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<TABLE CELLSPACING=0 CELLPADDING=0><TR><TD>List of Figures</TD><TD WIDTH=40></TD><TD VALIGN=TOP>ix</TD><TD></TD></TR><TR><TD>Notes on Contributors</TD><TD WIDTH=40></TD><TD VALIGN=TOP>xi</TD><TD></TD></TR><TR><TD>Introduction</TD><TD WIDTH=40></TD><TD VALIGN=TOP>1</TD><TD></TD></TR><TR><TD>I. PETRARCH'S BRITAIN</TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>1. Petrarch and the `barbari Britanni'</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>9</TD><TD></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=60></TD><TD>PIERO BOITANI</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD>II. PETRARCH AND THE SELF</TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>2. Petrarch solitarius</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>29</TD><TD></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=60></TD><TD>JENNIFER PETRIE</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>3. The Ethics of Ignorance: Petrarch's Epicurus and Averro��s and the Structures of the De Sui Ipsius et Multorum Ignorantia</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>39</TD><TD></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=60></TD><TD>ZYGMUNT G. BARANSKI</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>4. Petrarch's Second (and Third) Death</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>61</TD><TD></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=60></TD><TD>JONATHAN USHER</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD>III. PETRARCH IN DIALOGUE</TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>5. Poets and Heroes in Petrarch's Africa: Classical and Medieval Sources</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>85</TD><TD></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=60></TD><TD>FRANCESCA GALLIGAN</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>6. Petrarch Reading Dante: The Ascent of Mont Ventoux (Familiares 4. 1)</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>95</TD><TD></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=60></TD><TD>ENRICO SANTANGELO</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>7. Petrarch and Cino da Pistoia: A Moment in the Pre-history of the Canzoniere</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>113</TD><TD></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=60></TD><TD>JOHN TOOK</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD>IV. PETRARCHISM AND ANTI-PETRARCHISM IN ITALY</TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>8. Petrarch and the Italian Reformation</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>131</TD><TD></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=60></TD><TD>ABIGAIL BRUNDIN</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>9. Petrarch, Sidney, Bruno</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>149</TD><TD></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=60></TD><TD>HILARY GATTI</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>10. Renaissance Misogyny and the Rejection of Petrarch</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>161</TD><TD></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=60></TD><TD>DIEGO ZANCANI</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>11. Impersonations of Laura in Sixteenth- and Seventeenth-century Italy</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>177</TD><TD></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=60></TD><TD>LETIZIA PANIZZA</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD>V. PETRARCHISM: ENGLISH AND SCOTTISH CONNECTIONS</TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>12. Other Petrarchs in Early Modern England</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>203</TD><TD></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=60></TD><TD>MICHAEL WYATT</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>13. Thomas Watson's Hekatompathia and European Petrarchism</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>217</TD><TD></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=60></TD><TD>STEPHEN CLUCAS</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>14. The Comedy of Astrophil: Petrarchan Motifs in Sidney's Astrophil and Stella</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>229</TD><TD></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=60></TD><TD>JOHN ROE</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>15. Sidney, Spenser, and Political Petrarchism</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>243</TD><TD></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=60></TD><TD>SYRITHE PUGH</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>16. Petrarch and the Scottish Renaissance Sonnet</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>259</TD><TD></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=60></TD><TD>RONALD D.S. JACK</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD>VI. PETRARCH AND THE MODERNS: ITALY AND BRITAIN</TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>17. Leopardi and Petrarch</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>277</TD><TD></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=60></TD><TD>PAMELA WILLIAMS</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>18. Between Tradition and Transgression: Amelia Rosselli's Petrarch</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>301</TD><TD></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=60></TD><TD>EMMANUELA TAN DELLO</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>19. Nineteenth-century British Biographies of Petrarch</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>319</TD><TD></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=60></TD><TD>MARTIN McLAUGHLIN</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=20></TD><TD>20. Translating Petrarch</TD></TR></TABLE></TD><TD WIDTH=40></TD><TD VALIGN=TOP>341</TD><TD></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=60></TD><TD>PETER HAINSWORTH</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD>Index</TD><TD WIDTH=40></TD><TD VALIGN=TOP>359</TD><TD></TD></TR></TABLE>

Published for the British Academy by Oxford University Press

Surveying Petrarch's legacy in Britain, this volume explores a number of key topics: Petrarch's analysis of the self; his dialogue with other classical and Italian authors; Petrarchism and anti-Petrarchism in Renaissance Italy; Petrarchism in England and Scotland; and his modern legacy in both Italy and Britain

Petrarch in Britain : interpreters, imitators, and translators over 700 years