WorldCat Identities

Schroeder, Amy

Overview
Works: 9 works in 9 publications in 1 language and 9 library holdings
Roles: Instrumentalist, Author
Publication Timeline
.
Most widely held works by Amy Schroeder
New dances at Juilliard, edition 2006 : Sunday, December 17 at 3 PM( Visual )

1 edition published in 2006 in English and held by 1 WorldCat member library worldwide

New dances at Juilliard, edition 2006 : Saturday, December 16 at 3 PM( Visual )

1 edition published in 2006 in English and held by 1 WorldCat member library worldwide

New dances at Juilliard, edition 2006 : Saturday, December 16 at 8 PM( Visual )

1 edition published in 2006 in English and held by 1 WorldCat member library worldwide

New dances at Juilliard, edition 2006 : Friday, December 15 at 8 PM( Visual )

1 edition published in 2006 in English and held by 1 WorldCat member library worldwide

The health beliefs and practices of the Amish by Amy Schroeder( Book )

1 edition published in 2010 in English and held by 1 WorldCat member library worldwide

Patient education and educational theories, methods and materials in physical therapy curricula by Teresa McHenry( )

1 edition published in 1995 in English and held by 1 WorldCat member library worldwide

New dances at Juilliard, edition 2006 : Thursday, December 14 at 8 PM( Visual )

1 edition published in 2006 in English and held by 1 WorldCat member library worldwide

Typewriters and cooking smells: associated sensibilites in Samuel Taylor Coleridge, T.S. Eliot, and Jorie Graham by Amy Schroeder( )

in English and held by 1 WorldCat member library worldwide

"Typewriters and Cooking Smells: The Associated Sensibilities of Samuel Taylor Coleridge, T. S. Eliot, and Jorie Graham" examines theories of the poetic imagination. Positing a connection between critical thinking and emotional feeling, this dissertation examines how poetry is created by an organic blending of the two. Looking in particular at poets who are invested in the intersection of philosophy and poetry, the dissertation argues that when poetry is being made, poets engage in a particular kind of thinking; usefully, it has been called "lyric thinking" by the scholar Robert Von Hallberg. The dissertation explores lyric thinking through the periods of Romanticism, Modernism and Postmodernism, thus considering how cultural, historical, and theoretical changes have impacted poetic creation. Coleridge's notions of the Primary and Secondary Imagination are used as key concepts for understanding early theories of the imagination; his idea of the "esemplastic" is also a critical term for the dissertation. A genealogy is then traced from Coleridge to Eliot through to Graham, looking at how the Romantic understanding of how the imagination functions continues to affect poets today. Eliot's idea of dissociation of sensibility is also central to the argument; the dissertation avers that, contra Eliot, in true instances of poetic creation, there is no dissociation of sensibility. Rather, an absolute association of thought and feeling occur. The dissertation comprises a critical thesis and a creative manuscript; the creative manuscript, titled The Sleep Hotel, is contained as an appendix. The poems in the manuscript address many of the same issues as the critical thesis: they are metapoetic, attempting to trace the mind in the act of making the poem
ChamberFest( Recording )

1 edition published in 2004 and held by 1 WorldCat member library worldwide

 
Audience Level
0
Audience Level
1
  Kids General Special  
Audience level: 0.62 (from 0.17 for Patient ed ... to 0.76 for Typewriter ...)

Languages