WorldCat Identities

Robinson, Henry R. -1850

Overview
Works: 292 works in 295 publications in 1 language and 364 library holdings
Genres: History  Maps 
Classifications: E386, 094.08
Publication Timeline
Key
Publications about  Henry R Robinson Publications about Henry R Robinson
Publications by  Henry R Robinson Publications by Henry R Robinson
posthumous Publications by Henry R Robinson, published posthumously.
Most widely held works about Henry R Robinson
 
Most widely held works by Henry R Robinson
The vision of judgment, or, A present for the Whigs of '76 & '37 in ten parts by Hugh Boyd ( Book )
2 editions published in 1838 in English and held by 16 WorldCat member libraries worldwide
New York [April 10th] 18[40] M[essrs Allen Hall & Lawrence ...] ... bought of H.R. Robinson. No. 52 Courtlandt Street. by Henry R Robinson ( Book )
2 editions published in 1840 in English and held by 7 WorldCat member libraries worldwide
The buffalo hunt ( Visual )
1 edition published in 1848 in English and held by 3 WorldCat member libraries worldwide
An optimistic view of the presidential prospects of Martin Van Buren, nominated at the Free Soil Party's August 1848 convention in Buffalo, New York. Here Van Buren rides a buffalo and thumbs his nose as he sends Democratic candidate Lewis Cass (left) and Whig Zachary Taylor flying. Both are about to land in Salt River. Van Buren says defiantly, "Clear the track! or I'll Ram you both!" Cass, whose "Wilmot Proviso" hat has already landed in the river, exclaims, "Confound this Wilmot Proviso, I'm afraid it will lead to something bad." (On the Wilmot Proviso see "Whig Harmony," no. 1848-21.) Cass's opposition to the proviso put him at odds with a large number of Democrats. Taylor speculates, "If I had stood on the Whig platform firmly, this would not have happened." He cites his reluctance to decisively embrace the regular Whig party doctrines. His cap flies in the air, spilling a packet of "Dead Letters." (On the "dead letter" matter see "The Candidate of Many Parties," no. 1848-24.)
All fours-important state of the game-the knave about to be lost ( Visual )
1 edition published in 1836 in English and held by 3 WorldCat member libraries worldwide
The presidential campaign of 1836 viewed as a card game by a satirist in sympathy with the Whigs. Opposing candidates Martin Van Buren (Democrat) and William Henry Harrison (Whig) face each other across a card table. Behind Van Buren stands his vice-presidential running mate Richard M. Johnson. Behind Harrison is incumbent President Andrew Jackson, who smokes a clay pipe and stands on tip-toes to spy on Harrison's hand. With his left hand he signals to Van Buren. Jackson: "What a h---ll of a hand old Harrison's got. I'm afraid Martin and Dick Johnson will go off with a flea in their ear." Johnson: "The old general is making signs that Harrison has the two highest trump cards and low. Martin he'll catch your Jack and then the jig's up! You'd better beg." Van Buren: "I ask one." Harrison: "Take it! now look out for your Jack!" On the wall above the table is a painting of the Battle of the Thames, one of Harrison's celebrated military victories a well as the occasion on which Johnson is reported to have slain the Indian chief Tecumseh. The print is probably by Robinson draughtsman Edward W. Clay, judging from its similarity to his "Grand Match Between the Kinderhook Poney ..." (no. 1836-14) and other signed work of the period
Granny Harrison delivering the country of the executive Federalist ( Visual )
1 edition published in 1840 in English and held by 2 WorldCat member libraries worldwide
A satire on the Van Buren administration challenged by Whig presidential candidate William Henry Harrison. Harrison, dressed as a woman, tries to remove Van Buren from his throne with a midwife's forceps. Van Buren, clinging to his seat (lettered "US") says, "O! Help! Help! I cant hold out much longer. He will have me out, I feel he will: our suffering is intolerable." Holding him back are supporters (left to right) John C. Calhoun, Francis Preston Blair, Amos Kendall, and Thomas Hart Benton. Calhoun: "After all my turning and twisting and turning again and again to no purpose. Why it is worse than Nullification." Blair: "O! Granny spare the poor dear little creature. See how much he suffers. If we lose him we are undone indeed." Benton: "I am "Bent-on" holding him down, till his incubation be more complete, as I wish to deliver him myself." Harrison: "You must come my baby; if you stay here much longer you will kill your Mammy." Harrison stands on a small table covered with a cloth with an eagle ornament. A modest, upholstered chair (also with an eagle) stands to the right, in marked contrast to the larger, more ornate throne. The print is the work of the artist "HD," judging from its similarity, especially in the portraits, to his "A Political Movement" (no. 1840-37)
The North Bend farmer and his visitors ( Visual )
1 edition published in 1840 in English and held by 2 WorldCat member libraries worldwide
A slanderous portrayal of Democratic tactics against Whig presidential candidate William Henry Harrison. The supposedly insidious and high-living Van Buren and his minions suffer by comparison to the Whig candidate, here portrayed as rustic and plainspoken. Harrison is shown dressed in buckskins and standing near a plough on his Ohio farm. A contingent of Democrats have arrived in an elegant coach at left. The visitors are (left to right) Francis Preston Blair, Amos Kendall, John Calhoun, and Martin Van Buren. Blair remarks to Kendall, "I will state in my paper that we found him drinking Rye Whiskey and that will kill him with the Temperance men and reading Abolition tracts settles him in the South. Our readers you know will swallow anything. I must make the most of this interview as our case is desperate indeed." Kendall responds, "Why he is quite a natural. He dont suspect us to be Spies ... We may be able to furnish you with something clever for the Globe [i.e. Blair's newspaper the Washington "Globe]."" Calhoun protests to Van Buren, "Matty this is a dirty job. I don't like it." Van Buren says, "As I live that is old Harrison himself the old fool. After the many opportunities he has had of enriching himself to live in a log cabin and plough his own ground. Now look at me who never pulled a trigger, or chased an Indian unless by proxy: I roll in riches, and live in splendour, dine with kings, make my sons princes, enrich my friends, punish my enemies, and laugh in my sleeve at the dear People whom I gull." Harrison greets them with, "Gentlemen you seem fatigued, If you will accept of the fare of a log cabin, with a Western farmer's cheer, you are welcome. I have no champagne but can give you a mug of good cider, with some ham and eggs, and good clean beds. I am a plain backwoodsman, I have cleared some land, killed some Indians, and made the Red Coats fly in my time."
The strife between an old hunker, a barn-burner and a no party man ( Visual )
1 edition published in 1848 in English and held by 2 WorldCat member libraries worldwide
A political movement ( Visual )
1 edition published in 1840 in English and held by 2 WorldCat member libraries worldwide
The artist forecasts with obvious relish the ouster of Van Buren and his cronies from office by William Henry Harrison. Van Buren is shown leaving Washington in a large cart drawn by supporters (left to right) Thomas Hart Benton, Levi Woodbury, and John C. Calhoun, and pushed from behind by Francis Preston Blair. The cart is piled high with a large sphere marked "Solitary and Alone," an issue of Blair's newspaper the "Globe," a box of "Mint Drops," and a throne, scepter, and crown. Tied beneath the cart are several dogs marked "Cuba," referring to the administration's controversial use of Cuban bloodhounds against the Seminoles in Florida. (See "The Secretary of War" and "A Bivouack in Safety," nos. 1840-5 and -6.) Henry Clay (on the White House steps at right) presents Van Buren with a "notice to quit" and holds a large key in his left hand. Behind him stands William Henry Harrison. Van Buren: "Push a head Blair, let's get out of this ungrateful City. This is the reward of all my patriotic service." Blair: "Hard work to get out of this City Globe and all but go we must." Benton: "Take care of my 'mint drops' we shall want them in Missouri." "Mint drops" was a colloquialism for gold coins, referring to bullionist Benton's advocacy of a high ratio of gold to silver in circulation. Calhoun: "It's a heavy car to draw Mr. Secretary." Woodbury: Yes--but we have notice to quit and must carry off all we can." Harrison: "Softly, don't hurry the Gentleman. See him safe to his farm. Take care of his moveables." Clay: "He has fairly carried off the spoils General."
The day after the fair ( Visual )
1 edition published in 1848 in English and held by 2 WorldCat member libraries worldwide
A pro-Cass satire, predicting the Democratic nominee's victory over Whig Zachary Taylor and Free Soil candidate Martin Van Buren. After the "fair," or election, Lewis Cass appears at the window of the White House, at upper left. Below him Taylor, pursued by bloodhounds, tries unsuccessfully to climb up the building's downspout, which is labeled "Whig Platform." The bloodhounds recall those used by Taylor against the Indians in the Second Seminole War. Taylor says here, "When Cuba is Annexed I hope these Foreigners will no longer be imported to annoy the 'Natives' in this way." (The dogs used in Florida were Cuban.) Cass quips, "Ah, Genl. up a spout eh? I am glad that you have found a Platform at last." Taylor was criticized during the campaign for failing to declare a platform. The bloodhounds sniff at his discarded sword. Further right a dead goose lies in the road, and further on a fox, Martin Van Buren, runs toward his burrow at the edge of the forest of "Free Teritory." Van Buren says, "I shall run in safe enough." At the far left Cass ally William A. Marcy stands with his hands in his pockets. He urges on the bloodhounds with, "Help your self to Fox & Geese, but don't 'Worry' the old Genl.' only ascertain his whereabouts.'" Marcy is identified by the "50 cents" trouser patch on his seat. (See "Executive Marcy and the Bambers," no. 1838-5.) The goose was used throughout the 1844 and 1848 campaigns as a symbol of incumbent President James K. Polk
Symptoms of a duel ( Visual )
1 edition published in 1839 in English and held by 2 WorldCat member libraries worldwide
The second of two particularly well-drawn caricatures by the same artist, on the subject of the 1839 congressional probe of Van Buren's Treasury Department. (See above, nos. 1839-6 through -9.) The inquiry was prompted by the Swartwout embezzlement scandal. "Symptoms of a Duel" must have appeared early in 1839, since the committee's final reports were tabled by the House on February 27. Here Treasury Secretary Levi Woodbury (left) aims a pistol at investigative committee chairman James Harlan, a bespectacled man who scrutinizes him through a small telescope labeled "Committee of Investigation." Harlan carries several telescopes and optical instruments with his own name and those of Whig members of the committee Edward Curtis and David Douglas Wagener. His largest telescope bears the name of the committee's most vocal member, "Henry A. Wise maker Washington. Night and Day." Harlan addresses Wise (not visible but offstage to the right), "Heavens! Wise. How he looks thro' this glass!" Wise: "Black, or Blue!" Harlan: "Both!" Woodbury's pistol bears the names of Francis Thomas and Samuel Cushman, Democratic members of the committee. Woodbury says "I "challenge" Scrutiny!" The unidentified artist's drawing style, his handling of the figures, and his relatively spare compositions strongly suggest common authorship with "Called to Account" and "Abolition Frowned Down" (nos. 1839-11 and -12). Weitenkampf erroneously identifies Woodbury here as Van Buren
A Select Committee of Enquiry hard at work ( Visual )
1 edition published in 1839 in English and held by 2 WorldCat member libraries worldwide
A swipe at the integrity of the House of Representatives committee investigating the Swartwout scandal under Van Buren's administration (see "Price Current" and "Sub Treasurers Meeting in England," nos. 1838-21 and -20). Here the eight committee members unsuccessfully attempt to literally whitewash a giant Treasury Secretary Levi Woodbury. Several apply "virtue" with brushes and a hose, while another pours a bucket of "lucid intellect" over Woodbury's head. Their brushes and hoses are labeled "force," "untiring," and "purity." Meanwhile they express their frustration in remarks like "I'll lay on enough if that will do any good," "This whitewash is too thin, it will never cover; only look at his hands!" and "The fellow that sold us this virtue is a cheat; there's no substance in it, it won't stick on." One of the men stands on a chest similar to the one in "Professor Wise . . ." (no. 1839-9). The efforts are overseen by a man in a high chair who says, "Gentlemen, Your assiduity and devotion are noticed in a certain quarter, and I am directed to say, their reward is sure ... Is there virtue enough? if not I will send and get more."
New edition of MacBeth. Bank-oh's! Ghost ( Visual )
1 edition published in 1837 in English and held by 2 WorldCat member libraries worldwide
Another satire on the Panic of 1837, again condemning Van Buren's continuation of predecessor Andrew Jackson's hard-money policies as the source of the crisis. Clay shows the president haunted by the ghost of Commerce, which is seated at the far right end of a table which he shares with a southern planter (far left) and a New York City Tammany Democrat. Commerce has been strangled by the Specie Circular, an extremely unpopular order issued by the Jackson administration in December 1836, requiring collectors of public revenues to accept only gold or silver (i.e., "specie") in payment for public lands. The ghost displays a sheaf of papers, including one marked "Repeal of the Specie Circular," and notices of bank failures in New Orleans, Philadelphia, and New York. Van Buren recoils at the sight of the specter, exclaiming, "Never shake thy gory locks at me, thou can'st not say I did it." Jackson, in a bonnet and dress made of bunting, turns away saying, "Never mind him gentlemen, the creature's scared, and has some conscience left; but by the Eternal we must shake that out of him." Planter (a note reading "Cotton Planters Specie in "Purse." Alabama" protrudes from his pocket): "No credit. Huzza!!" Tammany Irishman (raising a glass): "Down with the Bank!!"
The times ( Visual )
1 edition published in 1837 in English and held by 2 WorldCat member libraries worldwide
A commentary on the depressed state of the American economy, particularly in New York, during the financial panic of 1837. Again, the blame is laid on the treasury policies of Andrew Jackson, whose hat, spectacles, and clay pipe with the word "Glory" appear in the sky overhead. Clay illustrates some of the effects of the depression in a fanciful street scene, with emphasis on the plight of the working class. A panorama of offices, rooming houses, and shops reflects the hard times. The Customs House, carrying a sign "All Bonds must be paid in Specie," is idle. In contrast, the Mechanics Bank next door, which displays a sign "No specie payments made here," is mobbed by frantic customers. Principal figures are (from left to right): a mother with infant (sprawled on a straw mat), an intoxicated Bowery tough, a militiaman (seated, smoking), a banker or landlord encountering a begging widow with child, a barefoot sailor, a driver or husbandman, a Scotch mason (seated on the ground), and a carpenter. These are in contrast to the prosperous attorney "Peter Pillage," who is collected by an elegant carriage at the far right. In the background are a river, Bridewell debtors prison, and an almshouse. A punctured balloon marked "Safety Fund" falls from the sky. The print was issued in July 1837. A flag flying on the left has the sarcastic words, "July 4th 1837 61st Anniversary of our Independence."
The Secretary of War presenting a stand of colours to the 1st Regiment of Republican bloodhounds ( Visual )
1 edition published in 1840 in English and held by 2 WorldCat member libraries worldwide
A bitter vilification of the Van Buren administration's use of bloodhounds to hunt fugitive Indians during the Second Seminole War in Florida. The artist condemns the racism and inhumanity of the measure, as well as the role of editor Francis Preston Blair as apologist for the administration. The War Department under Secretary Joel Poinsett was accused of ineptness and cruelty in its conduct of the war--a costly and protracted campaign to subjugate and remove the Seminole Indians from tribal lands in Florida. Public and congressional indignation was stirred in February and March 1840 when the Cuban bloodhounds were first introduced. (The cartoon may date from this time or from as early as 1838 when the idea was first suggested to commanding general Zachary Taylor by Poinsett.) The use of dogs particularly enraged abolitionists, who believed that the animals were really intended for hunting runaway slaves. In the cartoon Poinsett presents a flag that bears the image of an Indian's head carried by a dog. Francis Preston Blair, on his knees, shows the troop of hounds a map of Florida. Blair: "I take pleasure in pointing out to you, my "brethren-"in-arms the seat of a war, the honour of terminating which our master has put in the hands of "our" race. I have no doubt you will all prove like myself--good "collar" men in the cause." Blair's use of the term "collar men" evokes the old colloquialism "collar presses" as a reference to newspapers friendly to the Democratic administration. Poinsett says: "Fellow citizens & soldiers! In presenting this standard to the 1st Regiment of Bloodhounds, I congratulate you on your promotion, from the base & inglorious pursuit of animals, in an uncivilized region like Cuba, to the noble task of hunting "men" in our Christian country! our administration has been reproached for the expense of the Florida war, so we have determined now to prosecute it, in a way that's "dog cheap!" Hence in your "huge paws!" we put the charge of bringing it to a close. Be fleet of foot and keen of nose, or the Indians will escape in "spite" of your "teeth! Dear Blair" here, shows you a map of Florida the theatre of your future deeds. Look to him as the trumpeter of your fame, who will emblazon your acts, as far as the 'Globe' extends, He feels great interest in all his Kith & Kin,' and will therefore transmit your heroism, in "dog"grel verse to remotest posterity!"
Fanny Ellsler's last seranade or the soap-locks disgraceful attack upon the Germans ( Visual )
1 edition published in 1840 in English and held by 2 WorldCat member libraries worldwide
A riot scene: German parade musicians (possibly accompanying touring ballerina Fanny Elssler) are attacked and beaten with their own instruments by a gang of toughs (or "Soap-Locks" for the long, soaped hair locks fashionable among them) on a New York street. Onlookers watch from the windows of a nearby building. The cries of the assailants and their victims appear in the lower margin. They range from "Dam you I'll make you remember new years night," "Dam the Dutch!" and "This must be the fellow who shot Armstrong" (from the assailants) to "I am Murder'd" and "Fuerst, help! help!" (from the Germans). A man in the middle of the mob shouts, "I command the Peace." The less-than-sympathetic portrayal of the victims, and the scene's unmistakable comic undertones betray a definite anti-foreigner sentiment on the artist's part. The artist is Napoleon Sarony, judging from the print's pronounced stylistic and technical similarity to his "The New Era or the Effects of a Standing Army" (no. 1840-3). "Fanny Elssler's Last Serenade" was registered for copyright on August 17, 1840
Treasury note ( Visual )
1 edition published in 1837 in English and held by 2 WorldCat member libraries worldwide
A parody of the often worthless fractional currencies or "shinplasters" issued by banks, businesses, and municipalities in lieu of coin. These fractional notes proliferated during the Panic of 1837 with the emergency suspension of specie (i.e., gold and silver) payments by New York banks on May 10, 1837. "Treasury Note" differs from two similar mock bank notes, "6 Cents. Humbug Glory Bank" and "Fifty Cents. Shin Plaster" (nos. 1837-10 and -11) in being payable "out of the joint funds of the United States Treasury." It may mimic the interim notes, first proposed by the administration in September 1837, to be issued by the federal government to relieve the shortage of gold and silver during the crisis. The artist broadly attacks President Van Buren's pursuit of predecessor Andrew Jackson's hard-money policies as the source of the crisis. Witness the caricature at the right, of Jackson as an ass excreting coins or "Mint Drops," collected in a hat by a Van Buren monkey. Note also the presence of the former President at left, as an old woman clad in bunting, standing near a cracked globe (a punning allusion to the name of Francis Preston Blair's administration organ newspaper). The print also caricatures Missouri Senator Thomas Hart Benton, an ardent bullionist and supporter of Jackson's and Van Buren's fiscal programs. Benton is shown as a tumblebug pushing a large ball, a motif given fuller treatment in "N. Tom O' Logical Studies" (no. 1837-14). In the main scene Van Buren appears as a winged monster on a wagon driven by Calhoun and drawn by a team of men in yokes through a narrow arch labeled "Wall Street" and "Safety Fund Banks." This may refer to the influence Van Buren exerted on New York banks through the Safety Fund system, whereby member banks observed a certain ratio of notes (paper money) to specie (coin) set by a state banking commission. The wagon crushes several men beneath its wheels. The Van Buren beast reclines on several weapons (symbolizing treachery) and sacks of treasury notes. In his tail he grasps a torch, having set off the destruction of a town which burns in the distance. Nearby stand Andrew Jackson and another man, perhaps fiscal adviser Reuben Whitney or Treasury Secretary Levi Woodbury. Jackson says, "I did not think John C. could crack such a good whip." The second man responds, "Oh! Matty has had him in training, the nullifying turncoat." This is a swipe at Whig senator John Calhoun's recent support for Democratic measures in Congress
"Worse than a Spanish Inquisition" ( Visual )
1 edition published in 1839 in English and held by 2 WorldCat member libraries worldwide
A commentary on the workings of the January 1839 congressional probe of the Treasury Department in the wake of the Swartwout embezzlement. (See "Price Current" and "Sub Treasurers Meeting in England," nos. 1838-21 and -20.) Led by administration opponent Henry A. Wise and chaired by James Harlan, the committee scrutinized procedures and irregularities in the reporting and handling of federal funds by Treasury Department officials. Here the artist seems unusually sympathetic to Treasury Secretary Levi Woodbury. The secretary sits strapped into a "Scrutiny chair" with its seat of nails, probed and drilled by various committee members including Wise, who bores into his skull at upper right, and Harlan, who sniffs Woodbury's palm saying, "I must say there is no smell of gold on the palm. Tho' he did let others steal I don't think he shared in the booty!" The secretary's left foot is caught in an animal trap. His right leg is stretched to the left by a winch whose base is labeled "Power to employ a Clerk ... to employ a Printer, . ., to send for Persons & Papers." William C. Dawson (seated listening through a horn to Woodbury's stomach) says, "Strange sounds in his lower regions. He seems Dispeptic. Possibly Wise's speech has disagreed with him . . ." Standing committee member with forceps: "What a grip he has! but open you shall! Here are secrets worth knowing! He opens the other hand readily enough to Harlan! but this, he keeps as tight as a vice!" Another, boring into Woodbury's right ear: "This must be his deaf ear. They say he kept one for complaints against his Officers . . ." Another, focussing a magnifying glass on Woodbury's temple: "There is no more fire in his brain than in a heap of mouldy straw . . ." Wise: "It seems to me, I shall never get thro' his skull. No hope of discoveries in that quarter! . . ." Another committee member: "No wonder he could not smell out Swartwout's defalcation, the olfactory nerve is wholly wanting!" Another committee member, drilling Woodbury's left side: "My augur is like to be buried! What a "deep" Financier!" The names of the Swartwout investigation committee are listed on a paper at lower right. Weitenkampf mistakes the central figure for Van Buren
Sub-treasury system, or, Office holders elysium ( Visual )
1 edition published in 1838 in English and held by 2 WorldCat member libraries worldwide
Sheboygan ( )
2 editions published in 1836 in English and held by 2 WorldCat member libraries worldwide
Disturbing a martin's nest ( Visual )
1 edition published in 1838 in English and held by 2 WorldCat member libraries worldwide
A satire on the Van Buren administration's involvement in New York State politics. Although the precise context of the cartoon is unclear, specific reference is made to Van Buren's alliance with postmaster general and political strategist Amos Kendall against Senator Nathaniel P. Tallmadge, leader of the conservative faction of New York Democrats. In an interior, Kendall (left) and Van Buren are at a table strewn with "discharge" papers. Kendall, seated below a painting of Andrew Jackson titled "Glory," reads the "Globe" newspaper. Van Buren sits below a portrait of "Globe" editor and administration apologist Francis Preston Blair. Van Buren: "So they've nailed that infernal Tallmadge to the counter-Whole hog fellows these eighteen-we must show our gratitude-any room in your concern Amos?" Kendall: "You're right sir we must back up the Albany Boys. Ill send every d--md whig in my department to "Jones" locker. Theres that old superanuated hero Van Ranselaer [i.e., probably, Canal Commissioner Stephen Van Rensselaer] we'll bury him decently and put a "Flagg" [State Comptroller Azariah C. Flagg] over him." Tallmadge watches from behind a curtain, saying "Those fellows can only conceive of mens souls as marketable commodities." Weitenkampf dates the print tentatively 1836, but the artist's rendering of Kendall is clearly based on Charles Fenderich's life portrait, etched by William W. Bannerman and published in the "United States Magazine and Democratic Review" in March 1838. The likeness of Tallmadge also appears to be from a Fenderich portrait copyrighted in 1839
 
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Alternative Names
Robinson, H. R. (Henry R.), -1850
Robinson, Henry R., d. 1850
Languages
English (24)