Front cover image for Images and relics : theological perceptions and visual images in sixteenth-century Europe

Images and relics : theological perceptions and visual images in sixteenth-century Europe

John Dillenberger has written the first comprehensive account of the relation between the visual arts and theological currents in Europe during the first half of the sixteenth century. With an astute knowledge of the theology of the period and a keen interest in the lives and work of prominent artists, Dillenberger makes incisive connections that illuminate the cultural movements of the time. Images and Relics considers both popular and professional art within distinct religious contexts. It examines the works of Matthias Grunewald, Albrecht Durer, Lucas Cranach the Elder, Michelangelo, Hans Holbein the Younger, Hans Baldung Grien, and Albrecht Altdorfer, and demonstrates how these artists expressed and transformed the reigning theological ideas of their day. The book also addresses the range of iconoclastic movements from the 1520s to the 1570s, particularly in northern Europe. Finally, Dillenberger reflects on the ambiguity of the history of this period and its continuing impact on modern-day life [Publisher description]
Print Book, English, 1999
Oxford University Press, New York, 1999
xii, 248 pages : illustrations ; 24 cm
9780195121728, 9780585270470, 0195121724, 0585270473
38898069
PART I. CULTURAL AND THEOLOGICAL SETTINGS3(22)
1 Setting the Stage for the Image Question
3(22)
The Chronology of Reform
5(8)
Iconoclasm, Images, and Relics
13(2)
The Role of Popular Culture
15(10)
PART II. ARTISTS AND IMAGES25(148)
2 Matthias Grunewald: Extending the Medieval World
25(28)
Orientation to the Person and His Work
25(2)
The Isenheim Altarpiece
27(5)
The Medieval Background
32(4)
More on the Isenheim Altarpiece
36(13)
Works after 1520
49(4)
3 Albrecht Durer: Renaissance Humanist Reform
53(26)
Early Life and Work
54(1)
Selected Works to circa 1515
55(9)
Durer's Early Interest in Luther
64(5)
Durer and the Reformation in Nuremberg
69(10)
4 Lucas Cranach the Elder: A Reformation Artist
79(36)
Cranach the Elder until circa 1528
80(9)
Luther's Views of the Visual Arts and Theology
89(7)
Law and Gospel in the Art of the Cranachs
96(13)
Individual Works after 1530
109(6)
5 Michelangelo Buonarroti: Catholic Reformation Piety
115(34)
Michelangelo and Reform
115(2)
The Sistine Ceiling
117(10)
Reforms in the Life and Thought of the Church
127(5)
Religious Currents and Michelangelo's Last Judgment
132(7)
Notes on the Pauline Chapel
139(2)
Religious Conflicts and the Emergence of the Nicodemites
141(2)
The Florentine Pieta and the Last Years
143(6)
6 Three Artists with Distinctive Accents
149(24)
Hans Holbein the Younger: The Cult of the Portrait
149(8)
Hans Baldung Grien: Misogyny and the Devil
157(9)
Albrecht Altdorfer: Artist of Many Stripes
166(7)
PART III. ICONOCLASM AND BEYOND173(16)
7 The Rejection and Repositioning of Visual Images
173(16)
Reformation Theologians and Iconoclasm
174(12)
Reconstitution of the Catholic Tradition
186(3)
Conclusion: Thoughts in the Wake of the Reformation189(4)
Notes193(18)
Bibliography211(20)
Credits and Permissions231(2)
Index233