WorldCat Identities

Bouteille-Meister, Charlotte

Overview
Works: 12 works in 26 publications in 1 language and 233 library holdings
Genres: Conference papers and proceedings  Criticism, interpretation, etc 
Roles: Author, Publishing director, Editor, Director, Contributor
Classifications: PQ1220, 809
Publication Timeline
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Most widely held works by Charlotte Bouteille-Meister
Corps sanglants, souffrants et macabres : XVIe-XVIIe siècle by Charlotte Bouteille-Meister( Book )

9 editions published in 2010 in French and Undetermined and held by 103 WorldCat member libraries worldwide

Théâtre de la cruauté et récits sanglants en France : XVIe-XVIIe siècle( Book )

5 editions published in 2006 in French and held by 93 WorldCat member libraries worldwide

Oedipe contemporain? : tragédie, tragique, politique( Book )

1 edition published in 2007 in French and held by 22 WorldCat member libraries worldwide

Théâtre, guerres et religion : Europe, XVIe siècle by Charlotte Bouteille-Meister( Book )

2 editions published in 2020 in French and held by 5 WorldCat member libraries worldwide

Les cadavres fantasmés des Guise : les corps sanglants du Balafré et de son frère dans les stratégies de représentation des assissinats de Blois by Charlotte Bouteille-Meister( )

1 edition published in 2010 in French and held by 2 WorldCat member libraries worldwide

Besoin de vélo conférence du jeudi 10 juin 2010( Visual )

2 editions published in 2010 in French and held by 2 WorldCat member libraries worldwide

Théâtre, guerres et religion (Europe, XVIe siècle)( )

1 edition published in 2020 in French and held by 1 WorldCat member library worldwide

Théâtre de la cruauté et récits sanglantes en France (XVIe-XVIIe siècle)( Book )

1 edition published in 2006 in French and held by 1 WorldCat member library worldwide

Corps sanglants, souffrants et macabres, 16e-17e siècle( Book )

1 edition published in 2010 in French and held by 1 WorldCat member library worldwide

Représenter le présent : formes et fonctions de "l'actualité" dans le théâtre d'expression française à l'époque des conflits religieux (1554-1629) by Charlotte Bouteille-Meister( )

1 edition published in 2011 in French and held by 1 WorldCat member library worldwide

Displaying contemporaneous events on the theatre stage does not necessarily need to involve mythological or historical transposition. Often neglected or even despised by theatre critics, the representation of contemporaneousness, however, offers a particularly fertile field of study when it comes to analysing how individuals reflect on their own existence in Time.During times of religious conflict in Europe, both Catholics and Protestants alike used the stage as a powerful vehicle to stir controversy; situated at the crossroads between multiple forms and influences, theatre can provide its public with a re-presentation of present time both entertaining and critical, designed to strengthen a community's actual and intellectual unity. What is more, forms and functions of “topicality” on stage evolve and develop further as religious conflict shifts from the theological to the political battleground and hope for reconciliation is overshadowed by escalating armed conflicts.Whilst Protestant topical theatre finds numerous concurrent signs of the imminent end of the world, the topical theatre created and represented at the Catholic Valois court tries desperately to maintain the illusion of a Golden Age of concord; soon thereafter, however, an Age of Iron is acknowledged, in which theatre reflects the violence and bloodthirstiness of its time and calls on the audiences to take action. When the compromise of the edict of Nantes imposes peace and amnesty, this pragmatism is substituted by a drive towards memorialisation: performing the present on stage becomes a matter of remembrance, at a time when the Bourbon monarchy tries to turn the recent past into a legend
Théâtre de la cruauté et récits sanglants en France (16e-17e siècle)( Book )

1 edition published in 2006 in French and held by 1 WorldCat member library worldwide

Représenter le présent : Formes et fonctions de "l'actualité" dans le théâtre d'expression française à l'époque des conflits religieux : 1554-1629 by Charlotte Bouteille-Meister( Book )

1 edition published in 2011 in French and held by 1 WorldCat member library worldwide

Displaying contemporaneous events on the theatre stage does not necessarily need to involve mythological or historical transposition. Often neglected or even despised by theatre critics, the representation of contemporaneousness, however, offers a particularly fertile field of study when it comes to analysing how individuals reflect on their own existence in Time.During times of religious conflict in Europe, both Catholics and Protestants alike used the stage as a powerful vehicle to stir controversy; situated at the crossroads between multiple forms and influences, theatre can provide its public with a re-presentation of present time both entertaining and critical, designed to strengthen a community's actual and intellectual unity. What is more, forms and functions of “topicality” on stage evolve and develop further as religious conflict shifts from the theological to the political battleground and hope for reconciliation is overshadowed by escalating armed conflicts.Whilst Protestant topical theatre finds numerous concurrent signs of the imminent end of the world, the topical theatre created and represented at the Catholic Valois court tries desperately to maintain the illusion of a Golden Age of concord; soon thereafter, however, an Age of Iron is acknowledged, in which theatre reflects the violence and bloodthirstiness of its time and calls on the audiences to take action. When the compromise of the edict of Nantes imposes peace and amnesty, this pragmatism is substituted by a drive towards memorialisation: performing the present on stage becomes a matter of remembrance, at a time when the Bourbon monarchy tries to turn the recent past into a legend
 
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Alternative Names
Meister Charlotte Bouteille-

Languages
French (25)