WorldCat Identities

G.R.A.M.

Overview
Works: 9 works in 9 publications in 3 languages and 23 library holdings
Genres: Catalogs  Short films  Exhibition catalogs 
Roles: Other, Photographer, Artist
Classifications: PN1997.2, 770
Publication Timeline
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Most widely held works by G.R.A.M.
Speak easy : Kurzfilme( Visual )

1 edition published in 2006 in German and held by 9 WorldCat member libraries worldwide

Presents seven short films produced in Austria between 1992 and 2002 illustrating a small cutout of Austrian film history
Onkraj sebe : avtoportret v času družbenih medijev = Beyond myself : the self-portrait in the age of social media( Book )

1 edition published in 2018 in Slovenian and held by 6 WorldCat member libraries worldwide

Campingbus nie! Portraits, Positionen, Perspektiven zur Krise( Book )

1 edition published in 2011 in German and held by 2 WorldCat member libraries worldwide

G.R.A.M. : Maine-Lobster by G.R.A.M( Book )

1 edition published in 1991 in German and held by 2 WorldCat member libraries worldwide

Edition Medienturm( Visual )

1 edition published in 2005 in German and held by 1 WorldCat member library worldwide

"Ein Computer wird von innen und außen mit zwei Webcams gefilmt; die Bilder werden ins Internet übertragen. Von einer Website holt sich der auszuschäumende Computer Bilder seiner eigenen Zerstörung und zeigt diese, solange er noch funktionstüchtig ist. Wer nicht am Schauplatz ist, beobachtet die Aktion im Internet“. ... Die (ursprüngliche) Aktion läuft auch im virtuellen, öffentlichen Raum: eine Mensch-Maschine-Inszenierung als Endlosschleife: Nur so funktioniert der moderne Terror. Der Titel des Videos ALLHAMDULEILAH stammt aus dem Persischen und bedeutet "Gott sei Dank“
G.R.A.M. Der Coup der tadellosen Männer by Anton Holzer( Book )

1 edition published in 2016 in English and held by 0 WorldCat member libraries worldwide

Alongside other projects such as Paparazzi the Austrian group of artists known as G.R.A.M. has been restaging existing im- age worlds since 1998. G.R.A.M. directs the viewer?s gaze at the function of the images, the politics of the visible. The satirising repetition of mass media images branded into our perception examines the conventional production mechanisms of reality. Under the title Der Coup der tadellosen Männer [The faultless men?s coup] G.R.A.M. uses new re-enactments to recreate situations which seem very different at first sight: politicians shortly before or after an official photo shoot; dancing soldiers; bodyguards quaintly standing in the rain; parliamentarians who have nodded off; the first photo of two popes; footballers stacking their bodies up into pyramids as they celebrate; and lots more. What these images have is common is their performative character
 
Audience Level
0
Audience Level
1
  General Special  
Audience level: 0.75 (from 0.55 for Onkraj seb ... to 0.96 for G.R.A.M. D ...)

G.R.A.M. Der Coup der tadellosen Männer
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