Opelvillen Rüsselsheim
Overview
| Works: | 41 works in 99 publications in 3 languages and 1,254 library holdings |
|---|---|
| Genres: | Exhibition catalogs Exhibition, pictorial works History |
| Roles: | his, Editor |
Publication Timeline
.
Most widely held works by
Opelvillen Rüsselsheim
Reality bites : making avant-garde art in post-wall Germany = Kunst nach dem Mauerfall(
Book
)
4 editions published in 2007 in English and held by 270 WorldCat member libraries worldwide
Catalog of an exhibition with the same title, held Feb 9-April 29, 2007 at the Mildred Lane Kemper Art Museum, Washington University, St. Louis, Mo., and May20-Sept. 2, 2007 at the Opelvillen, Russelsheim, Germany
4 editions published in 2007 in English and held by 270 WorldCat member libraries worldwide
Catalog of an exhibition with the same title, held Feb 9-April 29, 2007 at the Mildred Lane Kemper Art Museum, Washington University, St. Louis, Mo., and May20-Sept. 2, 2007 at the Opelvillen, Russelsheim, Germany
Ghost : Elizabeth Peyton by
Elizabeth Peyton(
Book
)
3 editions published in 2011 in English and Multiple languages and held by 163 WorldCat member libraries worldwide
3 editions published in 2011 in English and Multiple languages and held by 163 WorldCat member libraries worldwide
Natalia Goncharova : between Russian tradition and European modernism by
Natalii︠a︡ Sergeevna Goncharova(
Book
)
5 editions published in 2009 in English and held by 158 WorldCat member libraries worldwide
"Russian avant-garde artist Natalia Goncharova (1881-1962) left behind an extensive and complex body of work. Inspired by the folklore and art of her country, in her early years she produced colorful, strongly ornamental paintings. Her religious paintings, which were influenced by icons, were highly controversial. She began working with Cubism during herMoscow period, providing the Russian avant-garde with an important impetus for linking tradition with modernity. Reading her letters and notes, one becomes aware of this non-conformist's often biting, ironic tone. In 1917, Goncharova settled permanently in Paris, where she designed costumes and sets for Sergei Diaghilev's Ballets Russes. In exile, however, the artist fell on hard times. This publication illuminates the details of Goncharova's life and work and assigns the oeuvre of this unconventional artist--who to this day has not yet been properly recognized in her own country--the status it deserves."--Publisher's website
5 editions published in 2009 in English and held by 158 WorldCat member libraries worldwide
"Russian avant-garde artist Natalia Goncharova (1881-1962) left behind an extensive and complex body of work. Inspired by the folklore and art of her country, in her early years she produced colorful, strongly ornamental paintings. Her religious paintings, which were influenced by icons, were highly controversial. She began working with Cubism during herMoscow period, providing the Russian avant-garde with an important impetus for linking tradition with modernity. Reading her letters and notes, one becomes aware of this non-conformist's often biting, ironic tone. In 1917, Goncharova settled permanently in Paris, where she designed costumes and sets for Sergei Diaghilev's Ballets Russes. In exile, however, the artist fell on hard times. This publication illuminates the details of Goncharova's life and work and assigns the oeuvre of this unconventional artist--who to this day has not yet been properly recognized in her own country--the status it deserves."--Publisher's website
Linie und Skulptur im Dialog : Rodin, Giacometti, Modigliani -- : Werke aus der Sammlung Kasser/Mochary Family Foundation,
USA = Line and sculpture in dialogue : Rodin, Giacometti, Modigliani -- : works from the collection Kasser/Mochary Family
Foundation, USA(
Book
)
9 editions published in 2011 in German and English and held by 125 WorldCat member libraries worldwide
Die Linie ist ein zentrales Thema für die Bildhauerei des 20. Jahrhunderts. Anhand von Meisterwerken der klassischen Moderne beleuchtet der Band in der spannungsvollen Gegenüberstellung von Skulptur und Zeichnung die Faszination, die das darstellerische Mittel der Linie auf die Künstler ausübte. Anhand von über fünfzig Meisterwerken aus der hochkarätigen Kunstsammlung der Kasser Mochary Family Foundation wählt der Band in der Gegenüberstellung von Skulptur und Zeichnung einen aufschlussreichen Blickwinkel auf die Kunst der Moderne und ihre Entwicklung hin zur Abstraktion. Im Fokus auf die Linie entfaltet sich so eine oft überraschende Sicht auf die Skulptur des 20. Jahrhunderts. Exhibition: Opelvillen, Rüsselsheim (9.11.2011-9.4.2012) ; Museum für Neue Kunst, Freiburg (12.5-16.9.2012)
9 editions published in 2011 in German and English and held by 125 WorldCat member libraries worldwide
Die Linie ist ein zentrales Thema für die Bildhauerei des 20. Jahrhunderts. Anhand von Meisterwerken der klassischen Moderne beleuchtet der Band in der spannungsvollen Gegenüberstellung von Skulptur und Zeichnung die Faszination, die das darstellerische Mittel der Linie auf die Künstler ausübte. Anhand von über fünfzig Meisterwerken aus der hochkarätigen Kunstsammlung der Kasser Mochary Family Foundation wählt der Band in der Gegenüberstellung von Skulptur und Zeichnung einen aufschlussreichen Blickwinkel auf die Kunst der Moderne und ihre Entwicklung hin zur Abstraktion. Im Fokus auf die Linie entfaltet sich so eine oft überraschende Sicht auf die Skulptur des 20. Jahrhunderts. Exhibition: Opelvillen, Rüsselsheim (9.11.2011-9.4.2012) ; Museum für Neue Kunst, Freiburg (12.5-16.9.2012)
"Unmittelbar und unverfälscht" : Aquarelle, Zeichnungen und Druckgraphik der "Brücke" aus dem Brücke-Museum Berlin : Opelvillen
Rüsselsheim by
Brücke-Museum(
Book
)
8 editions published in 2003 in German and English and held by 76 WorldCat member libraries worldwide
8 editions published in 2003 in German and English and held by 76 WorldCat member libraries worldwide
Noa Eshkol : wall carpets by
Noa Eshkol(
Book
)
4 editions published in 2013 in German and held by 60 WorldCat member libraries worldwide
Noa Eshkol (1924-2007) was an Israeli artist and choreographer who co-developed a system of notation for dance. During the Yom Kippur War, Eshkol began creating tapestries made of found or donated fabric. This publication focuses on these tapestries, highlighting a unique instance of the relationship between modern art and dance
4 editions published in 2013 in German and held by 60 WorldCat member libraries worldwide
Noa Eshkol (1924-2007) was an Israeli artist and choreographer who co-developed a system of notation for dance. During the Yom Kippur War, Eshkol began creating tapestries made of found or donated fabric. This publication focuses on these tapestries, highlighting a unique instance of the relationship between modern art and dance
Wir müssen den Schleier von unseren Augen reissen : Fotografie und Zeichnung der russischen Avantgarde aus der Sammlung der
Sepherot Foundation ; [... erscheint anlässlich der Ausstellung "Wir müssen den Schleier von unseren Augen reissen: Fotografie
und Zeichnung der russischen Avantgarde aus der Sammlung der Sepherot Foundation", Kunst- und Kulturstiftung Opelvillen Rüsselsheim,
17. Dezember 2014 - 8. März 2015, Kunstmuseum Bochum, 22. März - 31. Mai 2015, dkw. Kunstmuseum Dieselkraftwerk Cottbus,
21. Juni - 20. September 2015](
Book
)
4 editions published in 2014 in German and held by 55 WorldCat member libraries worldwide
4 editions published in 2014 in German and held by 55 WorldCat member libraries worldwide
Exil und Moderne : H.W. Janson und die Sammlung der Washington University in St. Louis; [erscheint anläßlich der Ausstellung
"Exil und Moderne - H.W. Janson und die Sammlung der Washington University in St. Louis". Opelvillen Rüsselsheim, Zentrum
für Kunst ... 20. November 2004-28. März 2005 ... ; Museum für Neue Kunst, Freiburg, 8. Februar 2006-25. Juni 2006] by
Sabine Eckmann(
Book
)
7 editions published in 2004 in German and held by 47 WorldCat member libraries worldwide
7 editions published in 2004 in German and held by 47 WorldCat member libraries worldwide
Ekrem Yalcindag : about color, nature, ornaments, and other things by
Ekrem Yalcindag(
Book
)
4 editions published in 2016 in English and German and held by 36 WorldCat member libraries worldwide
Living in Istanbul, Vienna, and Frankfurt am Main, Yalcindag (*1964 in Gölbasi) is one of the most important artists working today. Having spent his childhood in Turkey, he then developed his visual language as a student of Hermann Nitsch and Thomas Bayrle in Frankfurt am Main nearly twenty years ago. His meticulous, impasto technique executed with an extremely fine paint brush demands an enormous amount of time. It results in relief-like paintings constructed from hundreds of layers. That Yalcindag?s application of paint recalls the American Color Field painters should be of no surprise if one keeps in mind his intense engagement with Minimal Art. This publication offers the first analysis of the artist?s original practice and visual language, while also providing an important contribution to the study of the reception of non-European ornamental traditions within contemporary art. Exhibition: Art and Cultural Foundation Opelvillen Rüsselsheim, Germany (7.9.-6.11.2016)
4 editions published in 2016 in English and German and held by 36 WorldCat member libraries worldwide
Living in Istanbul, Vienna, and Frankfurt am Main, Yalcindag (*1964 in Gölbasi) is one of the most important artists working today. Having spent his childhood in Turkey, he then developed his visual language as a student of Hermann Nitsch and Thomas Bayrle in Frankfurt am Main nearly twenty years ago. His meticulous, impasto technique executed with an extremely fine paint brush demands an enormous amount of time. It results in relief-like paintings constructed from hundreds of layers. That Yalcindag?s application of paint recalls the American Color Field painters should be of no surprise if one keeps in mind his intense engagement with Minimal Art. This publication offers the first analysis of the artist?s original practice and visual language, while also providing an important contribution to the study of the reception of non-European ornamental traditions within contemporary art. Exhibition: Art and Cultural Foundation Opelvillen Rüsselsheim, Germany (7.9.-6.11.2016)
Natalja Gontscharowa : zwischen russischer Tradition und europäischer Moderne by
Natalii︠a︡ Sergeevna Goncharova(
Book
)
5 editions published in 2009 in German and held by 29 WorldCat member libraries worldwide
5 editions published in 2009 in German and held by 29 WorldCat member libraries worldwide
Pietro Donzelli : luce by
Pietro Donzelli(
Book
)
4 editions published in 2015 in German and held by 29 WorldCat member libraries worldwide
4 editions published in 2015 in German and held by 29 WorldCat member libraries worldwide
Niki de Saint Phalle und das Theater = Niki de Saint Phalle and the theatre by
Niki de Saint-Phalle(
Book
)
2 editions published in 2016 in German and English and held by 23 WorldCat member libraries worldwide
Very early on, Niki de Saint Phalle (1930-2002) discovered the theatre as a source of inspiration. She wrote her first play when she was only a young student. Artistic work for the stage proved to be an important field of experimentation for the artist. Fascinated by the possibility of the active participation of the audience, she then wrote the stage play ICH, which was presented in Kassel on the occasion of the 1968 documenta exhibition. This publication demonstrates for the first time to what extent de Sant Phalle was fascinated by the theatre and how this affected her visual art oeuvre
2 editions published in 2016 in German and English and held by 23 WorldCat member libraries worldwide
Very early on, Niki de Saint Phalle (1930-2002) discovered the theatre as a source of inspiration. She wrote her first play when she was only a young student. Artistic work for the stage proved to be an important field of experimentation for the artist. Fascinated by the possibility of the active participation of the audience, she then wrote the stage play ICH, which was presented in Kassel on the occasion of the 1968 documenta exhibition. This publication demonstrates for the first time to what extent de Sant Phalle was fascinated by the theatre and how this affected her visual art oeuvre
Sibylle : Zeitschrift für Mode und Kultur : 1956-1995(
Book
)
2 editions published in 2017 in German and held by 21 WorldCat member libraries worldwide
Die „Sibylle“ war DIE Zeitschrift für Mode und Kultur der DDR, herausgegeben zunächst vom „Modeinstitut Berlin“, später vom „Verlag für die Frau". Die ob ihrer inhaltlichen Qualität auch als Ost-Vogue titulierte Zeitschrift erschien sechsmal jährlich, in einer zu DDR-Zeiten planwirtschaftlich reglementierten Auflage von 200.000 Exemplaren und war, wegen grosser Nachfrage regelmäßig schnell vergriffen. Ihre Macher waren vorrangig Mode-Designer, Fotografen und Journalisten mit einem hohen inhaltlichen und qualitativen Anspruch. Die Bildsprache des Magazins war für die DDR und andere Länder hinter dem Eisernen Vorhang stilprägend. Die „Sibylle“ war keine reine Frauen- oder Modezeitschrift. Vielmehr war der redaktionelle Anspruch immer auch aktuelle gesellschaftlich-kulturelle Themen zu behandeln. Das Buch stellt die wichtigsten Fotografen und deren Arbeiten für die „Sibylle“ über den gesamten Erscheinungszeitraum von 1956 bis 1995 in ausführlichen Bildstrecken vor. Weiterhin werden die redaktionelle und inhaltliche Ausrichtung der Zeitschrift, die darin subtil verborgenen gesellschaftskritischen Elemente, die Gestaltungsgeschichte über vier Jahrzehnte hinweg (inklusive sämtlicher Coverbilder), sowie das über die Zeitschrift vermittelte moderne Frauenbild thematisiert, das sich deutlich vom westlichen Rollenverständnis der Zeit unterschied
2 editions published in 2017 in German and held by 21 WorldCat member libraries worldwide
Die „Sibylle“ war DIE Zeitschrift für Mode und Kultur der DDR, herausgegeben zunächst vom „Modeinstitut Berlin“, später vom „Verlag für die Frau". Die ob ihrer inhaltlichen Qualität auch als Ost-Vogue titulierte Zeitschrift erschien sechsmal jährlich, in einer zu DDR-Zeiten planwirtschaftlich reglementierten Auflage von 200.000 Exemplaren und war, wegen grosser Nachfrage regelmäßig schnell vergriffen. Ihre Macher waren vorrangig Mode-Designer, Fotografen und Journalisten mit einem hohen inhaltlichen und qualitativen Anspruch. Die Bildsprache des Magazins war für die DDR und andere Länder hinter dem Eisernen Vorhang stilprägend. Die „Sibylle“ war keine reine Frauen- oder Modezeitschrift. Vielmehr war der redaktionelle Anspruch immer auch aktuelle gesellschaftlich-kulturelle Themen zu behandeln. Das Buch stellt die wichtigsten Fotografen und deren Arbeiten für die „Sibylle“ über den gesamten Erscheinungszeitraum von 1956 bis 1995 in ausführlichen Bildstrecken vor. Weiterhin werden die redaktionelle und inhaltliche Ausrichtung der Zeitschrift, die darin subtil verborgenen gesellschaftskritischen Elemente, die Gestaltungsgeschichte über vier Jahrzehnte hinweg (inklusive sämtlicher Coverbilder), sowie das über die Zeitschrift vermittelte moderne Frauenbild thematisiert, das sich deutlich vom westlichen Rollenverständnis der Zeit unterschied
Fotografische Porträts von Romy Schneider : die Erinnerung ist oft das Schönste ; [anlässlich der Ausstellung Die Erinnerung
ist oft das Schönste. Fotografische Porträts von Romy Schneider, Stiftung Opelvillen Rüsselsheim, 17. September bis 28.
Dezember 2008](
Book
)
1 edition published in 2008 in German and held by 15 WorldCat member libraries worldwide
1 edition published in 2008 in German and held by 15 WorldCat member libraries worldwide
Fotografische Porträts von Romy Schneider : die Erinnerung ist oft das Schönste(
Book
)
4 editions published in 2008 in German and held by 15 WorldCat member libraries worldwide
4 editions published in 2008 in German and held by 15 WorldCat member libraries worldwide
Niki de Saint Phalle und das Theater At Last I Found the Treasure by
Beate Kemfert(
Book
)
1 edition published in 2016 in English and held by 15 WorldCat member libraries worldwide
Very early on, Niki de Saint Phalle (1930? 2002) discovered the theater as a source of inspiration. She wrote her first play when she was only a young student. With Lysistrata, presented in the Staatstheater in Kassel in 1966, an intensive cooperation began with the director Rainer von Diez, for whose production Niki de Saint Phalle designed the costumes and scenery. Artistic work for the stage proved to be an important field of experimentation for the artist. Fascinated by the possibility of the active participation of the audience, Niki de Saint Phalle then wrote the stage play ICH, which was presented in Kassel on the occasion of the 1968 documenta exhibition. 0The role played by theater in her art after 1968 has remained largely unrecognized. This publication demonstrates for the first time to what extent Niki de Sant Phalle was fascinated by the theater and how this affected her work. Through this new point of view it will be possible to analyse the screen prints developed from the stage play ICH in a new way. The unique perspective on her works sheds new light on her oeuvre in general and especially on the large series revolving around the theme of love. 00Exhibition: Theater Opelvillen, Rüsselsheim, Germany (07.12.2016-12.03.2017)
1 edition published in 2016 in English and held by 15 WorldCat member libraries worldwide
Very early on, Niki de Saint Phalle (1930? 2002) discovered the theater as a source of inspiration. She wrote her first play when she was only a young student. With Lysistrata, presented in the Staatstheater in Kassel in 1966, an intensive cooperation began with the director Rainer von Diez, for whose production Niki de Saint Phalle designed the costumes and scenery. Artistic work for the stage proved to be an important field of experimentation for the artist. Fascinated by the possibility of the active participation of the audience, Niki de Saint Phalle then wrote the stage play ICH, which was presented in Kassel on the occasion of the 1968 documenta exhibition. 0The role played by theater in her art after 1968 has remained largely unrecognized. This publication demonstrates for the first time to what extent Niki de Sant Phalle was fascinated by the theater and how this affected her work. Through this new point of view it will be possible to analyse the screen prints developed from the stage play ICH in a new way. The unique perspective on her works sheds new light on her oeuvre in general and especially on the large series revolving around the theme of love. 00Exhibition: Theater Opelvillen, Rüsselsheim, Germany (07.12.2016-12.03.2017)
Christina Kubisch : KlangRaumLichtZeit ; Arbeiten von 1980 bis 2000 ; [anläßlich der Ausstellung in den Opel-Villen Rüsselsheim,
18.7. - 16.9.2000] by
Christina Kubisch(
Book
)
2 editions published in 2000 in German and held by 13 WorldCat member libraries worldwide
2 editions published in 2000 in German and held by 13 WorldCat member libraries worldwide
Ekrem Yalcindag by
Ekrem Yalcindag(
Book
)
1 edition published in 2016 in English and held by 13 WorldCat member libraries worldwide
Living in Istanbul, Vienna, and Frankfurt am Main, Yalcindag (*1964 in Gölbasi) is one of the most important artists working today. Having spent his childhood in Turkey, he then developed his visual language as a student of Hermann Nitsch and Thomas Bayrle in Frankfurt am Main nearly twenty years ago. His meticulous, impasto technique executed with an extremely fine paint brush demands an enormous amount of time. It results in relief-like paintings constructed from hundreds of layers. That Yalcindag?s application of paint recalls the American Color Field painters should be of no surprise if one keeps in mind his intense engagement with Minimal Art. This publication offers the first analysis of the artist?s original practice and visual language, while also providing an important contribution to the study of the reception of non-European ornamental traditions within contemporary art.00Exhibition: Art and Cultural Foundation Opelvillen Rüsselsheim, Germany (7.9.-6.11.2016)
1 edition published in 2016 in English and held by 13 WorldCat member libraries worldwide
Living in Istanbul, Vienna, and Frankfurt am Main, Yalcindag (*1964 in Gölbasi) is one of the most important artists working today. Having spent his childhood in Turkey, he then developed his visual language as a student of Hermann Nitsch and Thomas Bayrle in Frankfurt am Main nearly twenty years ago. His meticulous, impasto technique executed with an extremely fine paint brush demands an enormous amount of time. It results in relief-like paintings constructed from hundreds of layers. That Yalcindag?s application of paint recalls the American Color Field painters should be of no surprise if one keeps in mind his intense engagement with Minimal Art. This publication offers the first analysis of the artist?s original practice and visual language, while also providing an important contribution to the study of the reception of non-European ornamental traditions within contemporary art.00Exhibition: Art and Cultural Foundation Opelvillen Rüsselsheim, Germany (7.9.-6.11.2016)
Road atlas : Straßenfotografie von Helen Levitt bis Pieter Hugo by
DZ Bank(
Book
)
3 editions published in 2011 in German and held by 12 WorldCat member libraries worldwide
Die Strasse als Schauplatz des Alltags und urbanes Merkmal übt von jeher eine besondere Faszination auf Fotografen aus. Im "Road atlas" werden erstmals 166 Fotografien aus der DZ BANK Kunstsammlung zum Thema Strassevereint: 29 Positionen und 70 Jahre Strassenfotografie. Mit über 6000 fotografischen Werken von mehr als 550 Künstlern zählt die DZ BANK Kunstsammlung zu den bedeutendsten Kunstsammlungen, die sich mit dem fotografischen Bild auseinandersetzt. Die ausgewählten Fotografien zeigen Strassen rund um den Globus - von der Nachkriegsfotografie bis heute. Insgesamt verdeutlichen 29 künstlerische Positionen mit 166 Werken 70 Jahre Strassenfotografie. Exhibition: Opelvillen, Rüsselsheim (17.8-16.10.2011); Kunstmuseum Dieselkraftwerk, Cottbus (11.7-26.8.2012); Kunsthalle Erfurt (spring 2013)
3 editions published in 2011 in German and held by 12 WorldCat member libraries worldwide
Die Strasse als Schauplatz des Alltags und urbanes Merkmal übt von jeher eine besondere Faszination auf Fotografen aus. Im "Road atlas" werden erstmals 166 Fotografien aus der DZ BANK Kunstsammlung zum Thema Strassevereint: 29 Positionen und 70 Jahre Strassenfotografie. Mit über 6000 fotografischen Werken von mehr als 550 Künstlern zählt die DZ BANK Kunstsammlung zu den bedeutendsten Kunstsammlungen, die sich mit dem fotografischen Bild auseinandersetzt. Die ausgewählten Fotografien zeigen Strassen rund um den Globus - von der Nachkriegsfotografie bis heute. Insgesamt verdeutlichen 29 künstlerische Positionen mit 166 Werken 70 Jahre Strassenfotografie. Exhibition: Opelvillen, Rüsselsheim (17.8-16.10.2011); Kunstmuseum Dieselkraftwerk, Cottbus (11.7-26.8.2012); Kunsthalle Erfurt (spring 2013)
Max Liebermann, Stationen eines Malerlebens : [Katalog zur Ausstellung "Max Liebermann. Stationen eines Malerlebens" vom 6.
Juni bis 26. September 1999 in den Opel-Villen Rüsselsheim] by
Max Liebermann(
Book
)
1 edition published in 1999 in German and held by 8 WorldCat member libraries worldwide
1 edition published in 1999 in German and held by 8 WorldCat member libraries worldwide
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Related Identities
- Kemfert, Beate Adapter Contributor Editor Conceptor
- Eckmann, Sabine (Sabine M.) Author
- Mildred Lane Kemper Art Museum
- Bailey, Matthew (Matthew Karl)
- Diederichsen, Diedrich
- Kovach, Jodi
- Iluchina, Evgenia Collector
- Chilova, Alla Collector Editor
- Kunsthalle St. Annen
- Гончарова, Наталия Сергеевна 1881-1962 Illustrator Author
Associated Subjects
Art Art, German Art, Modern Art museums Art--Private collections Austria Avant-garde (Aesthetics) Brücke (Artists' group) Brücke-Museum Dance Donzelli, Pietro Drawing Eshkol, Noa Expressionism (Art) Germany Germany--Berlin Germany--Frankfurt am Main Germany--Rüsselsheim Giacometti, Alberto, Goncharova, Natalii︠a︡ Sergeevna, Installations (Art) Israel Janson, H. W.--(Horst Woldemar), Kasser Mochary Foundation Kubisch, Christina, Liebermann, Max, Light in art Missouri--Saint Louis Modigliani, Amedeo, Motion picture actors and actresses Painting, Russian Peyton, Elizabeth, Photograph collections Photography, Artistic Rodin, Auguste, Russia (Federation) Saint-Phalle, Niki de, Schneider, Romy, Sculpture, Modern Site-specific art Social conditions Sound in art Street photography Streets Theater in art Theaters--Stage-setting and scenery United States Wall hangings Washington University (Saint Louis, Mo.).--Gallery of Art Yalcindag, Ekrem,
Alternative Names
Kunst- und Kulturstiftung Opelvillen Rüsselsheim
Opel-Villen
Opel Villen, Rüsselsheim.
Opelvillen
Opelvillen Foundation
Opelvillen, Rüsselsheim.
Opelvillen (Rüsselsheim, Germany)
Stiftung Opel-Villen
Stiftung Opelvillen
Stiftung Opelvillen Rüsselsheim
Stiftung Opelvillen Zentrum für Kunst
Stiftung Opelvillen-Zentrum für Kunst in Rüsselsheim
Zentrum für Kunst
Zentrum für Kunst, Rüsselsheim.
Languages
Covers
![Christina Kubisch : KlangRaumLichtZeit ; Arbeiten von 1980 bis 2000 ; [anläßlich der Ausstellung in den Opel-Villen Rüsselsheim, 18.7. - 16.9.2000]](http://coverart.oclc.org/ImageWebSvc/isbn/+-+2382078848_140.jpg?SearchOrder=+-+GO)