WorldCat Identities

Ecole doctorale Concepts et langages (Paris)

Overview
Works: 404 works in 422 publications in 1 language and 535 library holdings
Genres: Conference papers and proceedings  Criticism, interpretation, etc  History 
Roles: 996, Editor, Degree grantor
Classifications: P99, 780
Publication Timeline
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Most widely held works by Ecole doctorale Concepts et langages (Paris)
Que faisons-nous du texte ?( Book )

1 edition published in 2012 in French and held by 35 WorldCat member libraries worldwide

Études de linguistique contrastive( Book )

1 edition published in 2006 in French and held by 33 WorldCat member libraries worldwide

Musique et arts plastiques : la traduction d'un art par l'autre : principes théoriques et démarches créatrices( Book )

2 editions published in 2011 in French and held by 22 WorldCat member libraries worldwide

La traduction d'une œuvre d'art plastique par une œuvre musicale, et vice versa, constitue un champ d'études récent par rapport à la traduction interlinguistique, mais qui suscite un intérêt croissant. A partir d'approches variées, les auteurs cherchent à mieux comprendre la démarche créatrice de l'artiste traducteur, qu'il soit musicien ou plasticien. Que traduit-il de l'autre art ? Comment ? Pourquoi ?
L'essor du romantisme : la fantaisie pour clavier de Carl Philipp Emmanuel Bach à Franz Liszt by Jean-Pierre Bartoli( Book )

1 edition published in 2013 in French and held by 19 WorldCat member libraries worldwide

Pianistes du XXe siècle : critique, pédagogie, interprétation( Book )

1 edition published in 2007 in French and held by 4 WorldCat member libraries worldwide

Les diatopismes du français en Vendée et leur utilisation dans la littérature I'oeuvre contemporaine d'Yves Viollier by Inka Wissner( Book )

2 editions published in 2010 in French and held by 3 WorldCat member libraries worldwide

This doctoral dissertation studying the use of French regionalisms, or diatopicisms, in literature, is situated in the fields of variationist linguistics and of discourse analysis. The study offers a detailed description of the concepts and current terminology in the recent discipline of Francophone differential linguistics as well as in the related branches of French discourse analysis. It pays particular attention to the methods applied in the identification of diatopic elements and the interpretation of existing sources - completed by field studies conducted by the author - as well as for an appropriate discourse analysis of diatopicisms in literature. Developing a new sociopragmatic paradigm, the author analyses the strategies that present meta-linguistically highlighted diatopicisms and their textual distribution in order to interpret what these procedures say obliquely about the diatopicisms in terms of their pragmatic and sociolinguistic characteristics. The large corpus analysis is presented in the form of dictionary articles, based on a model developed in French differential lexicography, and enriched by sociopragmatic sections. The author analyses all highlighted diatopicisms in the twenty-six popular novels of Yves Viollier which belong to the latter's sociolinguistic community (Vendée). The study shows that the strategies highlighting diatopicisms in the analysed novels - published from 1972 to 2009, realist and partly regionalist - are relatively rare. The ethos of the novelist's home region is partly created by the use of diatopicisms - but this is achieved through original choices, rather than largely shared stereotypes
Le rêve lyrique en Colombie au XIXe siècle : prémisses, œuvres et devenir by Rondy Torres López( Book )

2 editions published in 2009 in French and held by 2 WorldCat member libraries worldwide

José María Ponce de León (1845-1882) is the first Colombian composer who wrote operas in Colombia. In the purpose to understand how the opera arrived to America, we first studied the history of the opera in South-America during the time of the Spanish Colony. The case of Bogota shows the importance of the European lyrics companies who were traveling through the continent. Their show is an impressive new art-expression in a world of the musical miniature. Ponce de Léon wrote the first operas in Colombia: "Ester" (1874), the zarzuela "El Castillo misterios" (1876) and the Opera Mayor Florinda (1880). We have studied his works and his life in detail. His musical production is articulated with the rise of a new Republic. Is his opera a national opera? This is the main question, while the intellectuals of his time tried to construct a national identity
Étude contrastive des moyens exprimant le passif en français et en thaï by Sudarat Buddhapong( Book )

2 editions published in 2010 in French and held by 2 WorldCat member libraries worldwide

This research is a contrastive study of various passive syntactic constructions in French and Thai. The study also extends to examine the general definitions of passive, by studying various passive constructions in both languages. The findings reveal that in French, the language constructions with passive meaning are characterized thematically more than semantically, and the passive forms are presented according to focalization or verbal expressions. However, in Thai, the passive forms are characterized semantically - detrimental, benefactive, and neutral - the meaning governing the choice of passive structures. Constructions with passive meaning are more frequently used in French than in Thai. Besides, grammatical subjects with patient role can be omitted in Thai, but not in French. Agents can be deleted in both languages. In French, noun phrase order constructions with passive meaning are from singular impersonal noun to singular impersonal noun, while in Thai they are from singular personal noun to singular personal noun. Furthermore, some verbs which can be employed in the various constructions with passive meaning cannot always freely substitute in all constructions. Finally, the study shows that the general definitions of passive cannot be accepted without considering semantic factors
Origine et fonction du directeur musical dans la France contemporaine by Gilles Demonet( Book )

2 editions published in 2010 in French and held by 2 WorldCat member libraries worldwide

The music director has his own origin in important musical transformations which arose between the 17th and the 18th centuries. These mutations with Lully gave birth to a prototype who is at the same time composer, musician, performer, businessman, and who has been moulding the figure of the music director from this period onwards. Then, when these various duties split, a new profile of music director emerged, as an orchestra-founder and -trainer, embodied by Habeneck.From the end of 19th century, new models were implemented, such as inventors, entrepreneurs and citizens thoroughly committed to their community. Beside, some festivals have their own orchestra, but no permanent conductor. Some other orchestras simply refuse to be lead by a stable or non-stable conductor.The music director of our century in France is the heir of these various models. He has numerous duties and needs to demonstrate evidence of great skills, since he has to come up to the expectations of a wide and versatile environment. But, at the same time, his uniqueness and value are not really appreciated and the wolrdwide competition between conductors led him to be less present and therefore to give up a substantial part of his powers, related to programming and artistic direction. To some extent, the situation of the music director in France is reflecting the institutional system of this country
Etude comparative des verbes supports faire, donner et prendre - buat/membuat, beri/memberi et ambi/memgambil en français en français et en malais by Omrah Bin Hassan Hussin( )

2 editions published in 2009 in French and held by 2 WorldCat member libraries worldwide

This thesis proposes a comparative study of three support verbs, also called sometimes in English « light verbs », faire/membuat "to do", donner/memberi "to give" and prendre/mengambil "to take" in French and Malay languages. The method used is that of the Lexicon-Grammar of Maurice Gross and that of theory of the Defining Matrix Analysis of Amr Ibrahim. Our objective is to describe the formal properties of the sentences containing support verbs in French and Malay and to compare them from the syntactic and semantic point of view. We have bracket four tests of recognition of the support verb in order to determine the statue of these three verbs in the studied construction. Our study is structured in six chapters. In the first chapter, we expose the main notion: the definition of the support and the different points of view of the linguists that took an interest in the study of the support verb in the framework of the Lexicon-Grammar. The second chapter is a general presentation of the Malay language. The third chapter is the study of the verb support "membuat/faire" (to do) in Malay. The forth chapter is a study of the support verb "memberi/donner" (to give) in Malay. The fifth chapter is a study of the support verb "mengambil/prendre" (to take) in Malay. The sixth chapter is a comparative study between the three support verbs membuat/faire (to do), memberi/donner (to give) and mengambil/prendre (to take) in Malay and French. The results obtained have shown that the support verbs in French and Malay share the same general characteristics. These results also enabled us to show that in spite of the universality of the phenomenon, each language has its own mechanism concerning the function of the support verb and the system of determination
Musique, antifascisme et autoritarisme l'œuvre de Silvestre Revueltas dans le contexte de la Guerre civile espagnole by Luis Velasco Pufleau( Book )

2 editions published in 2011 in French and held by 2 WorldCat member libraries worldwide

Violinist and composer Silvestre Revueltas (1899-1940) was one of the major players in post revolutionary Mexico musical development during the thirties. Close to avant-gardes Mexican artists, the reception of his music is defined by, both modernist and nationalist. Some of his works embody the national music model, and are at the heart of the symbolic politics of the post revolutionary authoritarian regime. Towards the end of 1935 Revueltas engaged himself in communist antifascism by being a member of the Liga de Escritores y Artistas Revolucionarios (LEAR), fighting against the rise of fascism in the world - especially during the Spanish Civil War - and supporting social progress championed by the Mexican Popular Front (FPM). The consequences of Revueltas' antifascist engagement are considerable especially on the themes explored in his works, on his professional life and on the symbolic use of his music to legitimize the Mexican post revolutionary system. This research analyses, on the one hand, the impact of Revueltas' antifascist militancy on his work, and on the other, the role of his work on the symbolic politics of the Mexican authoritarian regime during the Spanish Civil War. Results show that Revueltas' political engagement alters the theme of most of his works after 1936, as well as the composer's role in a social contest. It therefore appears to be essential to put into perspective the exclusively nationalist reception of his music reconsidering it from a political and militant point of view
Technologies du Web Sémantique pour l'Entreprise 2.0 by Alexandre Passant( )

2 editions published in 2009 in French and held by 2 WorldCat member libraries worldwide

The work described in this thesis provides different methods, thoughts and implementations combining Web 2.0 and the Semantic Web. After introducing those terms, we present the current shortcomings of tools such as blogs and wikis as well as tagging practices in an Enterprise 2.0 context. We define the SemSLATES methodology and the global vision of a middleware architecture based on Semantic Web technologies (languages, models, tools and protocols) to solve these issues. Then, we detail the various ontologies (as in computer science) that we build to achieve this goal: on the one hand models dedicated to socio-structural meta-data, by actively contributing to SIOC - Semantically-Interlinked Online Communities -, and on the other hands models extending public ontologies for domain data. Moreover, the MOAT ontology - Meaning Of A Tag - allows us to combine the flexibility of tagging and the power of ontology-based indexing. We then describe several software implementations, at EDF R&D, dedicated to easily produce and use semantic annotations to enrich original tools: semantic wikis, advanced visualization interfaces (faceted browsing, semantic mash-ups, etc.) and a semantic search engine. Several contributions have been published as public ontologies or open-source software, contributing more generally to this convergence between Web 2.0 and the Semantic Web, not only in enterprise but on the Web as a whole
Ecrire en Russie au temps des troubles le phénomène de concurrence grammaticale en moyen russe littéraire by Xénia Yagello( Book )

2 editions published in 2008 in French and held by 2 WorldCat member libraries worldwide

The author examines the problem of grammatical competition in middle literary Russian (early 17th century). The study covers a wide range of linguistic expressions (morphs, cases, subordination) - that linguists usually consider either as semantic doublets or as purely different stylistic forms. Depending on the phenomenon under consideration, and on the author, their use could be attributable to chance, to the choice of language (Slavonic vs. Russian), or to a choice of standard and stylistic level. The author tests these theories on ten texts written during the Time of Troubles, and as a result points out their limits He then attempts to throw light on what really motivates the choice between the supposed doublets. To this end he examines and compares the contexts in which they appear. In doing so, he uncovers a variety of hidden mechanisms that reveal the differences in value that the authors of these texts attached to each of these forms
Problèmes et méthodes en toponymie française essais de linguistique historique sur les noms de lieux du Roannais by Xavier Gouvert( )

2 editions published in 2008 in French and held by 2 WorldCat member libraries worldwide

Le présent travail vise à dresser un bilan critique des travaux de toponymie française et à formuler les principes d'une science des noms de lieux rigoureuse, exigeante et ouverte à la linguistique sous tous ses aspects. La première partie aborde, sous la forme d'une réflexion épistémologique et rétrospective, la place de la toponymie dans l'histoire de la linguistique en France, depuis le XVIIe siècle jusqu'à nos jours. La deuxième est consacrée aux problèmes théoriques de la toponymie, et notamment à une (re)définition du « signe toponymique » : nous soutenons la thèse selon laquelle le nom propre est par essence un signe linguistique « préactualisé », c'est-à-dire actualisé en langue et non en parole. Dans ce cadre, nous redéfinissons la notion même de « lieu » comme une catégorie foncièrement linguistique, i.e. arbitraire, relative et oppositive. Dans une troisième partie, nous entreprenons de définir les buts et les techniques de la toponymie, d'un point de vue pratique et concret. À nos yeux, la toponymie ne saurait emprunter ses méthodes qu'à la linguistique historique, dont elle est une sous-discipline. Afin de mettre en pratique les conceptions et les méthodes élaborées dans les trois premières sections de notre travail, la quatrième partie prend la forme d'un dictionnaire raisonné des noms de lieux de l'ancienne province du Roannais (nord-ouest du département de la Loire). Chaque section du répertoire (fonds français, fonds dialectal, fonds protoroman et fonds gaulois/prélatin) est précédée d'un chapitre introductif où nous livrons une analyse méthodique des problèmes majeurs que pose la strate linguistique considérée. La cinquième et dernière partie se propose d'illustrer, sur la base de trois études de cas approfondies, ce qu'une toponymie plus « contrainte » peut apporter aux autres sous-disciplines de la linguistique, ainsi qu'aux sciences connexes : phonétique géohistorique ; histoire des institutions ; histoire du peuplement
La critique radicale de la science en France origines et incidences de la politisation de la science en France depuis Mai 1968 by Renaud Debailly( )

1 edition published in 2010 in French and held by 2 WorldCat member libraries worldwide

From the eighties, the idea that citizens should participate in the definition of both scientific and technical choices gradually spread in France. That participative ideal rests on the renewal of the conception of the relation between sciences and society. This doctoral dissertation proposes to study the genesis of that new conception from the science's criticism expressed by scientific actors in the seventies and from the connections between that criticism and the new sociology of sciences. Here, the criticism is contemplated as a science's politicization process, that is to say an amendment of science as an undifferentiated social activity. In order to study the constitution of that participative ideal, three main lines have been holded: the conditions of that criticism's emergence, its structuring in activist reviews, and its effects on specific domains (popularization at Seuil publishing house and the expertise with the Science Shops)
Analyse de quelques préverbes et prépositions français et bulgares dans une perspective cognitive et formelle by Denitsa Daynovska( )

2 editions published in 2008 in French and held by 2 WorldCat member libraries worldwide

Cette thèse étudie quelques préverbes et prépositions en bulgare (v/v-, iz/iz-) et en français (dans, hors de, en-/in-, ex-/é-) dans le cadre de la sémantique cognitive et formelle et plus particulièrement dans celui de la Grammaire Applicative et Cognitive (GAC). La formalisation à l'aide d'un schème quasi-topologique utilisant des lieux abstraits permet de construire des représentations adéquates et de dégager un invariant abstrait pour chaque unité étudiée. L'analyse aboutit à la construction d'une carte sémantique des significations d'intériorité et d'extériorité étudiées qui met en évidence les similarités, les différences et les oppositions entre les significations des différents préverbes et prépositions au sein d'une même langue ainsi qu'entre les deux langues, bulgare et français. Les résultats obtenus montrent que chaque langue construit ses propres représentations à partir de primitives invariantes et que, bien que les emplois des unités étudiées soient souvent très proches, il n'est pas possible d'établir des équivalences absolues entre significations. Cette étude contribue à argumenter en faveur de l'hypothèse anti-anti-relativiste de la GAC
Francis Poulenc et la musique populaire by Dominique Arbey( )

1 edition published in 2011 in French and held by 2 WorldCat member libraries worldwide

The composer Francis Poulenc (1899-1963) was particularly influenced by the popular music of his time. In order to study this very specific aspect of his works, our research will take into account the musical production of the composer, his personal testimonies (such as correspondence, radio programs and various pieces of writing) and all documents related to the creation and reception of his works.When composing Bal Masqué (The Masked Ball) the composer's aim was not to copy popular music but just to make use of some of its characteristics. Just like a painter he created what he would call 'portraits de music-hall' ('Music-hall portraits'). For this impregnation to be fully appreciated, our analyses will tackle different musical parameters such as melody, rhythm, harmony, structures, orchestration and vocal effects. The purpose of our research involving socio-cultural perspectives, the analysis of those technical aspects cannot be dissociated from the historical context relative to the composer and, to a wider extent, to the 'Groupe des Six'
La phonologie des emprunts français non anglicisés en anglais? by Julie Quinio( )

2 editions published in 2009 in French and held by 2 WorldCat member libraries worldwide

This study focuses on the phonology of non-anglicized French loanwords, i.e. those which do not follow all English rules and retain French characteristics. The first part describes the methodology used for the selection of the corpus, which brings about discussions on loanword terminology, and presents the database that will be used in the analysis of these loanwords. The second part is dedicated to the deletion of the anglicized variants remaining in the database, which brings about many discussions on English phonology. Finally, the last part presents the analysis of the final database, containing only non-anglicized variants. Starting with the idea that these loanwords imitate the French pronunciation, we show how French phonemes are adapted into English, and how English speakers indicate the French origin of a word
La polysémie( Book )

1 edition published in 2005 in French and held by 2 WorldCat member libraries worldwide

L'interprétation musicale dans un corpus de presse une analyse linguistique et textuelle by Valérie Durand( )

2 editions published in 2009 in French and held by 2 WorldCat member libraries worldwide

L'interprétation musicale sur les instruments à cordes frottées dans un corpus de presse est un discours abscons, dont les caractéristiques pragmatiques, énonciatives et sémantiques sont d'importants facteurs de complexité : l'absence de polémique de ce discours épidictique, le renforcement de l'éthos oratoire, son caractère polyphonique, sa complexité sémantique ainsi que l'emploi d'éléments doxiques et de stratégies de transfert entre types de savoirs en rendent la réception difficile. L'orientation argumentative des périodes descriptives témoigne de cette complexité : abondance des opérations de qualification et d'assimilation, multiplicité des adjectifs subjectifs et des formes négatives ... Tout concourt à rendre ce discours peu accessible. Les nombreuses séries énumératives, riches en figures de style, en effets de symétrie / asymétrie et en jeux de sens renforcent enfin les difficultés de compréhension d'un lecteur impressionné qui ne peut finalement qu'applaudir
 
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Audience level: 0.88 (from 0.85 for Pianistes ... to 0.95 for Musique, a ...)

WorldCat IdentitiesRelated Identities
Alternative Names
Université de la Sorbonne nouvelle

Université de la Sorbonne nouvelle Paris École doctorale Concepts et langages

Université Panthéon-Sorbonne Paris Ecole Doctorale Concepts et Langages

Université Paris 1 Panthéon-Sorbonne Ecole Doctorale Concepts et Langages

Université Paris Sorbonne - Paris IV. Ecole doctorale 5

Université Paris Sorbonne - Paris IV. Ecole doctorale Concepts et langages

Université Paris Sorbonne - Paris IV. Ecole doctorale V

Languages
French (33)