WorldCat Identities

Salado, Régis

Works: 17 works in 58 publications in 3 languages and 749 library holdings
Genres: Conference papers and proceedings  Criticism, interpretation, etc 
Roles: Editor, Publishing director, Author, Other, Opponent, Director
Classifications: P85.B33, 809
Publication Timeline
Most widely held works by Régis Salado
Barthes après Barthes : une actualité en questions : actes du colloque international de Pau, 22-24 novembre 1990 by Colloque international de Pau( Book )

9 editions published in 1993 in French and held by 184 WorldCat member libraries worldwide

Samuel Beckett : l'écriture et la scène by Evelyne Grossman( Book )

5 editions published in 1998 in French and held by 130 WorldCat member libraries worldwide

Fiction & connaissance : essai sur le savoir à l'oeuvre et l'oeuvre de fiction by Catherine Coquio( Book )

7 editions published in 1998 in French and held by 103 WorldCat member libraries worldwide

Pour connaître, faut-il feindre? Quelles vérités disent les fictions? Que sait la littérature? Que raconte le savant? Théorie littéraire, poésie, histoire, mais aussi biologie, ethnologie, sociologie, esthétique, font ici alliance pour suivre la fiction à la trace dans sa traversée des savoirs et saisir son intelligence
La fabrique du personnage( Book )

6 editions published in 2007 in French and held by 92 WorldCat member libraries worldwide

Voix de Koltès( Book )

5 editions published between 2003 and 2004 in French and held by 74 WorldCat member libraries worldwide

Modernité, Modernism( Book )

6 editions published in 2008 in French and held by 17 WorldCat member libraries worldwide

Ulysses de Joyce, laboratoire de la modernité : étude de réception comparée dans les domaines français et anglo-saxon (1914-1931) by Régis Salado( )

4 editions published in 1994 in French and English and held by 6 WorldCat member libraries worldwide

Joyce's u stands central in the movement of literary renovation which takes place after W.W.I. The historical process of u's reception was staggered over months by the serialized pre-publication of the novel in the U.S. and in England between 1918 and 1921 and then by the release of the novel in 1 volume in Paris in 1922. This process successively, and sometimes simultaneously, implied 3 cultural areas which are distinct but inter connected in parts. Through the study of u's reception, and subsequently of the French version (1929), mutation and a certain reluctance appear: these phenomena operate within the English, the American and the French fields, over a period which witnesses the emergence of a new aesthetics that was later on coined "modernism". The comparative bias of the doctorate aims at explaining the internationalization of literary relationships, as well as at understanding the gaps between the cultural fields taken into account. Eventually, complementary results can be drawn : according to the "aesthetics of reception" theory and to hermeneutics, the readings produced as a critical answer to u betray the difficulty to appropriate Joyce's text, in spite of early interpretations and "critical orthodoxies" such as Pound's (1914-1922) and Larbaud's (19211922) ; in a more historical perspective, it appears that u played a vital part in the constitution of a modernist self-consciousness in the Anglo-Saxon literary world, while this function didn't operate as decisively in France, where the integration of Joyce's novel
L'oeuvre inachevée : actes du colloque de l'Université de Pau, 12, 13, 14 novembre 1998( Book )

2 editions published in 1999 in French and held by 6 WorldCat member libraries worldwide

Les études de réception en France : perspectives théoriques = Reception studies in France( Book )

2 editions published in 2009 in French and held by 4 WorldCat member libraries worldwide

Rhétorique du silence dans l'univers dramatique, poétique et cinématographique d'Harold Pinter by Samba Mbaye( Book )

2 editions published in 2015 in French and held by 2 WorldCat member libraries worldwide

The main purpose of this research is not only to try to grasp the meaning of the unsaid and the hidden in the artistic work of Harold Pinter, but first and foresmost to show that language can neither have a meaning nor be made out if we do not consider what is lying underneath or if we disregard any reading between the lines. Even if it's obvious that the stage is more often than not under the yoke of words, the gist of any play is to be looked for in silence. In Pinter's dramatic world, silence can be understood as what cannot be said, what is not thoroughly said, what is not clearly expressed, what is not yet said, what will never be said. It can be due to many reasons, a silence may be observed under duress, as it may be made purposefully. The body language is more than important, for what is displayed through it can urge any shrewd spectator to muse upon what is beyond his eyes. Since words and images are not often reliable, the work of any spectator is to ponder over what is shown or said to him. And like any tool of communication, silence requires a text and a context to yield the substance emnodied in it. Any attempt to sever the language of words from that of silence is doomed to failure. Silence per se is the realm of silent words. Before being uttered, any word was first kept in silence. All discourses stem from silence, and whilst some can reach the listener, others need a particular attention, whence our interest in Pinter's early poems. The silence we'redealing with is not a void. It's pregnant with meaning and cannot be avoided as long as we're able to speak or we're potential locutors
Fictions du désenchantement: sur l'énergie du spleen chez Leopardi, Baudelaire et Pessoa by Régis Salado( Book )

1 edition published in 1998 in Undetermined and held by 1 WorldCat member library worldwide

Barthes/Baudrillard : la corruption de la théorie by Régis Salado( Book )

1 edition published in 1993 in Undetermined and held by 1 WorldCat member library worldwide

L'écriture et la scène by Samuel Beckett( Book )

1 edition published in 1998 in Italian and held by 1 WorldCat member library worldwide

Le roman du poète( Book )

1 edition published in 2004 in French and held by 1 WorldCat member library worldwide

Les essais se rapportant à Cendrars sont rédigés par Colette Astier, Pierre Brunel, Philippe Forest, Claude Leroy et Sylvie Thorel-Cailleteau
La fiction du poète dans "Portrait de l'artiste en jeune homme " by Régis Salado( )

1 edition published in 1995 in French and held by 0 WorldCat member libraries worldwide

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  Kids General Special  
Audience level: 0.83 (from 0.78 for Barthes ap ... to 1.00 for La fiction ...)