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<TABLE CELLSPACING=0 CELLPADDING=0><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>Acknowledgements.</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>Introduction.</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>Part I: What is Art?:.</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>1. The Concept of Art: Oswald Hanfling (Open University).</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>2. Aesthetic Qualities: Oswald Hanfling (Open University).</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>3. The Ontology of Art: Oswald Hanfling (Open University).</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>Part II: Art and Feeling:.</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>4. Aesthetic Experience: Diane Collinson (Open University).</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>5. Expression and Creativity (Robert Wilkinson, Staff Tutor, Open University).</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>Part III: Art, World and Society:.</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>6. Truth and Representation: Rosalind Hursthouse (Open University).</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>7. Art, Society and Morality: Tom Sorell.</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>Part IV: The Evaluation of Art:.</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>8. Evaluation, Objectivity and Subjectivity: Colin Lyas (Lancaster University).</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>9. Criticism and Interpretation: Colin Lyas (Lancaster University).</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>10. Continental Aesthetics: Stuart Sim (Open University).</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>11. Marxist Aesthetics: Stuart Sim (Open University).</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR><TR><TD></TD><TD WIDTH=40></TD></TR><TR><TD><TABLE CELLSPACING=0 CELLPADDING=0><TR><TD WIDTH=40></TD><TD>Index.</TD></TR></TABLE></TD><TD WIDTH=40></TD></TR></TABLE>

Philosophical aesthetics : an introduction