the emotional resonance of everyday life in postwar America. An essay by Lisa Hostetler explores the aesthetic revolution that took place after the war and reveals the principles of spontaneity and subjective interpretation that guided these photographers as they sought to make sense of new realities. A timeline, brief biographies, and bibliography are also included in this valuable compilation of the mid-century's most influential photography."--Publisher's website
Animals are outside today by Colleen Plumb( Book )

2 editions published in 2011 in English and held by 73 WorldCat member libraries worldwide

History by David Levinthal( Book )

2 editions published in 2015 in English and held by 72 WorldCat member libraries worldwide

Photographer David Levinthal’s most recent series, History, is a culmination of his work over the last three-and-a-half decades. Like his previous bodies of work—the most well-known of which include Hitler Moves East (1975–77), Modern Romance (1984–86), The Wild West (1987–89), and Barbie (1998–99)—History speaks to the way in which popular imagery infiltrates memory, imagination, and identity. The exhibition at George Eastman House will be the first time that History is presented to the public. To make his work, Levinthal (American, b. 1949) begins by finding vintage figurines and play sets through his now long-established network of toy sellers and collectors, and then creates elaborate scenes based on events in history, especially as they are depicted in visual culture. Levinthal then photographs his scenes and creates large, history-painting-sized inkjet prints. The compositions are reminiscent of famous images from art history, television, and movies, but are not exact replicas. Instead, they are imaginative re-creations that paraphrase their source material. This increases the scenarios’ semblance of realism, in that the viewer interprets them as moments near the time of the iconic pictures, but it also introduces a note of disjuncture to the scenes--George Eastman Museum
A matter of memory : photography as object in the digital age( Book )

1 edition published in 2016 in English and held by 66 WorldCat member libraries worldwide

The majority of photographic images today are recorded and viewed digitally, rather than on film and paper. Amateurs, photojournalists and commercial photographers alike rarely produce material objects as the final step in their photographic process, making photographs in the form of physical objects increasingly scarce. But what happens to personal and collective memories when photographic images are not instantly accessible on the face of physical objects? How is society's relationship to memory changing as digital photographs become the norm? A number of contemporary artists are making work that suggests the potential consequences of photography's latest metamorphosis. Two main strategies emerge: some artists dig deep into photographic materials as though searching for the locus of memory, and others incorporate found photographs into their work as virtual talismans of recollection. Both highlight the presence of the photographic object and function as self-conscious meditations on photography's ongoing reorganization of our mental and physical landscape. 'A Matter of Memory' features the work of more than 30 artists including Thomas Barrow, Matthew Brandt, Ellen Carey, John Chiara, Adam Fuss, Robert Heinecken, Leslie Hewitt, Kenneth Josephson, Laura Letinsky, Chris McCaw, Diane Meyer, Yola Monakhov Stockton, Vik Muniz, Floris Neusüss, Marlo Pascual, Matthew Porter, Taryn Simon, Michelle Stuart, Kunié Sugiura, Bertien van Manen, James Welling and Augusta Wood
The photographer's cookbook by Deborah Barsel( Book )

2 editions published in 2016 in English and held by 65 WorldCat member libraries worldwide

In the late 1970s, the George Eastman Museum approached a group of photographers to ask for their favorite recipes and food-related photographs to go with them, in pursuit of publishing a cookbook. Playing off George Eastman?s own famous recipe for lemon meringue pie, as well as former director Beaumont Newhall?s love of food, the cookbook grew from the idea that photographers? talent in the darkroom must also translate into special skills in the kitchen. The recipes do not disappoint, with Robert Adams?s Big Sugar Cookies, Ansel Adams?s Poached Eggs in Beer, Richard Avedon?s Royal Pot Roast, Imogen Cunningham?s Borscht, William Eggleston?s Cheese Grits Casserole, Stephen Shore?s Key Lime Pie Supreme, and Ed Ruscha?s Cactus Omelet, to name a few. The book was never published, and the materials have remained in George Eastman Museum's collection ever since. Now, forty years later, this extensive and distinctive archive of untouched recipes and photographs are published in 'The Photographer?s Cookbook' for the first time. The book provides a time capsule of contemporary photographers of the 1970s?many before they made a name for themselves?as well as a fascinating look at how they depicted food, family, and home, taking readers behind the camera and into the hearts, and stomachs of some of photography?s most important practitioners
Arrangements by Marie Cosindas by Marie Cosindas( Book )

6 editions published in 2014 in English and held by 62 WorldCat member libraries worldwide

David Levinthal HISTORY by David Hickey( Book )

1 edition published in 2015 in English and held by 4 WorldCat member libraries worldwide

EUGENE RICHARDS : the run of time by Lisa Hostetler( Book )

2 editions published in 2017 in English and held by 3 WorldCat member libraries worldwide

The first publication to situate the work of Richards in the long photographic tradition that merges personal artistic vision with documentary practice Eugene Richards (b. 1944) is a documentary photographer known for his powerful, unflinching exploration of contemporary social issues from the early 1970s to the present. This handsome book is the first comprehensive and critical look at Richards's lifelong achievements. Reproduced in tritone and color, the extraordinary images in this volume explore complicated and controversial subjects, including racism, poverty, drug addiction, cancer, aging, the effects of war and terrorism, and the erosion of rural America. The authors of the book situate Richards's work in the long photographic tradition that merges personal artistic vision with documentary practice, following in the tradition of W. Eugene Smith and Robert Frank.00Exhibition: George Eastman Museum, Rochester, USA (09.06-10.09.2017); The Nelson-Atkins Museum of Art, Kansas City, USA (04.11.2017-18.03.2018)
Photography and everyday life : the case of Louis Faurer 1937-1955 by Lisa Hostetler( )

2 editions published in 2004 in English and held by 3 WorldCat member libraries worldwide

Color rush : seventy-five years of color photography in America by Lisa Hostetler( Book )

2 editions published in 2013 in English and held by 3 WorldCat member libraries worldwide

Today colour photography is so ubiquitous that its hard to believe there was a time when this was not the case. 'Color Rush' explores the developments that led us to this point, looking at the way colour photographs circulated and appeared at the time of their making. From magazine pages to gallery walls, from advertisements to photojournalism, 'Color Rush' charts the history of colour photography in the United States from the moment it became available as a mass medium to the moment when it no longer seemed an unusual choice for artists
The American west, 1871-1874 : photographs from the American Geographical Society Library( Book )

1 edition published in 2005 in English and held by 2 WorldCat member libraries worldwide

Taryn Simon : photographs and texts by Taryn Simon( Book )

1 edition published in 2011 in English and held by 2 WorldCat member libraries worldwide

Unmasked & anonymous : Shimon & Lindemann consider portraiture by John Shimon( Book )

2 editions published in 2008 in English and held by 2 WorldCat member libraries worldwide

Street seen : the psychological gesture in American photography, 1940 - 1959, January 30 to April 25, 2010, Milwaukee Art Museum by Lisa Hostetler( Book )

1 edition published in 2009 in Undetermined and held by 1 WorldCat member library worldwide

Photographer's Cookbook by Lisa Hostetler( Book )

1 edition published in 1916 in English and held by 1 WorldCat member library worldwide

Street seen : the psychological gesture in american photography, 1940-1960 by Lisa Hostetler( Book )

1 edition published in 2009 in English and held by 1 WorldCat member library worldwide

Alfred Stieglitz (1864{u2013}1946) and American photography by Lisa Hostetler( )

1 edition published in 2000 in English and held by 1 WorldCat member library worldwide

Rena Bass Forman by Rena Bass Forman( Book )

1 edition published in 2009 in English and held by 1 WorldCat member library worldwide

 
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Louis Faurer
Alternative Names
Hostetler, Lisa Anne 1971-

Languages
English (55)

German (2)

Covers
Street seen : the psychological gesture in American photography, 1940-1959Animals are outside todayUnmasked & anonymous : Shimon & Lindemann consider portraitureStreet seen : the psychological gesture in american photography, 1940-1960