Hispanic Institute in the United States
Overview
Works: | 219 works in 562 publications in 2 languages and 8,304 library holdings |
---|---|
Genres: | Criticism, interpretation, etc Periodicals Bibliographies Academic theses Historical fiction History Bio-bibliography Sources |
Roles: | Editor, isb, Other, Publisher |
Classifications: | PQ6001, 860.5 |
Publication Timeline
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Most widely held works about
Hispanic Institute in the United States
- Canciones españolas : (Spanish folk songs) by Federico de Onís( )
- Instituto de las Españas en los Estados Unidos : its history and significance, with a brief outline of the purposes and proposed development of the organization by Hispanic Institute in the United States( Book )
- Report ... made to the general executive council by Hispanic Institute in the United States( )
- [Minor publications] by Hispanic Institute in the United States( Book )
Most widely held works by
Hispanic Institute in the United States
Revista hispánica moderna by Columbia University. Hispanic Studies(
)
in Spanish and English and held by 1,462 WorldCat member libraries worldwide
Includes songs with piano accompaniment
in Spanish and English and held by 1,462 WorldCat member libraries worldwide
Includes songs with piano accompaniment
Boletín del Instituto de las Españas en los Estados Unidos by
Hispanic Institute in the United States(
)
in Spanish and held by 452 WorldCat member libraries worldwide
in Spanish and held by 452 WorldCat member libraries worldwide
Modern women poets of Spanish America : the precursors, Delmira Agustini, Gabriela Mistral, Alfonsina Storni, Juana de Ibarbourou by
Sidonia Carmen Rosenbaum(
Book
)
9 editions published in 1945 in English and held by 368 WorldCat member libraries worldwide
In this work I have proposed to study, mainly, that writer who was the first in point of time, and second to none in her poetic worth: Delmira Agustini. In order to place her within the proper historical perspective, I have felt it pertinent and necessary to give, as introduction, some idea of the work of the women poets who preceded her, and also of her influence on modern feminine literature. In doing the latter, I have seen that rather than to determine the influence itself, it was important to establish her relation to the other great women poets who appeared immediately afterwards with distinct and different personalities. Delmira, undoubtedly, had an influence upon them all, setting the example as well as giving the initial impulse. But they cannot, by any manner of means, be considered merely her followers or imitators. The other three major poetesses mentioned were chosen because they have an indubitable originality that makes them differ from Delmira Agustini and from each other. With the object of becoming better acquainted with Delmira, therefore, I have deemed it important to characterize the others sufficiently to show not only their similarities to the Uruguayan poetess, but also the differences between them. Consequently, I have devoted a study to each, not as extensive as they would merit were they to be treated singly, but ample and detailed enough to give an idea of their worth and particular significance. - Introduction
9 editions published in 1945 in English and held by 368 WorldCat member libraries worldwide
In this work I have proposed to study, mainly, that writer who was the first in point of time, and second to none in her poetic worth: Delmira Agustini. In order to place her within the proper historical perspective, I have felt it pertinent and necessary to give, as introduction, some idea of the work of the women poets who preceded her, and also of her influence on modern feminine literature. In doing the latter, I have seen that rather than to determine the influence itself, it was important to establish her relation to the other great women poets who appeared immediately afterwards with distinct and different personalities. Delmira, undoubtedly, had an influence upon them all, setting the example as well as giving the initial impulse. But they cannot, by any manner of means, be considered merely her followers or imitators. The other three major poetesses mentioned were chosen because they have an indubitable originality that makes them differ from Delmira Agustini and from each other. With the object of becoming better acquainted with Delmira, therefore, I have deemed it important to characterize the others sufficiently to show not only their similarities to the Uruguayan poetess, but also the differences between them. Consequently, I have devoted a study to each, not as extensive as they would merit were they to be treated singly, but ample and detailed enough to give an idea of their worth and particular significance. - Introduction
Manual de entonación española by
Tomás Navarro Tomás(
Book
)
8 editions published between 1944 and 1948 in Spanish and English and held by 321 WorldCat member libraries worldwide
Objeto de este libro. Las observaciones renidas en estas páginas se refieren a la entonación española, considerada especialmente en el habla de las personas instruídas. El conocimiento de la entonación representa un valioso y decisivo progreso en la dificil conquista e interpretación del modo de ser que el acento de ese idioma representa. No se penetra enteramente en el dominio de una lengua meintras no se concoce la intimidad de su entonación. Es, por último, la entonación, el elementao más activo e importante entre los factores que integran la compleja naturaleza del acento de cada lengua
8 editions published between 1944 and 1948 in Spanish and English and held by 321 WorldCat member libraries worldwide
Objeto de este libro. Las observaciones renidas en estas páginas se refieren a la entonación española, considerada especialmente en el habla de las personas instruídas. El conocimiento de la entonación representa un valioso y decisivo progreso en la dificil conquista e interpretación del modo de ser que el acento de ese idioma representa. No se penetra enteramente en el dominio de una lengua meintras no se concoce la intimidad de su entonación. Es, por último, la entonación, el elementao más activo e importante entre los factores que integran la compleja naturaleza del acento de cada lengua
Florencio Sánchez and the Argentine theatre by
Ruth Richardson(
Book
)
9 editions published between 1933 and 1978 in English and Spanish and held by 235 WorldCat member libraries worldwide
This study aims to acquaint North American with the interesting and important but little known drama of the Argentine and Uruguay -- Preface
9 editions published between 1933 and 1978 in English and Spanish and held by 235 WorldCat member libraries worldwide
This study aims to acquaint North American with the interesting and important but little known drama of the Argentine and Uruguay -- Preface
Edgar Allan Poe in Hispanic literature by
John E Englekirk(
Book
)
7 editions published in 1934 in English and held by 224 WorldCat member libraries worldwide
7 editions published in 1934 in English and held by 224 WorldCat member libraries worldwide
The influence of Plautus in Spain before Lope de Vega, together with chapters on the dramatic technique of Plautus and the
revival of Plautus in Italy by
Raymond L Grismer(
Book
)
3 editions published in 1944 in English and held by 219 WorldCat member libraries worldwide
3 editions published in 1944 in English and held by 219 WorldCat member libraries worldwide
Venezuelan prose fiction by
Dillwyn F Ratcliff(
Book
)
4 editions published in 1933 in English and Spanish and held by 210 WorldCat member libraries worldwide
4 editions published in 1933 in English and Spanish and held by 210 WorldCat member libraries worldwide
The Indian in Brazilian literature by
David Miller Driver(
Book
)
13 editions published between 1942 and 1970 in English and held by 209 WorldCat member libraries worldwide
13 editions published between 1942 and 1970 in English and held by 209 WorldCat member libraries worldwide
Juan Meléndez Valdés; a study in the transition from neo-classicism to romanticism in Spanish poetry by
William E Colford(
Book
)
9 editions published in 1942 in English and Spanish and held by 203 WorldCat member libraries worldwide
9 editions published in 1942 in English and Spanish and held by 203 WorldCat member libraries worldwide
The Mexican historical novel, 1826-1910 by
John Lloyd Read(
Book
)
7 editions published in 1939 in English and held by 200 WorldCat member libraries worldwide
7 editions published in 1939 in English and held by 200 WorldCat member libraries worldwide
Mexico; a century of educational thought by
Irma Wilson(
Book
)
10 editions published between 1941 and 1974 in English and held by 182 WorldCat member libraries worldwide
10 editions published between 1941 and 1974 in English and held by 182 WorldCat member libraries worldwide
España y Unamuno; un ensayo de apreciación by
Arthur Wills(
Book
)
9 editions published between 1938 and 1983 in Spanish and held by 170 WorldCat member libraries worldwide
9 editions published between 1938 and 1983 in Spanish and held by 170 WorldCat member libraries worldwide
Enrique Gil y Carrasco: a study in Spanish romanticism by
Daniel George Samuels(
Book
)
8 editions published between 1939 and 1940 in English and Spanish and held by 167 WorldCat member libraries worldwide
8 editions published between 1939 and 1940 in English and Spanish and held by 167 WorldCat member libraries worldwide
Montalvo y Rodó by
Gonzalo Zaldumbide(
Book
)
5 editions published in 1938 in Spanish and held by 162 WorldCat member libraries worldwide
5 editions published in 1938 in Spanish and held by 162 WorldCat member libraries worldwide
Cervantes' women of literary tradition by
Sadie Edith Trachman(
Book
)
6 editions published in 1932 in English and held by 152 WorldCat member libraries worldwide
6 editions published in 1932 in English and held by 152 WorldCat member libraries worldwide
Hay una filosofía en el Quijote? by
David Rubio(
Book
)
4 editions published in 1924 in Spanish and held by 151 WorldCat member libraries worldwide
4 editions published in 1924 in Spanish and held by 151 WorldCat member libraries worldwide
La novela histórica en España, 1828-1850 by
Guillermo Zellers(
Book
)
4 editions published in 1938 in Spanish and held by 148 WorldCat member libraries worldwide
El florecimiento notable de la novela histórica en España, que forma el tema de este ensayo, principió en la tercera década del siglo XIX. El valor completo del estudio pasaría desapercibido para otras personas que los estudiantes de la literatura española, si no diéramos al menos una idea breve del interés que los españoles mostraron por la historia y la ficción histórica antes de la tercera década del siglo XIX. Hay que tener presente que la novela histórica, como se usa ahora el término, aunque aparece esporádicamente en España con anterioridad a esta fecha, se puede trazar en sus gérmenes desde los principios de la literatura, que se remontan a mediados del siglo XII. Los elementos de ficción e historia en conjunto se encuentran en las epopeyas, en las crónicas, en traducciones de leyendas árabes y otras orientales, en cuentos de caballerías de fondo histórico, y en unas pocas obras a las cuales se puede aplicar correctamente el nombre "novela histórica". Pero como estos orígenes ofrecen muy poco de importancia en el desarrollo de la novela histórica, se hace necesario examinar las causas del renacimiento del género en el siglo XIX. Las causas principales del renacimiento son cuatro: primera, existía naturalmente en el espíritu de los escritores españoles un deseo de restablecer la supremacía del talento nacional que había sufrido de los efectos del neoclasicismo francés; segunda, había en la Guerra de la Independencia un incentivo a los sentimientos patrióticos; tercera, en ciertos desterrados había una influencia psicológica que volvió sus pensamientos en retrospección a las glorias de su patria; cuarta, y la más fuerte de todas, había la influencia de la boga enorme que las traducciones al español de las novelas de Walter Scott ejercieron en los escritores de España. Después de un principio modesto de esta influencia en 1825, la península se inundó en pocos años de las obras de famoso escocés. - Prefacio
4 editions published in 1938 in Spanish and held by 148 WorldCat member libraries worldwide
El florecimiento notable de la novela histórica en España, que forma el tema de este ensayo, principió en la tercera década del siglo XIX. El valor completo del estudio pasaría desapercibido para otras personas que los estudiantes de la literatura española, si no diéramos al menos una idea breve del interés que los españoles mostraron por la historia y la ficción histórica antes de la tercera década del siglo XIX. Hay que tener presente que la novela histórica, como se usa ahora el término, aunque aparece esporádicamente en España con anterioridad a esta fecha, se puede trazar en sus gérmenes desde los principios de la literatura, que se remontan a mediados del siglo XII. Los elementos de ficción e historia en conjunto se encuentran en las epopeyas, en las crónicas, en traducciones de leyendas árabes y otras orientales, en cuentos de caballerías de fondo histórico, y en unas pocas obras a las cuales se puede aplicar correctamente el nombre "novela histórica". Pero como estos orígenes ofrecen muy poco de importancia en el desarrollo de la novela histórica, se hace necesario examinar las causas del renacimiento del género en el siglo XIX. Las causas principales del renacimiento son cuatro: primera, existía naturalmente en el espíritu de los escritores españoles un deseo de restablecer la supremacía del talento nacional que había sufrido de los efectos del neoclasicismo francés; segunda, había en la Guerra de la Independencia un incentivo a los sentimientos patrióticos; tercera, en ciertos desterrados había una influencia psicológica que volvió sus pensamientos en retrospección a las glorias de su patria; cuarta, y la más fuerte de todas, había la influencia de la boga enorme que las traducciones al español de las novelas de Walter Scott ejercieron en los escritores de España. Después de un principio modesto de esta influencia en 1825, la península se inundó en pocos años de las obras de famoso escocés. - Prefacio
Waldo Frank in America Hispana by
Hispanic Institute in the United States(
Book
)
4 editions published in 1930 in English and held by 139 WorldCat member libraries worldwide
4 editions published in 1930 in English and held by 139 WorldCat member libraries worldwide
Spanish literature in Mexican languages as a source for the study of Spanish pronunciation by
D. Lincoln Canfield(
Book
)
12 editions published in 1934 in English and Spanish and held by 137 WorldCat member libraries worldwide
12 editions published in 1934 in English and Spanish and held by 137 WorldCat member libraries worldwide
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- Universidad de Buenos Aires Instituto de Filología
- Columbia University Hispanic Institute
- Columbia University Casa de las Españas
- Rosenbaum, Sidonia Carmen 1905- Author
- Navarro Tomás, Tomás 1884-1979 Author
- Onís, Federico de 1885-1966 Author Editor
- Cervantes Saavedra, Miguel de 1547-1616
- Mapes, Erwin Kempton Editor
- Río, Angel del 1900-1962 Author Editor
- Zaldumbide, Gonzalo 1885-1965 Author
Useful Links
Associated Subjects
Argentina Art appreciation Brazilian literature Cervantes Saavedra, Miguel de, Comedy Don Quixote (Cervantes Saavedra, Miguel de) Education Education--Philosophy Folk songs Frank, Waldo David, Gil y Carrasco, Enrique, Hispanic Americans Hispanic Institute in the United States Historical fiction, Mexican Historical fiction, Spanish Indians in literature Influence (Literary, artistic, etc.) International relations Latin America Meléndez Valdés, Juan, Mexican fiction Mexico Montalvo, Juan, Philosophy Philosophy, Mexican Plautus, Titus Maccius Poe, Edgar Allan, Rodó, José Enrique, Romanticism Sánchez, Florencio, Songs with piano Spain Spanish American literature Spanish American poetry--Women authors Spanish drama Spanish drama--Classical period Spanish fiction Spanish language--Accents and accentuation Spanish language--Intonation Spanish literature Spanish poetry Spanish-speaking countries Theater Unamuno, Miguel de, United States Uruguay Venezuelan fiction Women and literature Women in art Women in literature
Alternative Names
Columbia University. Hispanic Institute
Columbia University Department of Hispanic Languages Hispanic Institute
Columbia University Department of Hispanic Languages Hispanic Institute in the United States
Columbia University Hispanic Institute
Columbia University Hispanic Institute in the United States
Columbia University New York, NY Hispanic Institute
Columbia University New York, NY Hispanic Institute in the United States
Hispanic Institute
Hispanic institute in the United States
Hispanic Institute New York, NY
Hispanic Institute (Nueva York)
Instituto de la Españas en los Estados Unidos
Instituto de las Españas en los Estados-Unidos
Instituto de las Españas (New York)
Languages