Adaptation and appropriation
From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. Combining theoretical grounding with the aesthetic pleasure of reading and writing, this book explores: * multiple definitions and practices of adaptation and appropriation; * the cultural and aesthetic politics behind the impulse to adapt; * diverse ways in which contemporary literature and film adapt, revise and re-imagine other works of art; * the impact on adaptation and appropriation of theoretical movements, including structuralism, post-structuralism, postcolonialism, postmodernism, feminism and gender studies; * the appropriation across time and cultures of specific canonical texts, but also of literary archetypes such as myth or fairy tale. Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates surrounding adaptation and appropriation, presenting a much-needed resource for those studying literature, film or culture
Print Book, English, ©2005
Routledge, Abingdon [England], ©2005
184 pages ; 20 cm.
9780415311724, 9780415311717, 9780203087633, 0415311721, 0415311713, 0203087631
pt. 1. Defining terms
1. What is adaptation?
2. What is appropriation?
pt. 2. Literary archetypes
3. 'Here's a strange alteration' : Shakespearean appropriations
4. 'It's a very old story' : myth and metamorphosis
5. 'Other versions' of fairy tale and folklore
pt. 3. Alternative perspectives
6. Constructing alternative points of view
7. 'We "other Victorians"'; or, rethinking the nineteenth century
8. Stretching history; or, appropriating the facts
9. Appropriating the arts and sciences