WorldCat Identities

Schreier, Peter

Overview
Works: 4,101 works in 10,843 publications in 7 languages and 113,790 library holdings
Genres: Operas  Live sound recordings  Songs and music  Oratorios  Drama  Chamber operas  Music  Musical settings  Masses  Christmas music 
Roles: Performer, Singer, Conductor, Author, t=t, Other, Instrumentalist, Translator, Vocalist, Musician, Editor, Artist, Contributor, Creator, Actor, Composer, Interviewee, Honoree, ten, Interviewer, br=, Director
Classifications: M1500, 782.1
Publication Timeline
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Most widely held works about Peter Schreier
 
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Most widely held works by Peter Schreier
Kantaten by Johann Sebastian Bach( )

103 editions published between 1965 and 2006 in 6 languages and held by 1,657 WorldCat member libraries worldwide

Thomanerchor Leipzig: Nun komm, der Heiden Heiland. Schwingt freudig euch empor
Matthäus-Passion by Johann Sebastian Bach( )

70 editions published between 1973 and 2015 in 4 languages and held by 1,479 WorldCat member libraries worldwide

L'information lisible par ordinateur comprend la reprod. de la partition autographe de la passion conservée à la Staatsbibliothek zu Berlin, Preussischer Kulturbesitz (Mus. Ms. Bach P. 25)
Early Italian operas by Wolfgang Amadeus Mozart( )

9 editions published between 2000 and 2006 in Italian and held by 1,123 WorldCat member libraries worldwide

Rienzi by Richard Wagner( )

45 editions published between 1970 and 2012 in 4 languages and held by 1,107 WorldCat member libraries worldwide

Recorded Aug.-Sept. 1974 and Apr. 1976, Lucaskirche, Dresden
Così fan tutte by Wolfgang Amadeus Mozart( )

44 editions published between 1970 and 2020 in 6 languages and held by 998 WorldCat member libraries worldwide

Two Italian soldiers test the faithfulness of their respective lovers by faking their departure to battle, reappearing in disguise as Albanians and proceeding to court them
Der Messias = Messiah by Georg Friedrich Händel( )

41 editions published between 1973 and 2009 in 5 languages and held by 991 WorldCat member libraries worldwide

Messiah highlights Comfort ye my people, And the glory of the Lord, O thou that tellest good tidings to Zion, He shall feed his flock, I know that my Redeemer liveth, Halleluhah chorus Margaret Marshall, Soprano;Catherine Robbin, mezzo-soprano;Charles Brett, countertenor, Anthony Rolfe-Johnson, tenor;Robert Hale, bass;Saul Quirke, boy soprano Monteverdi choir English Baroque soloists John Eliot Gardiner, conductor
Weihnachtsoratorium : BWV 248 by Johann Sebastian Bach( )

45 editions published between 1975 and 2009 in 5 languages and held by 912 WorldCat member libraries worldwide

Ariadne auf Naxos by Richard Strauss( )

33 editions published between 1968 and 2008 in 4 languages and held by 875 WorldCat member libraries worldwide

The great Jessye Norman is Ariadne, the mythological heroine abandoned by her lover on the island of Naxos. In Strauss and Hofmannsthal's charming opera-within-an-opera, she is joined by Ruth Ann Swenson as Zerbinetta, the flirtatious leader of a commedia dell'arte troupe that--by order of an eccentric patron--unexpectedly finds itself in the middle of Ariadne's tragic story. Thomas Moser sings Bacchus, the young god who wins Ariadne, and Susanne Mentzer is the Composer of the fictional opera. Wagnerian bass-baritone Thomas Stewart makes a late-career cameo appearance as the Music Master
Weihnachtsoratorium = Christmas oratorio = Oratorio de Noël : BWV 248 by Johann Sebastian Bach( )

29 editions published between 1975 and 2019 in 4 languages and held by 721 WorldCat member libraries worldwide

The third of Bach's large-scale masterpieces to be recorded by the Gewandhausorchester under Italian conductor Riccardo Chailly. The six parts that make up the Christmas Oratorio tell the story of the birth of Jesus through the coming of the shepherds and magi. Outstanding vocal performances from Martin Lattke as the evangelist, acclaimed English soprano Carolyn Sampson and the voices of the Dresdner Kammerchor
Hänsel und Gretel by Engelbert Humperdinck( )

34 editions published between 1970 and 2016 in German and English and held by 660 WorldCat member libraries worldwide

The Vienna boy's Choir ; Vienna
Mass in B minor = Messe in h-Moll = Messe en si mineur by Johann Sebastian Bach( )

34 editions published between 1974 and 2013 in 6 languages and held by 646 WorldCat member libraries worldwide

Recorded at St. Lukes in London, a live recording of the soaring Mass in B Minor performed with the never-mailed-in performance by the Monteverdi Choir and English Baroque Soloists led by John Eliot Gardiner during the course of their wildly successful 2014 European tour
Elijah : op. 70 by Felix Mendelssohn-Bartholdy( Recording )

31 editions published between 1968 and 1993 in German and Undetermined and held by 644 WorldCat member libraries worldwide

Es normal, lamentablemente, que cuando llegan grandes grabaciones a nuestras tiendas de discos rápidamente se agoten y no aparezcan más. Este registro de "Elias", el oratorio más importante de Felix Mendelssohn, es del año 1966 y está dirigido por el maestro Wolfgang Sawallisch. Acompañan a los solistas, excelentes por demás, el coro y la orquesta de la Gewandhaus de Leipzig, la misma de la que Mendelssohn fuera titular. La versión del maestro Sawallisch es sencillamente una referencia
Die Schöpfung = The creation by Joseph Haydn( )

25 editions published between 1974 and 2017 in German and French and held by 641 WorldCat member libraries worldwide

"This marvellous recording, sung in German, comes as a surprise, since Bernard Haitink is not obviously associated with Haydn. In fact he didn't tackle The Creation until 2011, when he was 82. He approaches this great choral masterpiece with wit, unhurried grandeur, riveting orchestral detail and forward momentum - in short, with just the acuity he brings to anything he conducts. (....) Gabriel (soprano Camilla Tilling), Uriel (tenor Mark Padmore), and Raphael (bass Hanno Müller-Brachmann). Choir, orchestra and soloists are on sparkling form in this live recording - an invigorating reminder, if any were needed, of Haydn's genius" (The Guardian)
Palestrina : [musikalische Legende in drei Akten] by Hans Pfitzner( )

23 editions published between 1990 and 2015 in 4 languages and held by 635 WorldCat member libraries worldwide

Palestrina is claimed to have 'saved the arts of counterpoint and polyphony' in the face of a Papal edict that church music must be more traditional and revert to plainsong. Palestrina produces a work that contains all the 'modern' and 'sinful' musical styles the Pope disapproves of. Upon hearing the work, the Pope and Palestrina's arch critic, Archbishop Borromeo relents
Die schöne Magelone by Johannes Brahms( )

13 editions published between 1983 and 2015 in 3 languages and held by 615 WorldCat member libraries worldwide

„In München ist er seit Jahrzehnten so etwas wie ein Lokalmatador und heute über alle Grenzen hinweg berühmt: der Bariton Christian Gerhaher... Jetzt hat Christian Gerhaher „Die schöne Magelone“ von Johannes Brahms eingesungen, unterstützt von seinem Liedbegleiter Gerold Huber – und keinem Geringeren als Martin Walser. Die „Magelone“, das ist die Nacherzählung eines altfranzösischen Ritterromans von Ludwig Tieck. In die Geschichte von der schönen Magelone und dem Grafen Peter, der ihr Herz im Sturm erobert, finden sich 18 Gedichte eingestreut, von denen Brahms 15 vertont hat. Was tun mit den epischen Textlängen zwischen den Gedichten, das fragt sich jeder, der diesen Zyklus aufführt. Einfach weglassen? Dann bleibt der Inhalt kryptisch. Am besten: kürzen und neu dichten. Das hat Martin Walser getan, und es ist ihm ganz wunderbar gelungen, durch Tiecks romantische Sprache den alemannischen Tonfall der Vorlage durchschimmern zu lassen. Dadurch dass Gerhaher sich mehr aufs Rapportierende verlegt, geht dem Zyklus einiges an Spannung verloren: die Spannung zwischen dem Erlebten und dem Erzählten, zwischen Sitte und Eros, die Spannung aber auch zwischen Okzident und Orient. Vielleicht sieht Christian Gerhaher diese Bezüge nicht, vielleicht traut er ihnen nicht, vielleicht traut er Tieck und Brahms auch nicht. Die Distanz jedenfalls, die man hier hört und spürt, ist schade. Denn die Musik gehört zum Schönsten, was Brahms an Liedern je geschrieben hat“ (swr.de)
Die Meistersinger von Nürnberg by Richard Wagner( Recording )

41 editions published between 1967 and 2010 in 4 languages and held by 602 WorldCat member libraries worldwide

Richard Wagner's Die Meistersinger von Nürnberg (The Master-Singers of Nuremberg): Overture performed by the Leningrad Philharmonic Orchestra with Yevgeny Mravinsky conducting. [Note: This product is an authorized CD-R and is manufactured on demand]
Winterreise ; Sonata in C, D. 840 by Franz Schubert( )

9 editions published between 1985 and 2009 in 4 languages and held by 584 WorldCat member libraries worldwide

Elias by Felix Mendelssohn Bartholdy( )

13 editions published between 1968 and 2012 in 3 languages and held by 582 WorldCat member libraries worldwide

A concert-recording from the minster at abbey Maulbronn performed by Peter Lika (bass, Elijah), Heidi Elisabeth Meier, Jolantha Michalska-Taliaferro, Hans Peter Blochwitz, The Kantorei Maulbronn and members of the SWR-symphony-orchestra. Conductor: Juergen Budday. Mendelssohn's Elijah, one of the most important oratorios of the nineteenth century, premiered in Birmingham in 1846 and was emphatically celebrated both by the public and the press. According to a contemporary review, Mendelssohn turned music "into a grand sacred service". Elijah is a biblical figure, and consequently the libretto is composed entirely from biblical texts. The oratorio lacks a continuous plot. Rather, important excerpts from the life of the prophet are strung together like snapshots, some of which are highly dramatic. The prophet's ascension into heaven concludes a series of powerful, dramatic and pathetic circumstances, effectively depicted by Mendelssohn music. The oratorio ends both with a somewhat mystical reference to the Messiah as the figure who truly consummates faith and the divine work, as well as a vision of divine grandeur. Despite the lack of a continuous plot, Mendelssohn manages to create gripping, dramatic episodes. The chorus plays a special!, important role. It sustains the action over long segments, taking the part of the people or of Baal's priests; elsewhere, it slips into the role of the community of the faithful ("Blessed is he who fears the Lord" or "He who persists until the end") and comments on the events. Mendelssohn, with the help of the minister Julius Schubring, essentially took the entire text from 1 Kings 17-19 and 2 Kings 1-2. Mendelssohn wrote Schubring on 2 November 1838, with regard to the character Elijah: "For Elijah I had in mind a proper prophet through and through, of the sort we could use again today: strong, zealous, as well as angry, furious and grim, in opposition to the rabble of the court and of the people, in opposition to nearly the whole world, and yet borne as if by angels' wings." Seen in this way, the prophet Elijah, and hence Mendelssohn's oratorio, is once again extremely relevant for us today
Tristan und Isolde by Richard Wagner( Recording )

58 editions published between 1966 and 2016 in 5 languages and held by 582 WorldCat member libraries worldwide

Digital Audio Download Includes: Part 1: 1. Tristan und Isolde (1994 - Remaster), Act I: Vorspiel (Helga Dernesch/Jon Vickers/Christa Ludwig/Walter Berry/Karl Ridderbusch/Bernd Weikl/Peter Schreier/Martin Vantin/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 2. Tristan und Isolde (1994 - Remaster), Act I, Scene 1: Westw?rts schweift der Blick (Helga Dernesch/Christa Ludwig/Peter Schreier/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 3. Tristan und Isolde (1994 - Remaster), Act I, Scene 2: Frisch weht der Wind der Heimat zu (Helga Dernesch/Christa Ludwig/Peter Schreier/Berliner Philharmoniker/Herbert von Karajan) 4. Tristan und Isolde (1994 - Remaster), Act I, Scene 2: Hab 'acht, Tristan! (Jon Vickers/Christa Ludwig/Walter Berry/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 5. Tristan und Isolde (1994 - Remaster), Act I, Scene 3: Weh! ach wehe! Dies zu dulden! (Helga Dernesch/Christa Ludwig/Berliner Philharmoniker/Herbert von Karajan) 6. Tristan und Isolde (1994 - Remaster), Act I, Scene 3: Wie lachend sie mir Lieder singen (Helga Dernesch/Christa Ludwig/Berliner Philharmoniker/Herbert von Karajan) 7. Tristan und Isolde (1994 - Remaster), Act I, Scene 3: O blinde Augen! Bl?de Herzen! (Helga Dernesch/Christa Ludwig/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 8. Tristan und Isolde (1994 - Remaster), Act I, Scene 3: Welcher Wahn! Welch' eitles Z?rnen! (Helga Dernesch/Christa Ludwig/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 9. Tristan und Isolde (1994 - Remaster), Act I, Scene 3: Kennst du der Mutter K?nste nicht? (Helga Dernesch/Christa Ludwig/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 10. Tristan und Isolde (1994 - Remaster), Act I, Scene 4: Auf! Auf! Ihr Frauen! (Helga Dernesch/Walter Berry/Berliner Philharmoniker/Herbert von Karajan) 11. Tristan und Isolde (1994 - Remaster), Act I, Scene 4: Herrn Tristan bringe meinen Gruss (Helga Dernesch/Christa Ludwig/Walter Berry/Berliner Philharmoniker/Herbert von Karajan) 12. Tristan und Isolde (1994 - Remaster), Act I, Scene 4: H?rtest du nicht? Hier bleib' ich (Helga Dernesch/Christa Ludwig/Walter Berry/Berliner Philharmoniker/Herbert von Karajan) 13. Tristan und Isolde (1994 - Remaster), Act I, Scene 5: Begehrt, Herrin, was ihr w?nscht (Helga Dernesch/Jon Vickers/Berliner Philharmoniker/Herbert von Karajan) 14. Tristan und Isolde (1994 - Remaster), Act I, Scene 5: Da du so sittsam, mein Herr Tristan (Helga Dernesch/Jon Vickers/Berliner Philharmoniker/Herbert von Karajan) Part 2: 1. Tristan und Isolde (1994 - Remaster), Act I, Scene 5: War Morold dir so wert (Helga Dernesch/Jon Vickers/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 2. Tristan und Isolde (1994 - Remaster), Act I, Scene 5: Des Schweigens Herrin heisst mich schweigen (Helga Dernesch/Jon Vickers/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 3. Tristan und Isolde (1994 - Remaster), Act I, Scene 5: Tristan! ... Isolde! (Helga Dernesch/Jon Vickers/Christa Ludwig/Walter Berry/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 4. Tristan und Isolde (1994 - Remaster), Act I, Scene 5: Schnell, den Mantel, den K?nigsschmuck! (Helga Dernesch/Jon Vickers/Christa Ludwig/Walter Berry/Ch?re der Deutschen Oper Berlin/Berliner Philharmoniker/Herbert von Karajan) 5. Tristan und Isolde (1994 - Remaster), Act II: Vorspiel (Berliner Philharmoniker/Herbert von ... (P) 2011 The copyright in this sound recording is owned by EMI Records Ltd
Der heitere Mozart by Wolfgang Amadeus, h musical sound recording Mozart( )

21 editions published between 1900 and 2014 in 4 languages and held by 579 WorldCat member libraries worldwide

"Der heitere Mozart" tar for seg en lang rekke av komponistens mer sprø, musikalske innfall. Mozart (1756 - 1791) var en glad laks og en stor del av hans produksjon går inn under den kategorien som kalles underholdningsmusikk. Her finner vi lette, morsomme stykker og småserenader. I tillegg har man på platen fått plass til en rekke såkalte kanons, viser Mozart selv skrev teksten til. Enkelte av disse visene har på grunn av komponistens noe frivole sans for analhumor fått et visst rykte som noen skikkelige griseviser. Aftenpostens klassiskspaltist kaller denne platen for " en av de artigste Mozart-utgivelser som eksisterer"
 
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WorldCat IdentitiesRelated Identities
Alternative Names
Peter Schreier

Peter Schreier artiste lyrique

Peter Schreier cantante y director de orquesta

Peter Schreier Duits operazanger en dirigent

Peter Schreier Duits zanger

Peter Schreier German tenor and conductor

Peter Schreier německý tenorista a dirigent

Peter Schreier niemiecki śpiewak (tenor) i dyrygent

Peter Schreier operaénekes, karmester

Peter Schreier saksalainen laulaja ja kapellimestari

Peter Schreier tenor alemán

Peter Schreier ténor et chef d'orchestre allemand

Peter Schreier tenore tedesco

Peter Schreier tysk sångare och dirigent

Peter Schreier tysk sanger og dirigent

Peter Schreier tysk tenor og dirigent

Schreier.

Schreier 1935-2019

Schreier, P.

Schreier, P. 1935-

Schreier, P. 1935-2019

Schreier, P. 1935- (Peter)

Schreier, P. (Peter)

Schreier, Peter, 1935-

Schreier, Peter Max

Schreir P.

Shuraiya, Pētā 1935-

Shuraiya, Pētā 1935-2019

Šrajer, Peter 1935-

Šrajer, Peter 1935-2019

Šreiers Peters

Петер Шраєр

Шрайер, П. (Петер), 1935-2019

Шрайер, Петер

Шрайер, Петер 1935-

Шрайер, Петер, 1935-2019

Шрайер, Петер Немецкий тенор и дирижёр

פטר שרייר

پيتير ستشرير

슈라이어, 페터 1935-2019

シュライヤー, ペーター

ペーター・シュライアー

ペーター・シュライアー ドイツのテノール歌手、指揮者 (1935 - 2019)

彼得·許萊爾

Languages
German (550)

Italian (36)

French (27)

English (19)

Latin (18)

Norwegian (1)

Germanic (1)